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and quickly subdues him. Smitten by his beauty, Lichas takes
Encolpius as his spouse in a wedding ceremony blessed by his wife, Tryphaena. After a long voyage the ship arrives at the emperor's private island, only to find it overrun by soldiers in the service of a usurper. The teenage emperor kills himself, and the soldiers board the ship and behead Lichas under Tryphaena's satisfied gaze. While "new Caesar" holds a fearsome victory parade back in Rome, Encolpius and Ascyltus escape the soldiers and make their way inland. They discover an abandoned villa, whose owners have freed their slaves and committed suicide to escape the new emperor. Encolpius and Ascyltus spend the night on the property and make love with an African slave girl who has stayed behind. Fleeing the villa when soldiers on horseback arrive in the courtyard to burn the owners' corpses, the two friends reach a desert. Ascyltus placates a nymphomaniac's demands in a covered wagon while Encolpius waits outside, listening to the woman's servant discuss a
653:, Fellini explained that his goal in adapting Petronius's classic was "to eliminate the borderline between dream and imagination: to invent everything and then to objectify the fantasy; to get some distance from it in order to explore it as something all of a piece and unknowable." Critic Christopher Sharrett observes that Fellini's "adaptation also reveals the paucity of the source, the kitschiness of the 'big ideas' from literary history. Genre film is a comfortable vehicle for the critical agenda undertaken, as Fellini piles up genre tropes as a way of showing the inherent generic contrivance, the 'trashiness,' that is basic to all such representation."
419:, the God of Laughter. When the gladiator spares Encolpius's life because of his well-spoken words of mercy, the festival rewards the young man with Ariadne, a sensual woman with whom he must copulate as the crowd looks on. Impotent, Encolpius is publicly humiliated by Ariadne. Eumolpus offers to take him to the Garden of Delights where prostitutes are said to effect a cure for his impotence, but the treatment—gentle whipping of the buttocks—fails miserably. In the second of the stories within a story in the film, the owner of the Garden of Delights narrates the tale of Oenothea to Encolpius. For having rejected his advances and humiliating him,
387:
the Insula
Felicles, a Roman tenement building, they walk through the vast Roman brothel known as the Lupanare, observing numerous sensual scenes. They fall asleep after making love at Encolpius's place. Ascyltus sneaks into the room, waking Encolpius with a whiplash. Since both share the tenement room, Encolpius proposes they divide up their property and separate. Ascyltus mockingly suggests they split Gitón in half. Encolpius is driven to suicidal despair, however, when Gitón decides to leave with Ascyltus. At that moment, an earthquake destroys the tenement.
649:'s original text survives only in fragments. While recuperating from a debilitating illness in 1967, Fellini reread Petronius and was fascinated by the missing parts, the large gaps between one episode and the next. The text's fragmentary nature encouraged him to go beyond the traditional approach of recreating the past in film: the key to a visionary cinematic adaptation lay in narrative techniques of the dream state that exploited the dream's imminent qualities of mystery, enigma, immorality, outlandishness, and contradiction. In
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of the past', as though the Romans of that decadent age were being observed by the astounded inhabitants of a flying saucer. Curiously enough, in this effort of objectivity, the director has created a film that is so subjective as to warrant psychoanalysis. It is pointless to debate whether the film proposes a plausible interpretation of ancient Rome, or whether in some way it illustrates
Petronius: the least surprising parts are those that come closest to Petronius's text or that have some vague historical significance."
391:
food. While
Fortunata performs a frantic dance, the bored Trimalchio turns his attention to two very young boys. Scandalized, Fortunata berates her husband, who attacks her then has her covered in gizzards and gravy. Fancying himself a poet, Trimalchio recites one of his finer poems whereupon Eumolpus accuses him of stealing verses from
31:
979:, the film's classical background in Petronius was fused into "a powerful contemporary parallel. It is so beautifully composed and imagined that you would do yourself a disservice if, for any reason, you allowed yourself to miss it". Fellini biographer Parker Tyler declared it "the most profoundly homosexual movie in all history".
