279:, and Mrs. Henry Mottet (Jeanie Gallup Mottet). Her submission was an untitled drawing. She continued to have works accepted for almost every one of these exhibitions from the 1920s through the 1960s. In 1927, a petition from Moffett resulted in the staging of a second show each year, this one styled the exhibition of "moderns". Between 1930 and 1937, when the association stopped giving separate modern and traditional exhibitions, Gregory contributed mainly to the moderns. In the 1920s and 1930s, Gregory usually showed drawings and prints. In 1929, she showed an etching called "Bonnet and Shawl". Another etching, "A Lady of Long Ago", shown above, Image No. 2, was in the same series. She began making lithographs in 1932 when her brother, John, set up a lithographic studio in Provincetown. The studio presented demonstrations, gave instruction, and provided a print workshop for artists. A few years later, she began what would become her best-known prints, a series of lithographs taken from
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593:, Gregory showed the moment when the female protagonist attempts to shoot her adversary with a pistol. The text accompanying the illustration says, "I flew into such a rage that I drew a pistol and fired at him, but the bullet rebounded from his breast and struck my horse in the forehead." This illustration is shown above, Image No. 12. Her last illustration assignment was for a publisher called Behavioral Publications in a series called "Children's Series on Psychologically Relevant Themes". The book,
108:. Her career as a professional artist began with her participation in an exhibition of paintings at the Art Students League in 1918. Her first book illustrations appeared three years later. She first showed prints in an exhibition held in 1935. She continued as artist, illustrator, and printmaker for most of the rest of her life employing throughout a different style for each of the three media. In 1956, a critic contrasted the "cubistic" painting style of that time with the
597:(by Joan Fassler, Behavioral Publications, New York, 1969) is about a day that preschool-age Ellen spends with her father while her mother is out of town. Reviewers criticized the depiction of the mother as stereotypically focused on homemaking, cosmetics, and clothes, but approved the way the father was shown to accept household responsibilities. One of Gregory's illustrations shows the happily reunited family of three. This illustration is shown above, Image No. 13.
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abstraction in oil. A representative etching is "A Lady of Long Ago", shown above, Image No. 2. "The Wreck", shown above, Image No. 4, is an example of her early lithography. "Alice and the White Knight", shown above, Image No. 3, is one of her best-known lithographs. In 1956 a reviewer noted that her late-career paintings had subjects that varied "from the humorous 'Breezy Sunday' through the quiet 'Night for
Dreaming' to the dramatic 'Eye of the Hurricane'".
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552:'s "The Wind", in which the poet asks, "O blower, are you young or old/Are you beast of field and tree,/Or just a stronger child than me?" Gregory's illustration of the poem shows a human figure swirling down from the sky. This illustration is shown above, Image No. 10. In 1924, she made the illustrations for the first edition of
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called "For Young
Readers". At the age of fourteen in 1908, Gregory made a drawing called "The Little Fairy" which shows her youthful style and contains surprising humor with its cobweb clock face with hands pointing to noon and its "Quick Lunch" sign suggesting that two spiders are going to join the
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Gregory won second prize in a contest to design recruiting posters after the United States joined the war in Europe. That summer, despite her disappointment in 1914, she returned to
Provincetown and the Hawthorne school. Alluding to this time, she later said "you learn more just from keeping at work
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Her untitled watercolor landscape, shown above, Image No. 7, gives a sense of her early style. Her oil painting, "Summer on Cape Cod" of 1950, shown above, Image No. 8, gives a sense of her late landscape style in that medium. "The Birds", shown above, Image No. 9, gives a sense of her handling of
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In 1972, Gregory recalled that while in school she was constantly making drawings. After her mother died when she was thirteen, she and her younger brother were raised by their father, Grant
Gregory, who encouraged her interest in art. She also received encouragement from his sister, Helen Gregory,
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Gregory met Ross
Moffett the first time she attended a summer session at the Hawthorne school. He courted her after her return in during the summer of 1919. After their marriage in 1920, they departed for Europe and spent most of 1921 traveling there. On returning to the United States, they became
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The younger brother was John
Worthington Gregory (1903-1992), a professional photographer and lithographer. In 1932, he established a studio in Provincetown called Craystone Lithography. In 1948, the Smithsonian Institution gave him a solo exhibition of fifty photographs in its Arts and Industries
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96:(1893–1975) was an American artist best known for her work as a printmaker and illustrator of children's books. She took art classes in public school and at the age of fourteen began making drawings for a New York newspaper. She studied art in Paris in her late teens and thereafter took classes at
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From 1956 through 1960, she was given solo exhibitions at the Arts and Crafts
Gallery in Wellfleet, Massachusetts. Regarding the one held in 1958, a reviewer said the eighteen paintings made "a show well worth seeing." In 1967, she and Moffett showed together at the Group Gallery in Provincetown.
