539:(1953–1957), a house designed as a work of art on the heights of the capital, immersed in a tropical garden. Conceived as large-scale abstract sculpture, it can be seen from the inside as an uninterrupted sequence of points of view where light and color prevail. Outside, the walls were like suspended screens that defined the space of the house. At night, a lighting system highlighted its contours. All the materials and the furniture, chosen or designed by Ponti, were shipped from Italy. The overall effect has been noted for its "lightness": "the Villa Planchard sits so lightly on the hillside above Caracas that it is known as the 'butterfly house.'" A few miles away, Ponti designed for Blanca Arreaza, the Diamantina (1954–1956), so-called because of the diamond-shaped tiles that partially cover its facade. This villa has since been destroyed.
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634:. He completely renewed the iconographic repertoire by freely revisiting the classical tradition. He also rationalized the production system of the pieces while maintaining their high quality of execution. The pieces were presented at the first decorative arts biennial in Monza in 1923. With his new designs, he won the great prize for ceramics in 1925 at the International Exhibition of Modern Decorative and Industrial Arts in Paris. After this major success, Ponti played a major role in the modernisation of Italian decorative arts, especially thanks to his involvement in the Monza Biennials and the Milan Triennials. In the 1920s, Ponti began numerous collaborations, notably with the silverware company Christofle, the glassmakers Venini and Fontana Arte. He also founded the Labirinto group, with
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and light became important protagonists of his architecture. This theatricality was reinforced by the omnipresence of ceramics, whose uses he reinvented both indoors and outdoors. In collaboration with the
Milanese firm Ceramica Joo, he created diamond-shaped tiles with which he covered most of his facades (Villa Arreaza in Caracas, 1954–1956, Villa Nemazee in Tehran, 1957–1964, Shui Hing department store in Hong Kong, 1963, San Carlo Borromeo Hospital Church, 1964–1967 and Montedoria building, 1964–1970 in Milan). With Ceramica D'Agostino, he designed tiles with blue and white or green and white motifs that once combined create different more than a hundred motifs. They were used for the interior decoration of the hotels Parco dei Principi in
328:. With the construction of the Borletti funeral chapel in 1931, he started to adopt a modernist shift. By removing all ornament, Ponti moved towards formal simplification where he sought to make style and structure coincide. The ten "case tipiche" (typical houses), built in Milan between 1931 and 1938, were also close to Rationalist Modernism while retaining features of Mediterranean houses like balconies, terraces, loggias and pergolas. Spacious, equipped and built with modern materials, they met the requirements of the new Milanese bourgeoisie. The construction of the Rasini building (1933–1936) with its flat roofs marked the end of his partnership with Emilio Lancia around 1933. He then joined forces with engineers
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concrete facade perforated with openings, such that it is referred to locally as "the sail." In 1971, he participated in the construction of the Denver Art Museum in
Colorado, taking care of the building's exterior envelope. He also submitted in 1971 a project for the future Centre Georges-Pompidou in Paris by proposing to model an axis in the capital linking the Baltard pavilions in les Halles pavilions to the future modern art museum thanks to an art "garden".
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or radio. He then applied this solution to domestic spaces and offices, with "organised walls". Next came the "fitted windows", for the manufacturer
Altamira in particular and that he used for his apartment via Dezza. With its vertical and horizontal frames through which shelves, bookcases and frames can be arranged, the "fitted window" became the fourth transparent wall of a room and ensured a transition between the inside and the outside.
879:, which he founded in 1928 with the publisher Gianni Mazzochi and which he directed almost all his life, Ponti had the opportunity to spread his ideas. The aim of this review was to document all forms of artistic expression in order to stimulate creation through an independent critical perspective. A mirror of the architectural and decorative arts trends, it introduced Italian readers to the modernist movement and creators such as
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In 1970, Ponti presented his concept of an adapted house (casa adatta) at
Eurodomus 3 in Milan, where the house is centred around a spacious room with sliding partitions, around which the rooms and service areas gravitate. The space requirement for furniture and services was reduced to a minimum. The
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In the field of interior design, Ponti multiplied inventions and favoured multifunctional solutions; In 1951, he developed an ideal hotel room for the Milan
Triennial, in which he presented a "dashboard" bed headboard composed of shelves, some of which were mobile, and control buttons for electricity
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In 1948 he returned to Domus, where he remained as editor until his death. His daughter Lisa
Licitra Ponti soon joined the editorial team. In the 1950s, the review became more international and the reopening of borders encouraged confrontation with different cultural and visual worlds. Thanks to his
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In the 1930s, while Ponti continued to design unique pieces of furniture for specific interiors, and encouraged the promotion of quality series production. In 1930, he designed furniture and lighting for the glassmaker
Fontana and became in 1933, together with Pietro Chiesa, the artistic director of
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chemical group (1935–1938), for which he used the latest techniques and materials produced by the firm, in order to reflect the company's avant-garde spirit, Ponti designed, on an unprecedented scale (the offices housed 1,500 workstations), a building in every detail, from architecture to furniture.