428:
but is nonetheless invited by the captain to board the ship. In a voice-over, Encolpius explains that he set sail with the captain and his crew. His words end in mid-sentence, as does
Petronius's book, when a distant island appears on the horizon and the film cuts abruptly to frescoes of the film's characters on a crumbling wall.
423:: she must spend her days kindling fires for the village's hearths from her genitalia. Inspired, Encolpius and Ascyltus hire a boatman to take them to Oenothea's home. Greeted by an old woman who has him drink a potion, Encolpius falls under a spell where his sexual prowess is restored to him by Oenothea in the form of an
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Kezich saw the film as a study in self-analysis, stating, "Everything seems to be aimed at making the viewer feel ill at ease, at giving him the impression that he is watching for the first time scenes from a life he never dreamed could have existed. Fellini has described his film as 'science fiction
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magazine, about her experiences on the film's set taking photographs of the shoot, a gallery of ephemera related to the film, a newly made
English subtitle translation, and a leaflet containing a new essay by author and film scholar Michael Wood. Exclusive to the Blu-ray edition is the addition of an
390:
Encolpius meets the poet
Eumolpus at the art museum. The elderly poet blames current corruption on the mania for money and invites his young friend to a banquet held at the villa of Trimalchio, a wealthy freeman, and his wife Fortunata. Eumolpus's declamation of poetry is met with catcalls and thrown
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is a journey through a fairytale for adults. It is evident that
Fellini, finding in these ancient personages the projection of his own human and artistic doubts, is led to wonder if the universal and eternal condition of man is actually summed up in the frenzied realization of the transience of life
427:
figure and sorceress. When
Ascyltus is murdered in a field by the boatman, Encolpius decides to join Eumolpus's ship bound for North Africa. But Eumolpus has died in the meantime, leaving as his heirs all those willing to eat his corpse. Encolpius has not the stomach for this last and bitter mockery
386:
that
Ascyltus sold Gitón to the actor Vernacchio. At the theatre, he discovers Vernacchio and Gitón performing in a lewd play called the "Emperor's Miracle": a slave's hand is axed off and replaced with a gold one. Encolpius storms the stage and reclaims Gitón. On their return to Encolpius's home in
403:
The next morning Encolpius, Gitón, and Ascyltus are imprisoned on the pirate ship of Lichas, a middle-aged merchant; they are part of a consignment of attractive young men being delivered for the titillation of the reclusive Roman emperor. Lichas selects Encolpius for a Greco-Roman wrestling match
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list. He later explained he was unsure the film was in fact a masterpiece, but nonetheless gave the film a high retrospective rating in 2001. He wrote: "It is so much more ambitious and audacious than most of what we see today that simply as a reckless gesture, it shames these timid times." For
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Though the two protagonists, Encolpius and Ascyltus, appear throughout, the characters and locations surrounding them change unexpectedly. This intentional technique of fragmentation conveys Fellini's view of both the original text and the nature of history itself, and is echoed visually in the
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review, Giovanni Grazzini argued that "Fellini's Rome bears absolutely no relationship to the Rome we learned about in school books. It is a place outside historical time, an area of the unconscious in which the episodes related by Petronius are relived among the ghosts of Fellini ... His
412:. With the aid of a mercenary, they kill two men and kidnap the hermaphrodite in the hope of obtaining a ransom. Once exposed to the desert sun, however, the hermaphrodite sickens and dies of thirst. Enraged, the mercenary tries to murder his two companions but is overpowered and killed.
395:. Enraged, Trimalchio orders the poet to be tortured by his slaves in the villa's huge kitchen furnace. The guests are then invited to visit Trimalchio's tomb where he enacts his own death in an ostentatious ceremony. The story of the Matron of Ephesus is recounted, the first
880:
reported that the "normally reserved press corps gave the film a five-minute ovation ... the Venice showing was so wildly popular that festival tickets, normally 2,000 lire ($ 3.20), were being sold on the black market at 60,000 lire (about $ 100) apiece". Fellini biographer
673:. Abducted by the two protagonists and a mercenary, the hermaphrodite later dies a miserable death in a desert landscape that, in Fellini's adaptation, is posed as an ill-omened event, none of which is to be found in the Petronian version.
