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their town. Her husband, Spinner, is a womanizing spendthrift. When she hears that he’s flirting with other women, she confronts him at gunpoint. She doesn’t shoot, but Billie tosses
Spinner out. Billie and her five sons move in with Uncle Paul. Char’es-Baby dreams of a different life, collecting “treasure” from the junkyard while Loneliness sings to him. One day, his cousin Chester comes to visit. When Chester sexually abuses him, he is too horrified and ashamed to say anything.
406:
refuse to engage in any “soft talk.” Loneliness reappears, promising to be his lifelong companion. Evelyn, a beautiful young girl, interrupts
Charles’s reverie. Their chemistry is clear. Charles feels a new sense of independence and is finally ready to strike out on his own; Grambling State University has offered him a full scholarship. Billie is left alone to reflect on all that she has sacrificed for her family and wonders what might lie ahead.
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127:
The narrative focus of the opera is on
Charles, a young African-American man growing up in poverty. As he comes of age, he must decide how to deal with the sexual abuse he previously suffered at the hands of his cousin. At the climax, he decides not to take revenge. The opera includes flashbacks and
169:
Whilst the opera's libretto and narrative reflect the content and themes of Blow's memoir, it is not a comprehensive retelling of the book. The essential elements are reflective of Blow's life. As noted by
Patricia J. Williams in a review of the book: "He grows up amid mean if not absolute poverty;
415:
secret with Greta, only to find out that she’s still seeing someone else. Charles is left alone again. He calls home, desperate to hear his mother’s voice. To his shock, Billie tells him that
Chester has come back to visit. Charles instantly decides to return home to confront Chester, gun in hand.
414:
Charles is one of several fraternity pledges being hazed at his college. Charles stoically takes each indignity in stride: Pain is nothing new for him. Later, he goes to a nightclub and meets an attractive young woman, Greta. They begin a passionate love affair. Charles eventually shares his awful
393:
Charles’ seven-year-old self, Char’es-Baby, talks to his mother, Billie. He is desperate for affection, but Billie is too frazzled to give him the validation that he craves. They are dirt poor. Billie works in a chicken factory, but she dreams of Char’es-Baby getting a good education and escaping
418:
Charles sits in his car on the dark road, contemplating the choice lying before him. Destiny starts to sing to him once again, seductively promising to stand by him through to the bloody end. As
Charles reaches his childhood home, Char’es-Baby appears, urging him to leave his bitterness behind.
405:
As
Charles grows into a teenager, he is full of confusion and rage. He attends a church service where the pastor is baptizing people, promising that God can wipe all sins clean. Charles decides to get baptized, but phantom terrors still haunt him. Charles tries to talk to his brothers, but they
479:
described the music variety of
Blanchard's score: "Restless vocal lines shift from plaintive lyrical phrases, to sputtered outbursts, to a style that seems a jazz equivalent of Italianate arioso". Though noting that the opera tends to "melodramatic excess", Tommaisini praised the "brilliantly
460:
disagreed with other critics who emphasize
Blanchard's jazz influence, saying 'Rather, under the baton of Daniela Candillari, you hear Blanchard’s driving confidence in operatic mode, both harmonic and dissident, both aware of European formative precedent and sharply critical in subtle ways."
512:
Gabrielle
Ferrari wrote "Blanchard's score is richly colored and beautifully orchestrated". With regard to the storytelling and characterization, she went on to say the score was written "mainly with a clear-eyed compassion for his characters, to whom he never condescends nor condemns".
562:
praised Liverman, who retained the lead role of Charles, describing his performance as having an "aching vulnerability". In his review, Jones emphasized the "historical weight" of the opera, and called it "a voyage of considerable complexity".
526:
opined in an otherwise positive review that "in their enthusiasm, composer and conductor sometimes seem to have forgotten about the singers, who struggle to be heard over all the engaging churn". Davidson also stated that
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he is molested both by a cousin and by an uncle; his father is distant, an alcoholic; and his parents separate under circumstances that involve his mother waving a gun about on more than one occasion".
1400:
390:
Charles Blow, age 20, drives down a Louisiana backroad with a gun in the passenger seat. Destiny sings to him, calling him back to his childhood home. He begins reliving memories from his childhood.
1313:
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628:(co-director and choreographer); Allen Moyer (set designer); Paul Tazewell (costume designer); Christopher Akerlind (lighting designer); Greg Emetaz (projection designer);
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on September 27, 2021. It was the first opera by an African-American composer to be performed at the Metropolitan Opera since its founding in 1883. The conductor was
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simple, evocative production", and singled out Julia Bullock and DavĂłne Tines in leading roles as "ravishing" and "terrifyingly volatile" respectively.