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From a simple participant, he became a member of the steering committee of the Monza
Biennials in 1927, where he advocated for a closer bond between crafts and industry. Thanks to his involvement, the Biennale underwent tremendous development: renamed the Triennial of Art and Modern Architecture in
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In the last years of his life, Ponti was more than ever in search of transparency and lightness. He saw his facades as folded and perforated sheets of paper with geometric shapes. The 1970s began with the inauguration in 1970 of the
Taranto Cathedral, a white rectangular building topped with a huge
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and Hong Kong, where Ponti developed new architectural solutions: the façades of his buildings became lighter and seemed to be detached like suspended screens. With the church of San
Francesco al Fopponino in Milan (1961–1964), he created his first façade with perforated hexagonal openings. The sky
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where he carried out a monumental fresco on the stairs leading to the rectorate. From 1943, due to the Second World War, his activity as an architect slowed down. This period corresponded to a period of reflection in which Ponti devoted himself to writing and designing sets and costumes for theatre
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in 1968, Ponti presented a model of a city, Autilia, for which he imagined a continuous vehicle circulation system. The art historian Nathan Shapira, his student and disciple, organised that same year, with the help of Ponti, his first retrospective exhibition which travelled the United States for
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readers detailed plans of a circular house called Il scarabeo sotto la foglia (1964– The beetle under a leaf). This small oval building was covered with white and green ceramic tiles, both inside and outside, including the roof. Its envelope reflected the surrounding landscape and blended into it,
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From the beginning of his career, Ponti promoted Italian creation in all its aspects. In a 1940 publication, he wrote that: "The Italians were born to build. Building is a characteristic of their race, it informs their mentality, commitment to their work and destiny, it is the expression of their
491:(1956–1960). Facing Milan's main station, this 31-story, 127-meter-high (417 ft) skyscraper housed the headquarters of Pirelli, a company specializing in tyres and rubber products. At the time of its inauguration, and for a few months, it was the tallest building in Europe. Together with the
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At the turn of the 1950s, Ponti deployed a prolific creation where he sought to combine aesthetic and functional requirements: the espresso machine for La Pavoni in 1948 and the Visetta sewing machine for Visa (1949), textiles for JSA, door handles for Olivari, a range of sanitary facilities for
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In 1957, Ponti published Amate l'architettura (In Praise of Architecture), his seminal work where he defined the expression of a finished form (la forma finita) that was simple, light, and did not allow any possibility of extension, addition, repetition or superposition. This concept applied to
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magazine—an architecture and design magazine sympathetic to the fascist regime—which he edited until 1947. In the magazine, which expressed clear support for fascist Italy and Nazi Germany, in reference to the regime, Ponti wrote: "our great allies give us an example of tenacious, very serious,
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in the Netherlands (1966–1969), Ponti proposed another solution, by creating a tiled façade for an existing building. Modular, it was enlivened thanks to the non-uniform arrangement of its openings with various shapes. Lit from behind, the facade turned into a bright screen at night. Facing the
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Ponti continued to create wall and floor coverings whose graphic rendering becomes a work of art in itself. Foliage patterns were developed on tiles for Ceramica D'Agostino. Together with this manufacturer, he also produced geometrically decorated and coloured tiles to cover the floors of the
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Ponti was born in Milan in 1891 to Enrico Ponti and Giovanna (Rigone). His studies were interrupted by his military service during World War I. He served as a Capitan in the Pontonier Corps (Corps of Engineers) from 1916 to 1918 and was awarded both the
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in 1976. A similar process was used in 1978 to cover the facade of the Shui Hing department store in Singapore. Finally, that same year, his ultimate decorative and poetic shapes, a bestiary of folded silver leaves, were interpreted by the silversmith
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movement. In 1925, Ponti participated in the International Exhibition of Modern Decorative and Industrial Arts in Paris, with the porcelain manufacturer. On this occasion, he made friends with Tony Bouilhet, director of the silversmith company
903:. Over the years, the magazine became more international and played an important role in the evolution of Italian and international design and architecture. Still published today, Domus is a reference in the fields of architecture and design.
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During his career, which spanned six decades, Ponti built more than a hundred buildings in Italy and in the rest of the world. He designed a considerable number of decorative art and design objects as well as furniture. Thanks to the magazine
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building, Ponti designed a living square where the inhabitants could meet and rest on sculptures built for this purpose. Ponti also deepened his reflection on the skyscraper with a project of triangular and coloured towers (1967–1969).
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by designing the School of Mathematics school, inaugurated in 1935. Ponti chose bright and functional spaces with simple lines, including a fan-shaped building that housed three amphitheaters. From 1934 to 1942, he worked at the
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In the 1950s, and thanks to his role in the Domus Magazine, Ponti was internationally known and commissions were multiplying, with constructions in Venezuela, Sweden, Iraq and projects in Brazil. In New York City, he set up the
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furniture also became flexible and space-saving in order to optimise space. The Gabriela chair (1971) with a reduced seat, as well as the Apta furniture series (1970) for Walter Ponti, illustrated this new way of life.
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in Parco Sempione, a museum and theater to host the displays. Adjacent to the palace, a steel tower-spire was commissioned from Gio Ponti. The 108-meter-high (354 ft) Littoria Tower (or Lictor's Tower, but now
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After World War 2, with the emergence of the Italian economic boom, the 1950s were a busy time for Ponti, who traveled abroad. He participated in the redevelopment and interior design of several Italian liners
740:, the Leggera and Superleggera (superlight) chairs, the Distex, Round, Lotus and Mariposa chairs are now among the classics of Italian design. In 1957, the Superleggera chair designed for
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At the turn of the 1940s, architectural projects continued initially for Ponti, with the construction of the Columbus Clinic (1939–1949) in Milan, and the interior design of the
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like the shell of a beetle. In 1966, collector Giobatta Meneguzzo built his version of the beetle under a leaf in the province of Vicenza and entrusted the Italian designer
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magazine. Ponti also coordinated the Italian and European editions of the Eurodomus design exhibitions, including the exhibition "Formes italiennes" in 1967 at the
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organized and orderly application "(Stile, August 1941). Stile only lasted a few years and shut-down after the Aglo-American liberation of Italy and the defeat of
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Gio Ponti: la collezione del Museo Richard-Ginori della manifattura di Doccia = Gio Ponti: the collection of the Museo Richard-Ginori della manifattura di Doccia
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involvement in numerous exhibitions, Ponti established himself as a major player in the development of post-war design and the diffusion of "Made in Italy".
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in 1921. The same year, he married Giulia Vimercati, with whom he had four children, Lisa, Giovanna, Letizia, and Giulio, and eight grandchildren.
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with Emilio Lancia, a furniture collection with simple lines that was produced in series and sold by the Milanese department store La Rinascente.
176:; 18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.
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In the 1940s and early 1950s, Ponti turned to unique creations showcasing the skills of exceptional craftsmen. With the artist and enameller
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and trained several generations of designers. Ponti also contributed to the creation in 1954 of one of the most important design awards: the
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559:(1960) and in Rome (1961–1964). The Hotel Parco dei Principi in Sorrento was one of the first design hotel in Italy. Ponti also offered to
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architecture as well as art and design. It was symbolized by the hexagonal shape of the diamond that Ponti used in many of his creations.
