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painting of King David receiving his harp) and Abbot Harmut prepared to receive the
Psalter with open arms (far right side of tympanum painting of the Ark of the Covenant transported by an oxen drawn wagon) are each found on the extreme ends of the folio on either side of the centralized bust of
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Folchardi : (Stiftsbibliothek Sankt Gallen, Cod. 23) : Beschreibung der buchkĂĽnstlerischen
Ausstattung. Codices illuminati medii aevi ; 11 (MĂĽnchen : H. Lengenfelder, 1989)
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Schmid, Alfred A. ed., Riforma religiosa e arti nell'epoca carolingia. Atti del XXIV Congresso internazinale di storia dell'arte, 1, (Bologna 1983): 99–107.
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The St. Gall
Collegiate Library Accession for this manuscript is designated as “Cod. Sang. 23”—for Codex Sangallenses no. 23. Dimensions: 38 x 29 cm.
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Folchardus is attested to being a monk at St. Gall from 849 to 854 and 898–899. Curiously, Folchardus is not mentioned in the
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Ochsenbein, Peter and Beat
Matthias von Scarpatetti, Der Folchart-Psalter aus der Stiftsbibliothek St. Gallen (1987)
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Landsberger, Franz, Der St. Galler
Folchart-Psalter; eine Initialenstudie. (St. Gallen, Fehr, 1912)
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Christ in the spandrel on the “Dedication Page” on folio 12. He is also probably the artist of the
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190:(869-878), and at the latest in 882 was elected the senior assistant or vicar of Abbot Hartmut.
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Hunc praeceptoris
Hartmoti iussa secutus/ Folchardus studuit rite patrare librum
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is often cited as a masterpiece of late
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Folchardus penned, on folios 26–27, the following inscription: "
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in 858, and a deacon no later than 860; he was elected
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204:Portraits of the tonsured Folchardus, holding the
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208:and bowing towards the abbot (far left side of
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241:List of key works of Carolingian illumination
258:http://www.eye.ch/swissgen/kant/sgstia-q.htm
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147:. It was produced about 872–883 in the
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302:Categories
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184:ZĂĽrichgau
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235:See also
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