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and the journey into the unconscious. Other original sequences include a nymphomaniac in a desert caravan whose despondent husband pays Ascyltus and Encolpius to couple with her, and a hermaphrodite worshipped as a demigod at the
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uncompressed monaural soundtrack. The new Blu-ray and DVD cover and interior poster was illustrated by Edward Kinsella and designed by Eric Skillman. On 27 April 2015, Eureka Entertainment released the film on Blu-ray in the
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in the film. Encolpius finally leaves the villa, helping the limping, beaten Eumolpus to drink water from a pool in a tilled field. In return for his kindness, Eumolpus bequeaths the spirit of poetry to his young friend.
988:
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noted that Fellini used a deliberately jerky form of dubbing that caused the dialogue to appear out of sync with the actors' lips. This was in keeping with his original intention of creating a profound sense of
993:
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which passes like a shadow. These ancient Romans who spend their days in revelry, ravaged by debauchery, are really an unhappy race searching desperately to exorcise their fear of death".
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made certain that Fellini received "a maximum of exposure" during his American promotional tour of the film by organizing press and television interviews in New York and Los Angeles. For
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film's final shot of a ruined villa whose walls, painted with frescoes of the scenes we have just seen, are crumbling, fading and incomplete. Fellini's interest in
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Captured by soldiers, Encolpius is released in a labyrinth and forced to play Theseus to a gladiator's Minotaur for the amusement of spectators at the festival of
2213:
358:, where it won the Pasinetti Award for Best Italian Film. It received acclaim from international critics, with particular praise toward Fellini's direction and
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series, using as a foundation the 4K digital transfer done for the Criterion release. This release includes a 36-page booklet and the film's original trailer.
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noted that there were "no outright negative reactions. The rampant moralizing of ten years ago seems to have passed out of fashion". In his favorable
822:, archival interviews with the film's director Federico Fellini, a new interview with Rotunno done in 2011, a new exclusively made documentary titled
2237:
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The film opens on a graffiti-covered wall with Encolpius lamenting the loss of his lover Gitón to Ascyltus. Vowing to win him back, he learns at the
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The most important of the narrative changes that Fellini makes to Petronius's text is the addition of a battle between Encolpius and the
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offers a hedonistic tour through an ancient Rome that exists not in history books, but from Federico Fellini's singular imagination".
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to direct his own version. Grimaldi sued Bini to halt the competing film, but lost; as a result, Fellini's picture was titled
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931:, based on 34 reviews, with an average rating of 6.8/10. The website's critical consensus states: "Episodic and strange,
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814:. Both of the editions include the film's original trailer, an audio commentary of Eileen Lanouette Hughes's memoir
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348:) as they try to win the heart of a young boy named Gitón within a surreal and dreamlike Roman landscape.
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Prats, Arnando José (1979). "The Individual, the World and the Life of Myth in 'Fellini Satyricon'". in:
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for Region A and Region 1 respectively. The restoration was supervised by the film's cinematographer
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915:, but was not accepted as a nominee. The following year, Fellini was nominated for the
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was "the quintessential Fellini film ... a travelogue through an unknown galaxy."
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received generally positive reviews by critics writing in "stunned bewilderment".
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originally stated the film was a masterpiece, and he ranked the film 10th in his
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List of Italian submissions for the Academy Award for Best Foreign Language Film
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1652:. Ed. G. Grazzini (trans. Joseph Henry). California State University at Fresno.
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List of submissions to the 42nd Academy Awards for Best Foreign Language Film
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Petronius Arbiter und Federico Fellini. Ein strukturanalytischer Vergleich
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The film performed well at the box office in Italy, France, and Japan.
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1132:(ed. Burke and Waller), Toronto: Toronto University Press (2002), 125.