2788:, ed. G. Celant. Catalogue essay for the Ponti Exhibition at the Triennale di Milano, 6 May – 24 July 2011 (Milan: Electa, 2011), 35–45.
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Mussolini claimed on 28 October 1932, that "non si può superare il divino con l'umano" (We cannot exceed the divine with the human).
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Many models also emerged in the 1960s, such as the Continuum rattan armchair for Pierantonio Bonacina (1963), wooden armchairs for
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In the 1950s and in the 1960s, Ponti multiplied events in Italy and abroad. In 1964, he organised a series of exhibitions in the
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1934: Room "Più leggero dell'aria" ("Lighter than air") at the Esposizione dell’aeronautica italiana, Palazzo dell'Arte,
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The 1930s were years of intense activity for Ponti. He was involved in many projects, particularly in his native city of
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1930 and relocated to Milan in 1933, it became a privileged place to observe innovation at the international level.
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Il miraggio della concordia: documenti sull'architettura e la decorazione del Bo e del Liviano: Padova 1933–1943
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1936–1942: Artistic direction and interior design of the Aula Magna, basilica and administrative building of
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Ponti is also involved in the project to expand the new university campus in Rome, led by the urban planner
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503:(1955–1961) of the BBPR Group, this skyscraper changed Milan's landscape. From 1953 to 1957, he built the
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and Giulio Cesare, 1950, Oceania, 1951), showcases the know-how of his country. Construction continued in
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1935–1936: Interior design and furnishing of the Italian cultural institute, Lützow-Fürstenberg Palace,
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From 1936 to 1961 he worked as a professor on the permanent staff of the Faculty of Architecture at
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Daniel Sherer, "Gio Ponti in New York: Design, Architecture, and the Strategy of Synthesis," in
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Gio Ponti and Carlo Mollino: Post-war Italian Architects and the Relevance of Their Work Today
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showroom in Milan, named "Espressioni", featuring a generation of talents such as
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Gio Ponti: la Villa Planchart a Caracas = Gio Ponti: Villa Planchart en Caracas
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1956–1957: Diamond-shaped tiles and ceramic pebbles for Ceramica Joo, Limito,
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1933–1938: Case tipiche (typical houses), via Letizia and via del Caravaggio,
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1978: Objects made from silver leaf in collaboration with Lino Sabattini,
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Art Prize for his artistic merits, as well as a gold medal from the Paris
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and was entrusted with the construction of the 250-seat auditorium of the
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2751:, NY: F.W. Dodge Corporation, 1960. Library of Congress number 59-11727
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from 1923 through 1927, and then through 1933 with Lancia only, as
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1963: Continuum armchair for Pierantonio Bonacina, Lurago d'Erba,
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1961–1963: Facade of the Shui Hing department store, Nathan Road,
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and Giulio Cesare for Società di Navigazione, Gruppo IRI-Finmare,
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for the Milan Scala in 1947. He also planned a film adaptation of
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1932–1935: School of Mathematics, university campus la Sapienza,
532:
218:
132:
126:
3316:
Grattacielo Pirelli: un capolavoro di Gio Ponti per la Lombardia
2356:
1956: Enameled cooper objects and animals in collaboration with
1702:
1961–1964: San Francesco al Fopponino church, via Paolo Giovio,
1464:
1952: Interior design of the Casa di Fantasia, Piazza Piemonte,
1249:
1936: Design of the universal exhibition of the catholic press,
868:
existence, and the supreme and immortal mark of their history."
336:
to form Studio Ponti-Fornaroli-Soncini which lasted until 1945.
194:
after the Second World War. From 1936 to 1961, he taught at the
3753:. Fiell, Charlotte, 1965– , Fiell, Peter; Irace, Fulvio. Köln.
2554:
2544:
2530:
2520:
2337:
2212:
2138:
2072:
2068:
2054:
1900:
1832:
1814:
1779:
1748:
1964–1967: San Carlo Borromeo hospital church, via San Giusto,
1619:
1519:
1504:
1489:
1479:
1444:
1952: Architecture studio Ponti-Fornaroli-Rosselli, via Dezza,
1220:
1053:
772:
701:
697:
547:
535:, Ponti had freedom to accomplish one of his masterpieces: the
357:
3841:
3405:
3403:
1316:
1938: Design of the "Mostra della Vittoria", Fiera di Padova,
302:
published in 1933. Other outputs of the time include the 1928
2614:
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2098:
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2076:
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2030:
2026:
2020:
2016:
1995:
1991:
1980:
1940–1959: furniture and interior design in partnership with
1975:
1971:
1955:
1951:
1941:
1937:
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1896:
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1019:. Finally, he obtained an honorary doctorate from the London
988:
973:. It was also in the mid-1960s that he befriended art critic
713:
461:
393:
325:
210:
63:
3400:
2610:
2425:
1778:
1966: Canopy for the main basilica at the Oropa sanctuary,
1693:
1623:
1595:
1337:
1115:
2936:. Ponti, Gio, 1891–1979 (1st ed.). Milano: Leonardo.
2903:. Ponti, Gio, 1891–1979 (1st ed.). Milano: Leonardo.
1656:
1959: Auditorium of the Time-Life Building, Sixth Avenue,
3837:
Gio Ponti's works on the Italian public Television – RAI
3093:(25th anniversary ed.). Köln: Taschen. p. 562.
1362:
269:
Ponti began his architectural career in partnership with
1103:
1931–1936: Case tipiche (typical houses), via de Togni,
621:
1148:
1933–1936: Rasini building, bastioni di Porta Venezia,
245:
Ponti graduated with a degree in architecture from the
3847:
INA Casa Harrar-Ponti by Gio Ponti in Rome (1951–1955)
2035:
1945: Sets and costumes for the ballet Mondo Tondo by
1549:
1955–1960: San Luca Evangelista church, via Vallazze,
1229:
1935–1937: Paradiso del Cevedale hotel, Val Martello,
4189:
Academic staff of the Polytechnic University of Milan
2183:
cutlery and other silver objects for Krupp Italiana,
1862:
1977–1978: Facade of the Shui Hing department store,
1692:
1961–1964: Parco dei Principi hotel, via Mercadante,
1031:
1007:
In 1934 he was given the title of "Commander" of the
356:), was meant to resemble the bundles that formed the
2769:
Romanelli, Marco; Ponti, Lisa Licitra, eds. (2003).