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said "The Wreck" had "special merit". In 1939, the Art
Institute of Chicago showed her lithograph, "Betty and Araminta" in its seventh annual international exhibition of lithography and wood engraving (shown above, Image No. 5). Gregory's granddaughter later said that this print shows her mother
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710:(self-published, 1938). He was living with Gregory and Moffett when he died in 1945. Gregory's mother was Caroline Lucile Peeples. She was born in 1871 and died in February 1907. After her death, Grant Gregory continued to raise Gregory and her younger brother by himself.
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During the 1940s, 1950s, and 1960s, Gregory continued to show in
Provincetown Artists Association annuals. During this period her oil paintings were quite frequently exhibited in the Association's main gallery and her prints and drawings in its smaller galleries.
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called the prints "beguiling". A few years later, she showed drawings and etchings in a duo show with her brother John at the Boston Art Club. Three years later, when she showed with him again, this time at the John
Warwick Galleries in Philadelphia, a critic for
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Gregory was able to find buyers for her paintings, particularly late in her career. However, in 1972 she suggested that she had greater success with her etchings and lithographs, telling her interviewer, "I seemed to have quite a lot of luck selling the things."
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During her periods of summer study in Provincetown and later as a year-round resident, Gregory, like other local artists, took for her subjects the town's dunes, beaches, harbor, and village life. In 1956, she told an interviewer that her favorite painters were
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who wrote that she struck "a note of summer in a low-horizoned canvas, with deep-toned hills, and a single artistically-built tree, prominent in the middle distance, which merges into the green foreground." Encouraged by a fellow student to spend a summer in
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In 1956, she told an interviewer she saw herself mainly as an illustrator and printmaker. She called her painting "a relaxing hobby", adding, "After I get through doing detailed commercial illustrations I like to paint just for the fun of it."
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185:, its director. She wrote her father at the time, saying "Mr. Hawthorne is the worst teacher I have ever seen... He uses fearfully bad grammar and is a flirt, and doesn't give a rap for his students."
168:. In 1916, the League awarded her a cash prize in an exhibition of works by students in its Landscape School. She participated in another League exhibition at the conclusion of its summer session at
291:. In 1972, she said these prints remained popular for the rest of her career. In the Provincetown Artists Association of 1937, she exhibited "Alice and the White Knight", shown above, Image No. 3.
562:(Rand McNally & Company, Chicago). Shown above, Image No. 11 is the illustration "Henry felt himself lifted on many shoulders" from a chapter of this book called "The Race".
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the following year, but left for more than a year of European travel and art study with her father and younger brother during 1910 and 1911. While in Paris, she studied at
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After graduating from P.S. 112 in 1908, she continued to contribute drawings as a member of the paper's children's art club through the end of the year. She entered the
337:. She later explained that she was too busy raising two school-age children, caring for her aging father, who then lived with the family, and managing her household.
1227:"Provincetown Painting Season at Full Tide; Art Association's Annual Exhibition Currently Dedicated to the Academicians—Adding Little to the Gayety of Nations".
2018:
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In 1942, Chandler prepared a new edition with illustrations by L. Kate Deal, and many subsequent editions and sequels were subsequently published.
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706:. Between 1905 and 1921, he was a speculative house builder in New York. Thereafter, he devoted himself to travel and compilation of a genealogy,
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permanent residents in Provincetown, although they often spent winter months in New York or further south. Gregory and Moffett had two children.
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style for which she was better known, saying he had heard gallery-goers incredulously remark, "But she can't be the same Dorothy Lake Gregory."
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2003:
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Gregory was known for her oil and watercolor paintings, her pen and ink drawings, her etchings, and her lithographs. She also hand colored
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2008:
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Edward Alden Jewell (August 11, 1938). "Cunners, Clams—and art: Massachusetts Capes Run True to Form—Annual Exhibition at Provincetown".