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Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
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released the film, newly restored through a 4K digital transfer, on
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As co-producers keen to recoup their investment, executives at
340:. The film is divided into nine episodes, following Encolpius (
362:'s vivid production design. The film earned Fellini his third
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Federico A.C.: disegni per il 'Satyricon' di Federico Fellini
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On the Set of 'Fellini Satyricon': A Behind-the-Scenes Diary
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On the Set of "Fellini Satyricon": A Behind-the-Scenes Diary
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demi-god reputed to possess healing powers at the Temple of
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Luca Canali and Joanna Paul about the film's adaptation of
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Fellini's project saw competition from another film titled
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United Artists: The Company That Changed the Film Industry
1553:
Snyder, Stephen (1976). "Color, Growth, and Evolution in
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1353:"The 43rd Academy Awards (1971) Nominees and Winners"
907:The film was selected as the Italian entry for the
783:on 7 September 1999. The film was then released on
1711:. A "making-of" filmed during the 1968 production.
1662:Frantz, Gilda (1970). "'Fellini Satyricon'". in:
1128:Sharrett, "Intertext and the End of Humanism" in
1102:
1100:
372:Golden Globe Award for Best Foreign Language Film
318:, is a 1969 Italian film written and directed by
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1666:, Volume 1, n° 2, Autumn 1970, pp. 157–161.
1251:. Edward Kinsella. 16 April 2015. Archived from
1022:The Second Wave: British Drama for the Seventies
1097:
3069:Films based on works by ancient Roman writers
2214:
1781:
1072:, University of Wisconsin Press, 1987, p. 287
746:. The cavern sequences were filmed below the
711:title in 1962. When Fellini and his producer
715:started work on their film, Bini contracted
1130:Federico Fellini: Contemporary Perspectives
795:and on 15 May 2005, for the German market.
3099:Films with screenplays by Federico Fellini
2435:Investigation of a Citizen Above Suspicion
2221:
2207:
1788:
1774:
1680:, Band 44, n° 2, May 1979, pp. 45–58.
1659:, ed. Dario Zanelli, New York: Ballantine.
1345:
1324:, 18 September 1969. Fava and Vigano, 136.
1245:"Criterion Collection (Fellini Satyricon)"
818:, Gideon Bachmann's hour-long documentary
29:
1208:
1024:(London: Routledge Revivals, 1971), p. 71
421:a sorcerer curses a beautiful young woman
1709:Ciao Federico: Fellini directs Satyricon
1518:, Princeton: Princeton University Press.
1311:, 5 September 1969. Fava and Vigano, 135
685:is also on display with an abundance of
1521:Fava, Claudio, and Aldo Vigano (1990).
356:30th Venice International Film Festival
3006:
1697:, Frankfurt am Main: Peter Lang Verlag
1064:
1062:
789:Metro-Goldwyn-Mayer Home Entertainment
523:Joseph Wheeler as the suicidal husband
332:, written during the reign of Emperor
3074:Films set in 1st-century Roman Empire
2202:
1769:
1559:Federico Fellini: Essays in Criticism
1450:
1430:"Ebert's 10 Best Lists: 1967–present"
1402:
1305:Grazzini's review first published in
370:, and the film was nominated for the
1044:British Board of Film Classification
2120:Cameriera bella presenza offresi...
1756:Fellini Satyricon: Not Just Friends
1320:Kezich's review first published in
1059:
781:20th Century Fox Home Entertainment
703:, released the same year. Producer
13:
3104:Films produced by Alberto Grimaldi
3059:Films directed by Federico Fellini
571:Carlo Giordana as the ship captain
299:$ 1.4 million (US/ Canada rentals)
14:
3135:
1715:
1669:Hughes, Eileen Lanouette (1971).
526:Hylette Adolphe as the slave girl
35:Italian theatrical release poster
3079:Films set in classical antiquity
2445:The Garden of the Finzi-Continis
2186:How Strange to Be Named Federico
1759:an essay by Michael Wood at the
1405:"Fellini's Magical Mystery Tour"
1403:Canby, Vincent (15 March 1970).
922:
726:Filming took place primarily at
514:Eugenio Mastropietro as Hermeros
2556:The Night of the Shooting Stars
2238:Best International Feature Film
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927:The film holds a 76% rating on
917:Academy Award for Best Director
2618:The Legend of the Holy Drinker
1909:Fellini: A Director's Notebook
1516:The Cinema of Federico Fellini
1135:
1122:
1109:
1088:
1075:
1027:
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826:featuring discussions between
689:in highly dreamlike settings.