2147:
1951: Display of a standard hotel room for the IXth
696:, the porcelain manufacturer Richard Ginori and the
3540:
Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand
2553:1971: Gabriela chair for Walter Ponti, San Biagio,
2529:1970: Apta furniture for Walter Ponti, San Biagio,
2000:1942–1943: Film adaptation of the play Henry IV by
1239:1935–1938: First Montecatini building, via Turati,
1124:1932–1936: ItalCima chocolate factory, via Crespi,
787:Salzburger Nachrichten newspaper's headquarters in
252:
3725:"Architetto e Designer Giovanni Ponti è nato oggi"
3594:. Ponti, Gio (1891–1979). Milano: 24 ore cultura.
3298:
2193:1953: Furniture and organized walls for Altamira,
1560:
626:In 1923, Ponti was appointed artistic director of
3120:
3118:
2647:Crippa, Maria Antonietta; Capponi, Carlo (2006).
1802:1967–1969: Colourful and triangular skyscrapers (
1646:1958–1962: RAS office building, via Santa Sofia,
1484:1953: Italian-Brazilian-Centre, Predio d'Italia,
862:
4130:
2103:1948: Coffee machine La Cornuta for La Pavoni,
1758:1964–1970: Montedoria building, via Pergolesi,
585:Architecture designed by Ponti photographed by
3585:
3583:
3581:
3409:
3248:
3246:
3115:
2768:
1848:1976: Tile floors for the headquarters of the
1209:1935–1936: Laporte house, via Benedetto Brin,
1026:
509:Centro Studi Fondazione Livio e Maria Garzanti
3880:
3672:
3670:
2779:Retrospective Gio Ponti: A Metaphysical World
2646:
1915:1930: Furniture and objets for Fontana Arte,
1870:
1827:1971: Competition for the Plateau Beaubourg,
716:– 1940, Dulcioria pastry shop in Milan–1949,
3655:: CS1 maint: multiple names: authors list (
3525:Gio Ponti, l'arte si innamora dell'industria
3064:"Pónti, Giovanni nell'Enciclopedia Treccani"
2894:
2892:
2890:
2888:
2658:Gio Ponti (Architecture series—bibliography)
2137:1950–1960: Textiles for Jsa, Busto Arsizio,
1600:1957–1959: Carmelite convent, Bonmoschetto,
1326:1938–1949: Columbus clinic, via Buonarroti,
1195:1934–1940: Faculty of the Arts, Il Liviano,
3578:
3346:: CS1 maint: numeric names: authors list (
3243:
2595:1973–1975: Tiling for Ceramica d'Agostino,
2509:1968: Novedra armchair for C&B Italia,
2499:1967: Tableware for Ceramica Franco Pozzi,
2414:1960–1964: Tiling for Ceramica d'Agostino,
1923:Beginning of partnership with Fontana Arte.
720:– 1950, the liners Conte Grande – 1949 and
228:
3887:
3873:
3781:: CS1 maint: location missing publisher (
3748:
3667:
3659:) CS1 maint: numeric names: authors list (
3570:: CS1 maint: location missing publisher (
3508:) CS1 maint: numeric names: authors list (
3504:: CS1 maint: location missing publisher (
3157:: CS1 maint: location missing publisher (
3088:
2664:
2476:1967: The Los Angeles Cathedral, sculpture
1926:1930–1933: Textiles for Vittorio Ferrari,
1403:1950: Interior design of the ocean liners
1169:1934: De Bartolomeis villas, Val Seriana,
1058:1928: Borletti building, via San Vittore,
977:, who became a regular contributor to the
4169:Italian military personnel of World War I
3522:
3256:. Nezzo, Marta (1966– ). : Canova. 2008.
3124:
2885:
1842:1974: Facade for the Mony Konf building,
3303:. Chioggia: Il Leggio Libreria editrice.
3301:Arte sulle motonavi: il varo dell'utopia
3127:Gio Ponti 1891–1979: master of lightness
1048:1926–1928: country house l'Ange volant,
667:
652:
464:. In 1952, he created a new agency with
256:
221:and the Superleggera chair, produced by
3749:Fiell, Charlotte; Fiell, Peter (2017).
3622:
3313:
3089:Fiell, Charlotte; Fiell, Peter (2005).
2728:Gio Ponti, The Complete Work, 1928–1978
2723:, New York: Rizzoli International, 1996
2665:Fiell, Charlotte; Fiell, Peter (1999).
2113:1949: Sewing machine Visetta for Visa,
1936:1930–1936: Cutlery for Krupp Italiana,
1365:headquarters(ex-EIAR), corso Sempione,
1351:1939–1952: Piazza San Babila building,
4184:Polytechnic University of Milan alumni
4131:
3894:
3589:
3537:
2627:
1877:1923–1938: Ceramics and porcelain for
418:for the Triennial Theatre in 1940, or
388:. Together, they imagined in 1938 the
367:With the first office building of the
3868:
3842:Gio Ponti Archives – Official Website
3680:. Bosoni, Giampiero. : Skira-. 2008.
3471:
3191:
3011:"Compasso d'oro alla carriera (1956)"
2931:
2898:
2812:
2793:Gio Ponti designer: Padova, 1936–1941
2700:
2683:
2655:
2448:1966: Dezza armchairs and divans for
2346:1956: Light fittings for Arredoluce,
2286:, Italy, later produced by Reguitti,
1068:1928–1930: Via Domenichino building,
622:Decorative arts and industrial design
171:
3853:Gio Ponti's inventions on Architonic
2730:, Cambridge (Mass.): MIT Press, 1990
2519:1968: Triposto furniture for Tecno,
1891:1927: pewter and silver objects for
1499:1953: Institute of nuclear physics,
1269:1936–1942: Ferrania building (today
1259:1936–1938: Domus Alba, via Goldoni,
906:In 1941 Ponti resigned as editor of
724:– 1950, etc.), spanned two decades.
