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was another influence on his later work, which declined sharply in quality from the 1680s. In his last years he painted inferior replicas of his own earlier works and those of others. He was buried in the Nieuwe Zuids chapel on
October 20, 1707 – a recent archival discovery, before which he was
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The 1650s were the period of his best work, including his winter landscapes, which were strongly influenced by those of Jan van de
Cappelle, as were his tranquil marine scenes. He then worked for
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on May 2, 1621. He married in 1651 and again in 1656, when he described himself as a "painter", but he is described as a "shopkeeper" in 1663 and 1665, when he was made
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and winter landscapes, who spent much of his career working in the studios of other marine artists.
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in whose studio he worked c. 1650–3, bringing him into contact with
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and his son Willem II until they left for London after the
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Marine scene, 1660s; a tranquil scene influenced by
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283:Paintings by Hendrick Jacobsz. Dubbels
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234:, 1991, National Gallery Catalogues
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249:National Maritime Museum biography
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213:"Grove", Middendorf, Ulrike.
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297:, Freren, 1989 (in German)
219:Dubbels, Hendrik (Jakobsz.)
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258:Dutch Painting, 1600-1800
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47:Hendrick Jacobsz. Dubbels
129:National Maritime Museum
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18:Hendrick Jacobsz Dubbels
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285:at Wikimedia Commons
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325:Dutch marine artists
293:Middendorf, Ulrike.
205:Grove, MacLaren, 115
335:Dutch male painters
94:Jan van de Cappelle
36:Jan van de Cappelle
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223:Summary on Artnet
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