1:
3109:Films about same-sex marriage
2375:Yesterday, Today and Tomorrow
2059:("The Miracle" segment, 1948)
1541:. New York: Faber and Faber.
1523:The Films of Federico Fellini
1451:Ebert, Roger (27 July 2001).
999:
767:
692:
664:thereby linking Encolpius to
641:
583:Sibilla Sedat as Nymphomaniac
16:1969 film by Federico Fellini
3089:Works based on the Satyricon
3049:1960s Italian-language films
2128:The Bandit of Tacca Del Lupo
1634:Resources in other libraries
1600:Resources in other libraries
1561:(ed. Peter Bondanella), 168
1249:Edward Kinsella Illustration
1141:According to Bondanella, 246
1081:"Big Rental Films of 1970",
856:
201:Produzioni Europee Associati
7:
1502:. New York: Paragon House.
982:
866:First screened at the 30th
344:) and his friend Ascyltus (
301:$ 8 million (outside Italy)
241:18 September 1969
10:
3140:
3044:Italian LGBT-related films
2304:Big Deal on Madonna Street
2096:The Flowers of St. Francis
1664:Psychological Perspectives
1648:Fellini, Federico (1988).
1539:Fellini: His Life and Work
1514:Bondanella, Peter (1992).
1216:"Fellini Satyricon (1969)"
909:Best Foreign Language Film
762:
226:3 September 1969
3064:Films scored by Nino Rota
2960:
2849:The First Beautiful Thing
2749:
2536:
2335:
2244:
2165:E il Casanova di Fellini?
2146:
2007:
1804:
1629:Resources in your library
1595:Resources in your library
589:as Nymphomaniac's husband
295:
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23:
2415:The Girl with the Pistol
2173:Fellini: I'm a Born Liar
1693:Sütterlin, Axel (1996).
1690:, Milan: Libri Edizioni.
1224:The Criterion Collection
1220:The Criterion Collection
1188:"VHS: Fellini Satyricon"
861:
800:The Criterion Collection
619:as Tryphaena's attendant
565:Pasquale Baldassarre as
3084:Teen LGBT-related films
3039:Italian satirical films
3024:1969 LGBT-related films
2355:The Four Days of Naples
2154:Giulietta Masina (wife)
1686:Betti, Liliana (1970).
1678:South Atlantic Bulletin
1537:Kezich, Tullio (2006).
1498:Alpert, Hollis (1988).
1085:, 6 January 1971, p. 11
834:, a new interview with
431:
377:
2385:Marriage Italian Style
2072:In the Name of the Law
791:on 10 April 2001, for
730:, on sets designed by
683:collective unconscious
508:Giuseppe Sanvitale as
3114:1960s satirical films
3034:Italian fantasy films
2789:The Keys to the House
2566:And the Ship Sails On
2395:The Battle of Algiers
2274:The Walls of Malapaga
1997:The Voice of the Moon
1973:And the Ship Sails On
1893:Juliet of the Spirits
1525:. New York: Citadel.
1453:""Fellini Satyricon""
966:10 Best Films of 1969
962:The Chicago-Sun Times
870:on 4 September 1969,
838:, a photographer for
824:Fellini and Petronius
798:On 24 February 2015,
759:throughout the film.
617:Suleiman Ali Nashnush
354:was entered into the
322:and loosely based on
3054:Latin-language films
2040:Flesh Will Surrender
1761:Criterion Collection
1476:Fava and Vigano, 138
1440:on 8 September 2006.
868:Venice Film Festival
605:Francesco Di Giacomo
520:as the suicidal wife
397:story within a story
3119:1960s Italian films
3094:1960s fantasy films
3029:Italian drama films
2658:The Stolen Children
2230:Italian submissions
1957:Orchestra Rehearsal
1901:Spirits of the Dead
1673:, New York: Morrow.
