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188:, who was 21 years younger. The two disagreed over objectives, and after three years Leistikow left. She gave farewell tours through the Netherlands in the years 1929, 1930 and 1937. Nevertheless, she again toured from 1938 to 1939 in the Dutch East Indies. At the outbreak of the Second World War, Leistikow returned to the Netherlands and opened another dance school. She distanced herself from the Nazi-friendly Dutch dance culture of the time.
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Gertrud
Leistikow kept her face expressionless, and often hid it behind scarves, veils and masks to draw the attention of the viewer to the rest of her body. Drawings and rare photographs often show Leistikow naked, but with her face covered. A dance photo of Leistikow on gelatin silver chloride made
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After her marriage to a Dutch flower dealer, she rarely left
Holland. Leistikow directed three dance schools in Amsterdam, The Hague and Rotterdam. A trip to the Dutch East India caused them to open three more schools in 1924. In 1931 she set up the
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she had a major role in Laban's dance drama "triumph of the victim" by Hans
Brandenburg. In 1916 she starred in a tour through Germany and the Netherlands.
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88:(12 September 1885 – 23 November 1948) was a German dancer and choreographer. She is primarily associated with nude and
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in 1911 show her as a nude dancer. In 1914 Leistikow's solo performances already drew considerable crowds in
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in Berlin. Leistikow began to dance between 1906 and 1910. She was rarely photographed but drawings by
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has been exhibited since 1982 at the
Folkwang Museum. Leistikow died on 23 November 1948.
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Empire of
Ecstasy: Nudity and Movement In German Body Culture, 1910-1935
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Gertrud
Leistikow en de moderne, „Duitsche“ dans. Een biografie
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44:12 September 1885
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128:system from
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61:(1948-11-23)
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162:Mary Wigman
68:Nationality
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217:References
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272:Historici
102:Bückeburg
48:Bückeburg
200:See also
154:Sarajevo
146:Lausanne
126:Delsarte
114:Max Frey
150:Utrecht
118:Dresden
175:, 1914
173:Ascona
142:Moscow
79:Dancer
71:German
152:and
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106:Metz
56:Died
41:Born
110:Spa
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