4107:"900", Cahiers d'Italie et d'Europe
3625:Piero Fornasetti: la folie pratique
3623:Mauriès, Patrick, (1952– ) (2015).
3448:"Il Novecento – Salvatore Saponaro"
2735:Gio Ponti. La committenza Fernandes
2660:. Monticello: Vance Bibliographies.
1038:1924–1926: via Randaccio building,
1011:in Stockholm. He also obtained the
895:. Ponti also presented the work of
796:. Ponti died on 16 September 1979.
752:in 1950, and created furniture for
213:in collaboration with the engineer
13:
3796:Design Museum: Gio Ponti Biography
2815:"Villa Planchart, Caracas 1953–57"
2575:1971: Household linen for Zucchi,
2394:1959: Folding chair for Reguitti,
1722:1962–1964: Ministerial buildings,
568:for the interior design. With the
341:Fifth Triennial of Decorative Arts
14:
4230:
3830:
3318:. Milano: Touring club italiano.
3314:Brevini, Franco (1951– ) (2005).
2380:1957: 699 Superleggera chair for
2245:1953: Bodywork line Diamante for
817:and fork (Sabattini); photo 1963.
732:, cutlery for Krupp Italiana and
3810:. designboom.com. Archived from
3722:
2649:Gio Ponti e l'architettura sacra
2479:1967: Polsino lamp for Guzzini,
2332:1956: Door handles for Olivari,
1666:1960: Parco dei Principi hotel,
1566:1956–1957: Building, via Dezza,
1134:1933: Littoria tower (today the
1079:1931: Borletti funerary chapel,
1032:Architecture and interior design
997:Politecnico di Milano University
846:
834:
822:
807:
800:Design by Ponti photographed by
609:
597:
505:Hotel della Città et de la Ville
253:Architecture and interior design
247:Politecnico di Milano University
38:
4214:Compasso d'Oro Award recipients
4199:Modernist architects from Italy
4194:Commanders of the Order of Vasa
4149:20th-century Italian architects
3800:
3789:
3742:
3716:
3616:
3531:
3516:
3472:Ponti, Gio (1891–1979) (2015).
3465:
3440:
3415:
3354:
3307:
3292:
3218:
3185:
3174:
3165:
3082:
3056:
1561:Major Achievements and Projects
767:(1964), the Dezza armchair for
616:RAS building, Milan (1956–1960)
123:Concattedrale Gran Madre di Dio
92:Polytechnic University of Milan
3627:. Paris: Les Arts décoratifs.
3039:"Gio Ponti – 699 Superleggera"
3031:
3003:
2984:"The ADI Compasso d'Oro Award"
2976:
2958:
2925:
2859:
2833:
2806:
2756:Gio Ponti: Master of Lightness
2561:, later produced by Pallucco,
2489:1967: Fato lamp for Artemide,
2217:1953: 807 Distex armchair for
1590:1956–1962: Development board,
863:Creative advocacy and activity
306:with the Novecento architects
236:Bronze Medal of Military Valor
205:His most famous works are the
1:
2621:
2278:1953–1954: Folding chair for
2063:1946–1950: Glass objects for
1628:1958: Interior design of the
1391:Società di Navigazione Italia
209:, built from 1956 to 1960 in
4174:Italian industrial designers
4154:Italian fascist architecture
3125:Graziella, Roccella (2017).
2932:Ponti, Lisa Licitra (1990).
2899:Ponti, Lisa Licitra (1990).
2813:Ponti, Gio (February 1961).
2799:
2651:. Milan: Silvana editoriale.
2462:1966: Bathroom fittings for
2260:1953: Sets and costumes for
2231:1953: Bathroom fittings for
2081:1947: Sets and costumes for
1960:1940: Sets and costumes for
1732:1963: Villa for Daniel Koo,
1712:1962: Pakistan House hotel,
1529:1953–1957: Villa Planchart,
987:in Paris. At Eurodomus 2 in
756:, Altamira, and cutlery for
7:
4164:Italian furniture designers
3427:www.blouinartsalesindex.com
3299:GMGprogettocultura (2016).
2705:. Milan: Mondadori Electa.
2632:. Milan: Mondadori Electa.
2404:1960: Wall light for Lumi,
1027:Selected works and projects
604:Harar quarter, Milan (1950)
10:
4235:
3849:(with drawings and photos)
3729:www.beniculturalionline.it
3410:Romanelli & Ponti 2003
3194:Gio Ponti: gli anni trenta
3129:(English ed.). Köln.
3091:Design of the 20th Century
2758:, Cologne: Taschen, 2009,
2684:Green, Keith Evan (2006).
2667:Design of the 20th Century
2585:1973: Lamps for Reggiani,
1871:Decorative arts and design
1539:1954–1956: Villa Arreaza,
1379:building, largo Donegani,
483:With the help of engineer
143:Palazzo Montecatini, Milan
140:(with James Sudler Assoc.)
18:
4209:Italian magazine founders
4098:
3902:
2773:. Milan: Abitare Segesta.
2749:In Praise of Architecture
2087:Christoph Willibald Gluck
1610:1957–1964: Villa Nemazee
1514:1953: Villa Taglianetti,
1301:1938: San Michele hotel,
1199:, piazza del Capitanato,
1002:
523:airline agency (1958) on
420:Christoph Willibald Gluck
217:, the Villa Planchart in
150:
109:
105:
97:
87:
71:
49:
37:
30:
4219:Domus (magazine) editors
4204:Italian magazine editors
3858:7 September 2007 at the
3181:Lombardia Beni Culturali
2786:Espressioni di Gio Ponti
2630:Espressioni di Gio Ponti
2628:Celant, Germano (2011).
2539:1970: Textiles for Jsa,
940:Pier Giacomo Castiglioni
885:Ludwig Mies van der Rohe
657:Bottle with Stopper for
279:Studio Ponti e Lancia PL
229:Early life and education
196:Milan Polytechnic School
3538:Franco, Deboni (2013).
3523:La Pietra, Ugo (2009).
3192:Lucia, Miodini (2001).
2737:, Electa Napoli, 2009,
2656:Lamia, Doumato (1981).