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praised a lithograph of hers called "The Wreck" (shown above, Image No. 4). When he reviewed the Provincetown Annual of that summer,
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Gregory was born in Brooklyn on September 20, 1893. Her father was Grant Gregory. He had built a career as reporter and editor for
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1998:
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at the Cape Cod School of Art, she enrolled but left early, feeling disappointed with the quality of instruction and behavior of
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During her long career, Gregory illustrated dozens of children's books by a variety of publishers, including more than 20 for
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In 1953, she joined with six other women to stage an exhibit in Provincetown as "Group 7". The other artists in the show were
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383:(6) Dorothy Lake Gregory, Fisherman's Cottage, undated, hand-colored silver gelatin photographic print, 3 1/2 x 4 5/8 inches
2013:
1718:
760:
Catalog of Copyright Entries, 1924 Pamphlets, Dramas, Maps Motion Pictures For the Year 1924 New Series Vol 21 Part 1 Gr 2
548:(compiled by Genevieve Silvester and Edith Marshall Peter, American Book Co., Cincinnati). Included in the collection was
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255:, in 1920 and the couple made their home in Provincetown. That year, she had her first piece accepted by the jury of the
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1929:
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global cooperative conducted in June 2022 showed that the most widely held books illustrated by Gregory were
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1927, Happy Days Out West for Littlebits, Edith Janice Craine and Alberta N. Burton, Rand, McNally & Co
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322:(Gregory's daughter, Elizabeth) holding one of the family's cats. In reviewing the show, a critic for
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264:
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Dorothy Raymer (February 13, 1953). "Provincetown Art Exhibit Here Is Comprehensive Cross Section".
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220:(3) Dorothy Lake Gregory, Alice and the White Knight, about 1937, lithograph, 11 1/4 x 15 3/4 inches
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295:
268:
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1433:"Seventh International Exhibition; Lithography and Wood Engraving [Exhibition Catalog]"
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In addition to the ones that have already been mentioned, she illustrated the following books:
604:. By 1938, she was said to have won a "considerable reputation" for this work. A search of the
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427:
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407:(8) Dorothy Lake Gregory, Summer on Cape Cod, about 1950, oil on upson board, 10 x 12 inches
1993:
1988:
137:. While a student at Public School 112 in Brooklyn, she made drawings for a section of the
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8:
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A. J. Philpott (November 7, 1935). "Group Exhibition by Six Members of Boston Art Club".
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554:
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by Genevieve Silvester and Edith Marshall Peter (American Book Company, Cincinnati, 1921)
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276:
272:
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124:(1) Dorothy Lake Gregory, The Little Fairy, drawing for the young readers' page of the
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208:(2) Dorothy Lake Gregory, A Lady of Long Ago, etching, about 1929, 5 13/16 x 4 inches
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1926, Littlebits, Edith Janice Craine and Alberta N. Burton,, Rand, McNally & Co
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1958:
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1813:
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Rose M. Somerville (October 1971). "Review: All Alone with Daddy by Joan Fassler".
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764:
Catalog of Copyright Entries, 1924 Books For the Year 1924 New Series Vol 21 Part 1
586:
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1923, Scrap-Basket Sam and Other Stories, Elizabeth Boyle, Rand, McNally & Co
353:
232:(4) Dorothy Lake Gregory, The Wreck, about 1935, lithograph, 8 1/2 x 8 1/4 inches
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475:
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419:(9) Dorothy Lake Gregory, The Birds, undated, oil on canvas board, 10 x 8 inches
395:(7) Dorothy Lake Gregory, Landscape, undated, watercolor on paper, 8 x 14 inches
32:
679:
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1926, When Grandma Was a Little Girl, Stella C. Shetter, Rand, McNally & Co
590:
513:(12) Dorothy Lake Gregory, I drew a pistol and fired at him, illustration from
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pictured fairy in eating their lunch. This drawing is shown above, Image No 1.
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In 1953, Gregory began a new phase in her career when she associated with the
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1923, Jerry and Jean, "Detectors", Clara Ingram Judson, Rand, McNally & Co
1982:
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497:(11) Dorothy Lake Gregory, Henry lifted on many shoulders, illustration from
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153:. Between 1911 and 1915, she attended the School of Fine and Applied Arts of
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photographs. An example is "Fisherman's Cottage", shown above, Image No. 6.