1308:Corriere della Sera
1287:, 10 September 1969
1037:Fellini – Satyricon
1018:John Russell Taylor
913:42nd Academy Awards
888:Corriere della Sera
723:to distinguish it.
717:Gian Luigi Polidoro
707:had registered the
459:Mario Romagnoli as
166:Ruggero Mastroianni
2525:A Leap in the Dark
2188:(2013 documentary)
2167:(1975 documentary)
2088:The Mill on the Po
2048:Bullet for Stefano
1750:TCM Movie Database
1707:Bachmann, Gideon.
1409:The New York Times
949:The New York Times
752:Bernardino Zapponi
750:. Co-screenwriter
631:as boy kissing boy
625:as dancer at feast
57:Bernardino Zapponi
3124:Gay-related films
3001:
3000:
2819:The Unknown Woman
2738:One Hundred Steps
2728:Not of this World
2718:Life Is Beautiful
2668:The Great Pumpkin
2425:Fellini Satyricon
2294:Nights of Cabiria
2196:
2195:
2175:(2002 documentary
1917:Fellini Satyricon
1861:Nights of Cabiria
1745:Fellini Satyricon
1734:Fellini Satyricon
1723:Fellini Satyricon
1657:Fellini Satyricon
1615:Fellini Satyricon
1610:Library resources
1581:Fellini Satyricon
1576:Library resources
1570:
1555:Fellini Satyricon
1550:
1548:978-0-571-21168-5
1534:
1511:
1434:Chicago Sun-Times
1378:Fellini Satyricon
872:Fellini Satyricon
851:Masters of Cinema
773:Fellini Satyricon
728:Cinecittà Studios
721:Fellini Satyricon
681:'s theory of the
551:Marcella Di Folco
450:Max Born as Gitón
352:Fellini Satyricon
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775:was released on
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651:Comments on Film
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320:Federico Fellini
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92:Alberto Grimaldi
54:Federico Fellini
45:Federico Fellini
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849:as part of the
836:Mary Ellen Mark
820:Ciao, Federico!
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1493:Bibliography
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1446:
1438:the original
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1412:. Retrieved
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1257:. Retrieved
1253:the original
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629:Carole André
601:as gladiator
599:Samson Burke
538:as the thief
530:Tanya Lopert
505:as Scintilla
490:Donyale Luna
474:as Tryphaena
468:as Fortunata
445:Hiram Keller
441:as Encolpius
425:Earth Mother
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346:Hiram Keller
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312:, or simply
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258:Running time
249: (Italy)
187:Andrew Rudin
138:Tanya Lopert
110:Hiram Keller
74:
65:Charles Wood
18:
2990:Io capitano
2939:The Traitor
2909:Fire at Sea
2809:Golden Door
1829:I Vitelloni
1805:As director
1799:filmography
1702:Documentary
1485:Alpert, 221
1462:27 November
1414:27 November
1393:Alpert, 220
1362:26 November
1333:Alpert, 219
1296:Kezich, 287
1273:Kezich, 286
1168:Kezich, 292
1051:11 November
958:Roger Ebert
828:classicists
635:Renato Zero
595:as Scarface
499: [
492:as Oenothea
466:Magali Noël
456:as Eumolpus
447:as Ascyltus
336:and set in
262:129 minutes
123:Magali Noël
88:Produced by
41:Directed by
3014:1969 films
3008:Categories
2859:Terraferma
2799:Don't Tell
2638:Open Doors
2608:The Family
2180:2003 book)
2136:Fortunella
1989:Intervista
1925:The Clowns
1655:— (1970).