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503:, who critics described as "subtle", "nuanced" and "powerful". There were, however, concerns that he was at times overwhelmed by the orchestra.
550:
Walter Russell III, as the younger Charles, received acclaim from the audience and critics. He was 13 years old at the time of the production.
917:
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In reviews of the 2021 Metropolitan Opera production, critics praised the interpretation of the lead role as the adult Charles by baritone
434:
called it "an opera with legs" and predicted many future revivals. He further stated that "At its current length of two and a half hours,
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wrote that the music is generally based on Italian opera, but Blanchard's jazz influence is also audible. Describing Blanchard's music,
845:
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for his jazz records. The title of the opera, which is also the title of Blow's memoir, is a biblical reference, specifically quoting
637:
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as Uncle Paul; Chauncey Packer as Spinner; Walter Russell III as Char'es-Baby; Metropolitan Opera Orchestra and Chorus, conducted by
438:
is in the running for best American opera of the 21st century. Trimmed of perhaps 20 minutes... I think it would be a clear winner."
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Regarding the composition, critics were divided on Blanchard's influences. Giovanni Russonello and Seth Colter Walls of the
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1401:"The Metropolitan Opera wins 2023 Grammy Award for Best Opera Recording for Terence Blanchard's Fire Shut Up in My Bones"
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has received generally favorable reviews, with critics praising Blanchard's score and the "compassionate" storytelling.
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1668:
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1286:"Review: 'Fire Shut Up in My Bones' at Lyric Opera is Terence Blanchard's groundbreaking work, full of joy and pain"
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Adult Charles begins to weep as he recoils from these memories, while Destiny reminds him that there is no escape.
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1098:"Metropolitan Opera, Yannick Nézet-Séguin, Renée Fleming & Joyce DiDonato Lead Classical Grammy Nominations"
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movement had informed his decision to move the piece to such a prominent slot. It was recorded as part of the
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with The Metropolitan Opera Orchestra and The Metropolitan Opera Chorus, along with NĂ©zet-SĂ©guin, producer
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1453:"Grammys 2023: 13-Year-Old Walter Russell III Creates History by Becoming One of the Youngest Winners!"
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and Blue and treble Russell III, making him one of the youngest recipients of the awards at the time.
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for her performance of three "inner voice" roles, describing her as "soaring above the orchestra".
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presented the opera in March/April 2022. These performances were conducted by Daniela Candillari.
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686:"'It was much bigger than me': Terence Blanchard on being the Met Opera's first Black composer"
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1149:"Montreal conductor wins best opera recording, best classical solo vocal album at Grammys"
8:
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had not been intended as a season opener at the Metropolitan Opera, but general manager
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1045:"Terence Blanchard's Met Opera Debut Is a Singular Achievement and a Shared Success"
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the appearance of the protagonist's internal voices in the form of female spirits.
182:. The conductor of the premiere performance was William Long. Performers included
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Years given are for the recording(s), not first release, unless stated otherwise.
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660:"Terence Blanchard's 'Fire Shut Up in My Bones' opera to air Wednesday, Oct. 27"
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918:"Playbill: Speaking Out – A New Opera Premieres at Opera Theatre Saint Louis"
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1374:"Metropolitan Opera returns, with its first-ever work by a Black composer"
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Charles must decide whether to exact his revenge or begin his life anew.
1073:"Met Opera screens Blanchard's 'Fire Shut Up in My Bones' 'Live in HD'"
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on October 23, 2021; available for streaming at Met Opera on Demand
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in 2021, the first opera by a black composer ever performed there.
984:"La partition engagée de Terence Blanchard au Metropolitan Opera"
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as "opera in jazz". It is the composer's second opera, following
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received praise for her role in the 2021 Met Opera production
346:
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in 2019, and is based on the 2014 memoir of the same name by
29:
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1427:"Metropolitan Opera & Renée Fleming Lead Grammy Winners"
1255:"Jazz and Opera Come Together in 'Fire Shut Up in My Bones'"
1253:
Russonello, Giovanni; Colter Walls, Seth (October 5, 2021).
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was a conventional opera which did not "blow up the genre".
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The opera made its world premiere on June 15, 2019, at the
101:
is an English-language opera in three acts, with music by
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The audio recording of the stage production won a 2023
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1318:at the Met, a watershed moment for American opera"
158:in 2013. Aside from opera, Blanchard has won five
464:
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1481:, October 23, 2021, Met Opera on Demand website
377:The story is based on the memoir of journalist
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1641:A Tale of God's Will (A Requiem for Katrina)
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953:brings a Black Composer to the Met, Finally"
1577:In My Solitude: The Billie Holiday Songbook
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205:. The co-director and choreographer was
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810:Williams, Patricia (October 3, 2014).
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658:Saccoccia, Susan (October 26, 2021).