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1927, Angeline Goes Traveling, Frances Margaret Fox, Rand, McNally & Co
601:
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252:
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1922, Early Candlelight Stories, Stella C. Shetter, Rand, McNally & Co
1951:
1546:"Cape End Resident Artists Show Work with Independent Exhibit as Group 7"
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389:
349:
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published new editions of books in a nineteenth-century series known as
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Gregory did not join with other Provincetown artists in working for the
1289:"Annual Exhibition, July 17th to September 5th, 1938 [catalog]"
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1952, Benbow and the Angels, Margaret J. Baker, Longmans, Green and Co.
523:
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by Gertrude Chandler Warner (Rand McNally & Company, Chicago, 1924)
377:
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238:
1317:"Annual Exhibition, July4th to September 6th, 1937 [catalog]"
1158:"Provincetown History Preservation Project [exhibition list]"
1109:
Provincetown; A History of Artists and Renegades in a Fishing Village
401:
172:. One of her paintings in this show drew praise from a critic in the
120:
1812:(4). New York, New York: National Council on Family Relations: 409.
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in 1921 when she produced colored plates for a book of poems called
507:
244:(5) Dorothy Lake Gregory, Betty and Araminta, about 1938, lithograph
202:
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1038:
848:"Oral History Interview with Dorothy Lake Gregory, 1982 January 27"
747:
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1927, Shirley Takes a Chance, Jane Trumbull, Rand, McNally & Co
605:
260:
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1932:. Washington, District of Columbia. December 28, 1947. p. 25.
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566:
1361:
Mary L. Alexander (August 16, 1931). "The Week in Art Circles".
1025:
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1925, Sister Sally, Frances Margaret Fox, Rand, McNally & Co
1518:"First 1952 Exhibition, Thirty-Eighth Season [catalog]"
1490:"Second 1947 Exhibition, Thirty-Third Season [catalog]"
1425:
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810:
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1925, Jimsey, Jasmine Stone Van Dresser, Rand, McNally & Co
1963:"Massachusetts Death Index, 1970-2003", database, FamilySearch
1907:
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1538:
1398:
Michael Shaw (January 16, 1938). "In and Around the Studios".
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762:, (Copyright Office, Library of Congress, Washington DC); the
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1924, Ellen-Jane, Frances Margaret Fox, Rand, McNally & Co
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1936:
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529:(13) Dorothy Lake Gregory, Three together, illustration from
1886:. Provincetown, Massachusetts. December 27, 1945. p. 2.
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In 1929, Gregory was given a solo exhibition of etchings at
1636:. Provincetown, Massachusetts. August 17, 1967. p. 11.
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751:
609:
517:
by Andrew Lang (Longmans Green and Company, New York, 1948)
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and in 1912 won a scholarship for the quality of her work.
1918:. Provincetown, Massachusetts. August 26, 1937. p. 4.
1839:
Arnold Arnold (May 3, 1971). "Family's Spring Book List".
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1573:. Provincetown, Massachusetts. August 2, 1956. p. 10.
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for one of its annual summer exhibitions. The jurors were
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1603:. Provincetown, Massachusetts. July 28, 1960. p. 13.
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644:
1923, Janey, Frances Margaret Fox, Rand, McNally & Co
533:
by Joan Fassler (Behavioral Publications, New York, 1969)
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1654:. Provincetown, Massachusetts. July 30, 1958. p. 5.
1621:. Provincetown, Massachusetts. July 30, 1958. p. 5.
1588:. Provincetown, Massachusetts. July 31, 1957. p. 3.
1277:. Provincetown, Massachusetts. July 21, 1938. p. 1.
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1552:. Provincetown, Massachusetts. July 2, 1953. p. 1.
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1213:. Provincetown, Massachusetts. July 7, 1932. p. 1.
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481:(10) Dorothy Lake Gregory, The Wind, illustration from
1776:. New York, New York. November 14, 1948. p. BR13.
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1567:"Dorothy Lake Gregory to Exhibit at Wellfleet Gallery"
302:
in Manhattan. In reviewing the show, a critic for the
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1690:
1680:
M. Genevieve Silvester; Edith Marshall Peter (1921).
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1350:. New York, New York. November 17, 1929. p. X13.
1243:"Fifteenth Annual Exhibition, 1929 [catalog]"
865:
458:
that was representational rather than non-objective.
1719:""The Boxcar Children" and the Spirit of Capitalism"
1271:"First Demonstration of Lithography in Provincetown"
1217:
1065:. Brooklyn, New York. November 11, 1912. p. 23.
1050:. Larkin, Roosevelt & Larkin. 1940. p. 339.
1014:. Brooklyn, New York. February 10, 1912. p. 23.