1357:oscars.org
1000:References
768:Home media
757:alienation
742:, and the
693:Production
687:archetypes
642:Adaptation
613:as a slave
562:as Arianna
518:Lucia Bosè
478:Alain Cuny
461:Trimalchio
296:Box office
245:1969-09-18
230:1969-09-03
193:Production
133:Lucia Bosè
128:Alain Cuny
2980:Nostalgia
2919:A Ciambra
2769:Pinocchio
2750:2001–2020
2537:1981–2000
2336:1961–1980
2284:La Strada
2254:Shoeshine
2245:1947–1960
2159:Paparazzi
1853:Il bidone
1845:La Strada
1193:Tower.com
1115:Fellini,
954:Satyricon
933:Satyricon
894:Satyricon
857:Reception
832:Satyricon
736:Fiumicino
709:Satyricon
700:Satyricon
679:Carl Jung
662:Labyrinth
647:Petronius
555:Proconsul
480:as Lichas
393:Lucretius
329:Satyricon
324:Petronius
315:Satyricon
291:3 million
275:Languages
238:premiere)
176:Nino Rota
162:Edited by
82:Petronius
76:Satyricon
2949:Notturno
2829:Gomorrah
2678:Lamerica
2586:Macaroni
2465:Amarcord
2345:La Notte
1949:Casanova
1941:Amarcord
1739:AllMovie
1322:Panorama
983:See also
793:Region 1
658:Minotaur
546:Minotaur
510:Habinnas
484:Fanfulla
472:Capucine
326:'s work
172:Music by
143:Capucine
114:Max Born
98:Starring
71:Based on
2297:(1957)
2267:(1949)
2257:(1947)
2147:Related
2056:L'Amore
1748:at the
1083:Variety
973:of the
911:at the
804:Blu-ray
763:Release
666:Theseus
660:in the
553:as the
544:as the
384:Thermae
278:Italian
267:Country
243: (
228: (
195:company
2993:(2023)
2983:(2022)
2973:(2021)
2952:(2020)
2942:(2019)
2932:(2018)
2929:Dogman
2922:(2017)
2912:(2016)
2902:(2015)
2892:(2014)
2882:(2013)
2872:(2012)
2862:(2011)
2852:(2010)
2842:(2009)
2839:Baarìa
2832:(2008)
2822:(2007)
2812:(2006)
2802:(2005)
2792:(2004)
2782:(2003)
2772:(2002)
2762:(2001)
2741:(2000)
2731:(1999)
2721:(1998)
2711:(1997)
2701:(1996)
2691:(1995)
2681:(1994)
2671:(1993)
2661:(1992)
2651:(1991)
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2621:(1988)
2611:(1987)
2601:(1986)
2589:(1985)
2579:(1984)
2569:(1983)
2559:(1982)
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2498:(1977)
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2478:(1975)
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2438:(1970)
2428:(1969)
2418:(1968)
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2398:(1966)
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2378:(1964)
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2358:(1962)
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2327:(1960)
2317:(1959)
2307:(1958)
2287:(1956)
2277:(1950)
2139:(1958)
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2099:(1950)
2091:(1949)
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2043:(1947)
2035:(1946)
2032:Paisan
2027:(1945)
2019:(1943)
2000:(1990)
1992:(1987)
1984:(1986)
1976:(1983)
1968:(1980)
1960:(1979)
1952:(1976)
1944:(1973)
1936:(1972)
1928:(1970)
1920:(1969)
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1904:(1968)
1896:(1965)
1888:(1963)
1880:(1962)
1872:(1960)
1864:(1957)
1856:(1955)
1848:(1954)
1840:(1953)
1832:(1953)
1824:(1952)
1816:(1950)
1612:about
1578:about
1566:
1546:
1530:
1507:
740:Latina
285:Budget
234: (
1557:" in
1119:, 173
1005:Notes
862:Italy
503:]
417:Momus
410:Ceres
364:Oscar
280:Latin
270:Italy
2455:Roma
2324:Kapo
2236:for
2232:for
1933:Roma
1728:IMDb
1564:ISBN
1544:ISBN
1528:ISBN
1505:ISBN
1464:2020
1416:2020
1364:2011
1284:Time
1261:2015
1231:2015
1202:2015
1053:2012
1039:(X)"
877:Time
841:Look
806:and
432:Cast
378:Plot
334:Nero
289:US$
236:Rome
1737:at
1726:at
1381:at
960:of
946:of
808:DVD
787:by
785:DVD
779:by
777:VHS
577:as
80:by
3010::
2365:8½
1885:8½
1455:.
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232:)
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