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252:Roles, voice types, and premiere cast
227:film series and the recording won a
112:The opera was first performed at the
1483:; Met Opera Archive: Performance of
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1372:Blum, Ronald (September 28, 2021).
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1043:Chinen, Nate (September 28, 2021).
13:
916:Lentjes, Rebecca (June 11, 2019).
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1011:Kourlas, Gia (October 18, 2021).
720:"The Met Comes Alight Again With
291:Char’es-Baby (Charles, as a boy)
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846:"The Tense, Turbulent Sounds of
684:Smith, David (October 6, 2021).
624:; James Robinson (co-director);
197:'s 2021–2022 season opened with
1886:Operas set in the United States
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469:Reviewing the premiere for the
317:Destiny/Loneliness, apparition
144:performing in Rotterdam in 2014
1803:List of awards and nominations
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465:2019 Opera Theatre Saint Louis
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1:
1227:Sets the Reopened Met Ablaze"
1124:"Artist:Yannick NĂ©zet-SĂ©guin"
982:, Arnaud (October 21, 2021).
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636:(host); recorded live at the
612:as Destiny/Loneliness/Greta;
224:Metropolitan Opera Live in HD
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923:St. Louis Symphony Orchestra
266:Premiere cast, June 15, 2019
180:Opera Theatre of Saint Louis
114:Opera Theatre of Saint Louis
87:Opera Theatre of Saint Louis
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1881:Operas by Terence Blanchard
1876:Operas based on real people
554:2022 Lyric Opera of Chicago
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1017:Brought a Step to the Met"
343:Spinner, Billie's husband
16:Opera by Terence Blanchard
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304:Chester, Charles' cousin
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1785:Fire Shut Up in My Bones
1569:The Malcolm X Jazz Suite
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1225:Fire Shut Up in My Bones
1192:Fire Shut Up in My Bones
1015:Fire Shut Up in My Bones
951:Fire Shut Up in My Bones
888:Fire Shut Up in My Bones
848:Fire Shut Up in My Bones
759:makes Met Opera history"
757:Fire Shut Up in My Bones
638:Metropolitan Opera House
529:Fire Shut Up in My Bones
436:Fire Shut Up in My Bones
428:Fire Shut Up in My Bones
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332:Billie, Charles' mother
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211:Fire Shut Up in My Bones
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150:Fire Shut Up in My Bones
98:Fire Shut Up in My Bones
66:Fire Shut Up in My Bones
24:Fire Shut Up in My Bones
1856:English-language operas
886:"Review: The Wrenching
484:2021 Metropolitan Opera
76:June 15, 2019
1221:(September 28, 2021).
1178:Lyric Opera of Chicago
947:(September 28, 2021).
812:"Putting Down the Gun"
753:(September 28, 2021).
718:(September 28, 2021).
664:www.baystatebanner.com
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351:Chaz’men Williams-Ali
240:Lyric Opera of Chicago
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1871:Operas based on books
1750:One Night in Miami...
1346:"Playing with 'Fire'"
1232:The New York Observer
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1487:, October 23, 2021,
1344:Ferrari, Gabrielle.
844:(October 18, 2021).
790:www.biblegateway.com
786:"Jeremiah 20:9 NRSV"
622:Yannick NĂ©zet-SĂ©guin
577:Best Opera Recording
233:Best Opera Recording
203:Yannick NĂ©zet-SĂ©guin
148:Blanchard described
120:. It opened at the
1861:LGBT-related operas
1808:The Jazz Messengers
1323:The Washington Post
1104:. November 15, 2022
722:Shut Up in My Bones
558:Chris Jones of the
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174:Performance history
1459:. February 6, 2023
1433:. February 5, 2023
1407:. February 6, 2023
1312:Brodeur, Michael.
1260:The New York Times
1174:Production details
1155:. February 6, 2023
1022:The New York Times
958:The New York Times
945:Tommasini, Anthony
895:The New York Times
882:Tommasini, Anthony
632:(video director);
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423:Critical reception
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219:Black Lives Matter
195:Metropolitan Opera
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122:Metropolitan Opera
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1719:Branford Marsalis
1585:Romantic Defiance
1553:Terence Blanchard
1529:Terence Blanchard
1379:Los Angeles Times
890:Becomes an Opera"
884:(June 16, 2019).