1850:Salzburger Nachtrichten
1580:, piazza Duca d'Aosta,
1093:, piazza degli affari,
1017:Académie d'Architecture
971:Michelangelo Pistoletto
853:Ceramic sanitaries for
771:(1966), a sofa bed for
672:Superleggera chair for
19:For the racehorse, see
3708:: CS1 maint: others (
3590:Fulvio, Irace (2011).
3392:: CS1 maint: others (
3284:: CS1 maint: others (
3226:"Scuola di Matematica"
2701:Irace, Fulvio (1988).
1768:1964–1970: Cathedral,
841:Cutlery, 1955–1960 ca.
829:Cutlery, 1955–1958 ca.
677:
665:
442:Anton Giulio Bragaglia
320:Alberto Alpago Novello
304:Monument to the Fallen
266:
240:Italian Military Cross
169:Italian pronunciation:
4179:Architects from Milan
4000:Arrigo Renato Marzola
2867:"PALAZZO MONTECATINI"
2795:, Rome: Laterza, 1989
2726:Ponti, Lisa Licitra,
1788:1966–1969: Facade of
899:and of the decorator
671:
656:
260:
173:[ˌdʒopˈponti]
3043:Italian Architecture
2754:Graziella Roccella,
2703:La Casa all'italiana
2669:. Cologne: Taschen.
2266:Alessandro Scarlatti
2203:1953: Furniture for
2123:1950: Furniture for
1970:, Teatro dell'Arte,
1273:), corso Matteotti,
1021:Royal College of Art
917:The Rome-Berlin Axis
589:(Fondo Paolo Monti,
572:department store in
499:(1956–1959) and the
318:, Emilio Lancia and
300:La Casa all'Italiana
4159:Modernist designers
4118:Margherita Sarfatti
3995:Gian Emilio Malerba
3965:Leonardo Dudreville
2847:. Denver Art Museum
2845:DenverArtMuseum.org
2436:Knoll International
2247:Carrozzeria Touring
1289:University of Padua
1197:University of Padua
1009:Royal Order of Vasa
765:Knoll International
468:and his son-in-law
408:and opera, such as
405:University of Padua
382:University of Padua
377:Marcello Piacentini
4030:Giuseppe Montanari
3940:Giorgio de Chirico
3896:Novecento Italiano
3814:on 6 February 2012
3196:. Milano: Electa.
2934:Gio Ponti: l'opera
2901:Gio Ponti: l'opera
2873:. OLIVARI B. S.P.A
2771:Gio Ponti. A World
2733:Fabrizio Mautone,
2694:Edwin Mellen Press
2690:Lewiston, New York
2262:Mitridate Eupatore
2207:department store,
2205:Nordiska Kompaniet
1792:department store,
1375:1947–1951: Second
1091:Palazzo Mezzanotte
1013:Accademia d'Italia
985:Galeries Lafayette
678:
666:
632:Salvatore Saponaro
529:Time-Life building
283:Novecento Italiano
267:
44:Ponti in the 1950s
4126:
4125:
4020:Francesco Messina
3945:Raffaele De Grada
3527:. Milan: Rizzoli.
3016:ADI Design Museum
2989:ADI Design Museum
2764:978-3-8365-0038-8
2743:978-88-510-0603-7
2302:Reed & Barton
2125:Singer & Sons
2083:Orfeo ed Euridice
1811:Denver Art Museum
1617:
889:Jean-Michel Frank
758:Reed & Barton
754:Singer & Sons
700:glass factory in
466:Antonio Fornaroli
425:Orfeo ed Euridice
392:on the island of
390:Albergo nel bosco
349:Palazzo dell'Arte
330:Antonio Fornaroli
263:Denver Art Museum
154:
153:
138:Denver Art Museum
131:Villa Planchard,
75:16 September 1979
21:Gio Ponti (horse)
16:Italian architect
4226:
4045:Roberto Narducci
4025:Giuseppe Migneco
3950:Fortunato Depero
3889:
3882:
3875:
3866:
3865:
3824:
3823:
3821:
3819:
3804:
3798:
3793:
3787:
3786:
3780:
3772:
3751:Domus: 1928–1939
3746:
3740:
3739:
3737:
3735:
3720:
3714:
3713:
3707:
3699:
3674:
3665:
3664:
3654:
3646:
3620:
3614:
3613:
3587:
3576:
3575:
3569:
3561:
3535:
3529:
3528:
3520:
3514:
3513:
3503:
3495:
3469:
3463:
3462:
3460:
3458:
3444:
3438:
3437:
3435:
3433:
3419:
3413:
3407:
3398:
3397:
3391:
3383:
3358:
3352:
3351:
3345:
3337:
3311:
3305:
3304:
3296:
3290:
3289:
3283:
3275:
3250:
3241:
3240:
3238:
3236:
3222:
3216:
3215:
3189:
3183:
3178:
3172:
3169:
3163:
3162:
3156:
3148:
3122:
3113:
3112:
3086:
3080:
3079:
3077:
3075:
3060:
3054:
3053:
3051:
3049:
3035:
3029:
3028:
3026:
3024:
3007:
3001:
3000:
2998:
2996:
2980:
2974:
2973:
2962:
2956:
2955:
2929:
2923:
2922:
2896:
2883:
2882:
2880:
2878:
2863:
2857:
2856:
2854:
2852:
2841:"North Building"
2837:
2831:
2830:
2828:
2826:
2810:
2791:Mario Universo,
2774:
2719:La Pietra, Ugo,
2716:
2697:
2680:
2661:
2652:
2643:
2002:Luigi Pirandello
1982:Piero Fornasetti
1611:
964:
901:Piero Fornasetti
850:
838:
826:
811:
706:Piero Fornasetti
613:
601:
485:Pier Luigi Nervi
470:Alberto Rosselli
454:Conte Biancamano
430:Luigi Pirandello
386:Bernard Rudofsky
215:Pier Luigi Nervi
175:
170:
78:
60:18 November 1891
59:
57:
42:
28:
27:
4234:
4233:
4229:
4228:
4227:
4225:
4224:
4223:
4129:
4128:
4127:
4122:
4113:Return to order
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4035:Giorgio Morandi
4015:Pietro Marussig
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416:
411:
406:
402:
397:
395:
391:
387:
383:
378:
373:
370:
365:
363:
359:
355:
350:
347:designed the
346:
342:
339:For the 1933
337:
335:
331:
327:
322:
321:
317:
313:
309:
305:
301:
297:
293:
292:Emilio Lancia
289:
284:
280:
276:
275:Emilio Lancia
272:
264:
259:
250:
248:
243:
241:
237:
226:
224:
220:
216:
212:
208:
207:Pirelli Tower
203:
201:
197:
193:
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185:
184:
177:
174:
166:
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158:
149:
142:
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117:Pirelli Tower
115:
114:
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108:
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100:
96:
93:
90:
86:
74:
70:
65:
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48:
41:
36:
29:
26:
22:
4105:
4090:Adolfo Wildt
4075:Mario Sironi
4064:
4055:René Paresce
3985:Achille Lega
3975:Achille Funi
3970:Guido Farina
3920:Pompeo Borra
3816:. Retrieved
3812:the original
3802:
3791:
3750:
3744:
3734:24 September
3732:. Retrieved
3728:
3718:
3677:
3624:
3618:
3591:
3539:
3533:
3524:
3518:
3473:
3467:
3455:. Retrieved
3451:
3442:
3430:. Retrieved
3426:
3417:
3412:, p. 6.
