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In the exhibition catalog, Langsner described
Abstract Classicist painting as "Hard-edge painting" in which "color and shape are one and the same entity. Form gains its existence through color and color its being through form."
84:"Four Abstract Classicists reveals, in retrospect, not merely four senior moderns who reduced their painting to precise, flat profundities, but a current of sensibility in the esthetic climate of Los Angeles," critic
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wrote in 1974. As he saw it, the hard-edge style rose from Los
Angeles’ "desert air, youthful cleanliness, spatial expanse, architectural tradition".
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46:. The term “abstract classicists” was coined in 1959 by Langsner to define these four southern California painters.
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The exhibition opened at the San
Francisco Museum of Art (now the
196:"What's in a Name? The Story Behind Four Abstract Classicists"
198:. LACMA.org. Archived from the original on June 1, 2015
100:(1898, Savannah, GA – 1978, Los Angeles, California)
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173:"An Interview with Artist June Harwood"
30:in 1959. The show featured the work of
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137:"Hard-edge Painting Movement Overview"
194:King, Jennifer (December 23, 2013).
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118:(December 29, 1925 – July 26, 2012)
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64:West Coast
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66:Hard-edge
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