618:Ryan Speedo Green
567:2023 Grammy Award
477:Anthony Tommasini
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142:Terence Blanchard
103:Terence Blanchard
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1561:Simply Stated
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1223:"Premiere of
1220:
1219:Jorden, James
1214:
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623:
619:
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614:Latonia Moore
611:
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606:Will Liverman
603:
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589:Latonia Moore
586:
585:Will Liverman
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299:Jeremy Denis
298:
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280:bass-baritone
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184:Julia Bullock
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160:Grammy Awards
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1704:Film scores/
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1601:Jazz in Film
1599:
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1461:. Retrieved
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1421:
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1395:
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1377:
1367:
1355:. Retrieved
1351:Parterre Box
1349:
1339:
1327:. Retrieved
1321:
1315:
1307:
1295:. Retrieved
1289:
1264:. Retrieved
1258:
1248:
1238:December 26,
1236:. Retrieved
1230:
1224:
1213:
1201:. Retrieved
1198:metopera.org
1197:
1191:
1184:
1169:
1157:. Retrieved
1152:
1143:
1133:November 22,
1131:. Retrieved
1127:
1118:
1108:November 22,
1106:. Retrieved
1101:
1092:
1082:February 11,
1080:. Retrieved
1076:
1066:
1054:. Retrieved
1048:
1038:
1026:. Retrieved
1020:
1014:
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994:. Retrieved
987:
980:Leparmentier
974:
962:. Retrieved
956:
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939:
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921:
911:
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893:
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859:. Retrieved
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815:
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789:
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762:
756:
745:
733:. Retrieved
727:
721:
695:. Retrieved
691:The Guardian
689:
679:
669:December 31,
667:. Retrieved
663:
653:
608:as Charles;
570:
559:
557:
549:
538:
533:
528:
517:
516:Writing for
515:
509:Parterre Box
507:
505:
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470:
468:
455:
447:
445:
435:
432:James Jorden
427:
426:
417:
413:
404:
396:
392:
389:
338:Karen Slack
312:Markel Reed
295:treble voice
285:DavĂłne Tines
237:
222:
210:
198:
192:
188:DavĂłne Tines
177:
168:
153:
149:
147:
126:
111:
107:Kasi Lemmons
97:
96:
95:
65:
44:Kasi Lemmons
18:
1851:2019 operas
1742:Da 5 Bloods
1706:soundtracks
1463:February 6,
1437:February 6,
1411:February 6,
1203:October 21,
1190:"Synopsis:
1159:February 6,
1056:October 21,
1028:October 21,
996:October 21,
992:(in French)
964:October 21,
929:October 22,
901:October 22,
861:October 21,
795:October 21,
770:October 21,
735:October 21,
729:vulture.com
697:October 21,
616:as Billie;
587:, sopranos
583:, baritone
581:David Frost
452:Chris Jones
442:Composition
1845:Categories
1726:Inside Man
1677:Breathless
1489:CID:357485
1385:January 2,
1357:January 1,
1329:January 1,
1297:August 18,
1153:www.cbc.ca
1128:grammy.com
842:Ross, Alex
823:August 19,
645:References
610:Angel Blue
545:Angel Blue
493:Angel Blue
381:(pictured)
262:Voice type
215:Peter Gelb
132:Background
80:2019-06-15
64:'s memoir
40:Librettist
949:"Review:
535:Alex Ross
522:, critic
269:Conductor
235:in 2023.
140:Composer
1777:Champion
1669:Magnetic
1266:March 1,
989:Le Monde
602:HD video
543:praised
369:Synopsis
359:soprano
335:soprano
308:baritone
164:Jeremiah
155:Champion
72:Premiere
58:Based on
50:Language
1721:, 1990)
1693:Absence
1664:, 2011)
1649:Choices
519:Vulture
454:of the
321:soprano
78: (
53:English
1866:Operas
1821:Portal
1788:(2019)
1780:(2013)
1769:Operas
1761:(2022)
1753:(2021)
1745:(2020)
1737:(2018)
1729:(2006)
1717:(with
1696:(2021)
1688:(2018)
1680:(2015)
1672:(2013)
1660:(with
1652:(2009)
1644:(2007)
1636:(2004)
1628:(2003)
1625:Bounce
1620:(2001)
1612:(1999)
1604:(1998)
1596:(1995)
1588:(1994)
1580:(1993)
1572:(1992)
1564:(1992)
1556:(1991)
1545:Albums
600:2021 (
573:Grammy
356:Greta
229:Grammy
166:20:9.
1835:Opera
1013:"How
410:Act 3
401:Act 2
386:Act 1
347:tenor
258:Role
246:Roles
30:Opera
1685:Live
1633:Flow
1465:2023
1439:2023
1413:2023
1387:2022
1359:2022
1331:2022
1299:2022
1268:2022
1240:2021
1205:2021
1161:2023
1135:2022
1110:2022
1084:2022
1058:2021
1030:2021
998:2021
966:2021
931:2021
903:2021
863:2021
825:2022
797:2021
772:2021
737:2021
699:2021
671:2021
575:for
238:The
231:for
193:The
186:and
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604:):
537:of
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82:)
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