3361:
3356:
3315:
3309:
3300:
3294:
3253:
3233:. Retrieved
3229:
3220:
3193:
3187:
3176:
3167:
3126:
3090:
3084:
3074:24 September
3072:. Retrieved
3070:(in Italian)
3067:
3058:
3048:24 September
3046:. Retrieved
3042:
3033:
3021:. Retrieved
3019:(in Italian)
3014:
3005:
2995:24 September
2993:. Retrieved
2987:
2978:
2969:
2960:
2933:
2927:
2900:
2877:30 September
2875:. Retrieved
2870:
2861:
2851:30 September
2849:. Retrieved
2844:
2835:
2825:30 September
2823:. Retrieved
2818:
2808:
2792:
2785:
2778:
2770:
2755:
2748:
2734:
2727:
2720:
2702:
2685:
2666:
2657:
2648:
2629:
2315:
2300:cutlery for
2297:
2254:
2180:
2162:
2005:
1962:
1836:
1803:
1790:De Bijenkorf
1634:Fifth Avenue
1523:
1508:
1493:
1428:
1405:Andrea Doria
1345:
1310:
1136:Branca tower
1050:Paris Region
1006:
994:
979:
948:Bruno Munari
929:
925:
921:
911:
907:
905:
881:Le Corbusier
876:
874:
870:
866:
785:
781:
762:
745:
726:
722:Andrea Doria
687:
683:Fontana Arte
679:
647:
644:Paolo Venini
636:Tomaso Buzzi
625:
579:
560:
545:
541:
525:Fifth Avenue
517:
508:
504:
482:
478:Gino Pollini
474:Luigi Figini
458:Andrea Doria
450:Conte Grande
446:
438:Louis Jouvet
433:
423:
413:
398:
389:
374:
366:
354:Branca Tower
348:
338:
323:
312:Tomaso Buzzi
303:
299:
296:Tomaso Buzzi
278:
271:Mino Fiocchi
268:
244:
232:
204:
181:
178:
164:
160:
156:
155:
82:Milan, Italy
77:(1979-09-16)
25:
4144:1979 deaths
4139:1891 births
4085:Mario Tozzi
4080:Arturo Tosi
4050:Ubaldo Oppi
3990:Betto Lotti
3960:Ercole Drei
3930:Carlo Carrà
3808:"Gio Ponti"
3457:12 December
3432:12 December
2970:Treccani.it
2819:domusweb.it
2747:Gio Ponti,
2334:Borgomanero
2304:, Newport,
2296:1954–1958:
1852:newspaper,
1809:1970–1972:
1798:Netherlands
1576:1956–1960:
1377:Montecatini
1361:1939–1952:
992:two years.
959: [
910:and set up
857:, 1954 ca.
802:Paolo Monti
681:the branch
587:Paolo Monti
531:(1959). In
493:Galfa Tower
369:Montecatini
4133:Categories
4060:Ugo Piatti
3925:Aldo Carpi
3818:3 November
3325:8836533825
3230:Archi DiAP
3203:8843577042
3145:1025334052
2966:"Treccani"
2943:8835500834
2910:8835500834
2871:Olivari.it
2622:References
2563:Preganziol
2165:chair for
2161:1951: 646
1963:Pulcinella
1893:Christofle
956:Nanda Vigo
734:Christofle
661:(c. 1949)
648:Domus Nova
566:Nanda Vigo
415:Pulcinella
343:in Milan,
288:Christofle
98:Occupation
56:1891-11-18
4065:Gio Ponti
3777:cite book
3769:929918224
3704:cite book
3696:470583524
3651:cite book
3643:905906425
3610:746301220
3592:Gio Ponti
3566:cite book
3558:881689184
3542:. Turin.
3500:cite book
3492:929450430
3388:cite book
3380:234368228
3342:cite book
3280:cite book
3272:310391604
3153:cite book
3109:809539744
2800:Citations
2721:Gio Ponti
2511:Novedrate
2501:Gallarate
2454:Tolentino
2282:-Singer,
2253:, Italy (
2209:Stockholm
1864:Singapore
1844:Hong Kong
1794:Eindhoven
1734:Hong Kong
1724:Islamabad
1714:Islamabad
1688:Hong Kong
1545:Venezuela
1535:Venezuela
1516:São Paulo
1501:São Paulo
1486:São Paulo
1476:Stockholm
944:Enzo Mari
574:Eindhoven
570:Bijenkorf
552:Islamabad
434:Enrico IV
225:in 1957.