573:. The company called upon Gregory to illustrate the
164:
where her instructors included the realist painter,
1903:. Boston, Massachusetts. July 21, 1992. p. 67.
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999:. Brooklyn, New York. December 27, 1909. p. 5.
969:. Brooklyn, New York. October 24, 1909. p. 64.
939:. Brooklyn, New York. February 5, 1908. p. 16.
903:
Ross Moffett 1888–1971 [Exhibition Catalog]
820:Dorothy Gregory (February 3, 1908). "The Little ".
1803:
1453:
1231:. Brooklyn, New York. August 25, 1929. p. 80.
1080:. Brooklyn, New York. October 14, 1916. p. 5.
924:. Brooklyn, New York. August 20, 1907. p. 21.
721:Gregory died on October 4, 1975, in Provincetown.
650:1925, Heidi, Johanna Spyri, Rand, McNally & Co
326:said the print showed a "strong sense of design".
1947:. Brooklyn, New York. January 6, 1926. p. 9.
1360:
1179:"Sixth Annual Exhibition, 1920 [catalog]"
1095:. Brooklyn, New York. August 4, 1918. p. 15.
1034:. Brooklyn, New York. April 25, 1920. p. 21.
984:. Brooklyn, New York. April 11, 1909. p. 13.
852:Archives of American Art, Smithsonian Institution
1980:
1855:"Most widely held works by Dorothy Lake Gregory"
1137:. Brooklyn, New York. April 16, 1918. p. 3.
160:On leaving Pratt, Gregory began to study at the
1832:
980:"Splendid Round of Easter Gayety for Society".
954:. Brooklyn, New York. May 11, 1908. p. 21.
819:
800:"Meet Provincetown Artist Dorothy Lake Gregory"
1897:"John W. Gregory, 89; Renowned Photographer".
1664:
1599:"Dorothy Lake Gregory Exhibits in Wellfleet".
1375:
1133:"Brooklyn Girl Second in Big Poster Contest".
708:The Ancestors and descendants of Henry Gregory
37:Photo of Dorothy Lake Gregory taken about 1974
1838:
1713:
1105:
899:
882:
806:. Worcester, Massachusetts. October 28, 1956.
1786:
1397:
1752:
1735:
1462:
1030:"Miss Gregory Married to Ross E. Moffett".
689:
115:
886:Ancestors and descendants of Henry Gregory
31:
1404:. Philadelphia, Pennsylvania. p. 41.
1207:"Art Association Sixth Modern Exhibition"
465:
119:
1584:"Display Ad: Arts and Crafts Gallery".
2034:Art Students League of New York alumni
1981:
1930:"One-Man Show Spiced With Tang of Sea"
766:, (same); and newspaper book reviews.
750:, a union catalog or libraries in the
2019:American children's book illustrators
1914:"Display Ad: Craystone Lithography".
2004:20th-century American women painters
1686:. American Book Company, Cincinnati.
846:Robert Brown, Dorothy Lake Gregory.
702:ending as night city editor for the
189:than you do much from any teacher."
1382:. Boston, Massachusetts. p. 4.
1112:. Arcadia Publishing Incorporated.
746:The sources for this list include,
13:
2009:20th-century American illustrators
1465:"Dorothy Lake Gregory (1893–1970)"
682:company to design greeting cards.
608:union catalog of libraries in the
14:
2060:
1697:Gertrude Chandler Warner (1924).
1421:. New York, New York. p. X7.
824:. Brooklyn, New York. p. 23.
367:
950:"News of the Children's Clubs".
522:
506:
490:
474:
412:
400:
388:
376:
282:Alice's Adventures in Wonderland
251:Gregory married fellow student,
237:
225:
213:
201:
192:
87:Painter, printmaker, illustrator
1843:. Cincinnati, Ohio. p. 14.
1669:. Key West, Florida. p. 5.
1365:. Cincinnati, Ohio. p. 66.
740:
731:
540:Gregory began her career as an
102:Art Students League of New York
2044:American expatriates in France
1999:20th-century American painters
1615:"Gregory Exhibit in Wellfleet"
889:. self published. p. 412.
758:catalog of printed books; the
450:. Her style ranged from fully
1:
1703:. Rand McNally & Company.
773:
335:Works Progress Administration
298:flagship department store on
1525:Provincetown Art Association
1497:Provincetown Art Association
1324:Provincetown Art Association
1296:Provincetown Art Association
1250:