110:Buildings
101:Architect
32:Gio Ponti
3856:Archived
3334:58466940
3235:4 August
3212:49874443
2952:23017967
2919:23017967
2607:Bregnano
2481:Macerata
2384:, Meda,
2322:, Meda,
2298:Diamante
2221:, Meda,
2169:, Meda,
2091:la Scala
2041:la Scala
2013:la Scala
1854:Salzburg
1819:Colorado
1728:Pakistan
1718:Pakistan
1668:Sorrento
1632:agency,
1630:Alitalia
789:Salzburg
777:Artemide
557:Sorrento
521:Alitalia
507:and the
456:, 1949,
238:and the
157:Giovanni
4099:Related
3903:Artists
3023:28 July
2821:. Domus
2597:Salerno
2567:Treviso
2416:Salerno
2382:Cassina
2320:Cassina
2288:Brescia
2280:Cassina
2255:project
2219:Cassina
2167:Cassina
2163:Leggera
2115:Voghera
2006:project
1858:Austria
1837:project
1804:project
1770:Taranto
1602:Sanremo
1592:Baghdad
1541:Caracas
1531:Caracas
1524:project
1509:project
1494:project
1456:Trieste
1436:Trieste
1429:project
1346:project
1311:project
1251:Vatican
1231:Bolzano
1225:Austria
936:Achille
748:at the
742:Cassina
738:Cassina
533:Caracas
403:at the
223:Cassina
219:Caracas
133:Caracas
127:Taranto
119:, Milan
66:, Italy
3767:
3757:
3723:BBCC.
3694:
3684:
3641:
3631:
3608:
3598:
3556:
3546:
3490:
3480:
3378:
3368:
3332:
3322:
3270:
3260:
3210:
3200:
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3133:
3107:
3097:
2950:
2940:
2917:
2907:
2762:
2741:
2709:
2673:
2636:
2555:Mantua
2545:Varese
2531:Mantua
2521:Varedo
2338:Novara
2314:1956:
2213:Sweden
2179:1951:
2139:Varese
2073:Venice
2069:Murano
2065:Venini
2055:Faenza
1901:France
1833:France
1815:Denver
1780:Biella
1620:Tehran
1520:Brazil
1505:Brazil
1490:Brazil
1480:Sweden
1221:Vienna
1054:France
1003:Awards
773:Arflex
702:Murano
698:Venini
676:(1955)
659:Venini
548:Tehran
358:fasces
265:, 1971
2615:Italy
2601:Italy
2591:Italy
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2581:Italy
2577:Milan
2571:Italy
2559:Italy
2549:Italy
2535:Italy
2525:Italy
2515:Italy
2505:Italy
2495:Italy
2491:Milan
2485:Italy
2472:Italy
2468:Milan
2458:Italy
2444:Italy
2440:Milan
2430:Italy
2420:Italy
2410:Italy
2406:Milan
2400:Italy
2396:Milan
2390:Italy
2386:Milan
2376:Italy
2372:Milan
2366:Italy
2362:Padua
2352:Italy
2348:Milan
2342:Italy
2328:Italy
2324:Milan
2316:Round
2292:Italy
2284:Milan
2274:Italy
2270:Milan
2251:Milan
2241:Italy
2237:Milan
2227:Italy
2223:Milan
2189:Italy
2185:Milan
2181:Conca
2175:Italy
2171:Milan
2157:Italy
2153:Milan
2143:Italy
2119:Italy
2109:Italy
2105:Milan
2099:Italy
2095:Milan
2077:Italy
2059:Italy
2049:Italy
2045:Milan
2031:Italy
2027:Milan
2021:Italy
2017:Milan
1996:Italy
1992:Padua
1976:Italy
1972:Milan
1956:Italy
1952:Padua
1942:Italy
1938:Milan
1932:Italy
1928:Milan
1921:Italy
1917:Milan
1911:Italy
1907:Milan
1897:Paris
1887:Italy
1883:Milan
1829:Paris
1784:Italy
1774:Italy
1764:Italy
1760:Milan
1754:Italy
1750:Milan
1744:Italy
1708:Italy
1704:Milan
1698:Italy
1682:Italy
1678:Turin
1672:Italy
1652:Italy
1648:Milan
1606:Italy
1586:Italy
1582:Milan
1572:Italy
1568:Milan
1555:Italy
1551:Milan
1470:Italy
1466:Milan
1460:Italy
1450:Italy
1446:Milan
1440:Italy
1423:Italy
1419:Milan
1413:Italy
1409:Genoa
1399:Italy
1395:Genoa
1385:Italy
1381:Milan
1371:Italy
1367:Milan
1357:Italy
1353:Milan
1342:Italy
1332:Italy
1328:Milan
1322:Italy
1318:Padua
1307:Italy
1303:Capri
1297:Italy
1293:Padua
1279:Italy
1275:Milan
1265:Italy
1261:Milan
1255:Italy
1245:Italy
1241:Milan
1235:Italy
1215:Italy
1211:Milan
1205:Italy
1201:Padua
1191:Italy
1187:Milan
1181:Italy
1177:Milan
1171:Italy
1164:Italy
1160:Milan
1154:Italy
1150:Milan
1144:Italy
1140:Milan
1130:Italy
1126:Milan
1120:Italy
1109:Italy
1105:Milan
1099:Italy
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1085:Italy
1081:Milan
1074:Italy
1070:Milan
1064:Italy
1060:Milan
1044:Italy
1040:Milan
989:Turin
980:Domus
963:]
912:Stile
908:Domus
877:Domus
714:Padua
561:Domus
513:Forlì
511:, in
462:Milan
394:Capri
362:Duomo
326:Milan
211:Milan
183:Domus
165:Ponti
64:Milan
3820:2011
3783:link
3765:OCLC
3755:ISBN
3736:2022
3710:link
3692:OCLC
3682:ISBN
3661:link
3657:link
3639:OCLC
3629:ISBN
3606:OCLC
3596:ISBN
3572:link
3554:OCLC
3544:ISBN
3510:link
3506:link
3488:OCLC
3478:ISBN
3459:2017
3434:2017
3394:link
3376:OCLC
3366:ISBN
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3330:OCLC
3320:ISBN
3286:link
3268:OCLC
3258:ISBN
3237:2017
3208:OCLC
3198:ISBN
3159:link
3141:OCLC
3131:ISBN
3105:OCLC
3095:ISBN
3076:2022
3050:2022
3025:2024
2997:2022
2948:OCLC
2938:ISBN
2915:OCLC
2905:ISBN
2879:2022
2853:2022
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2760:ISBN
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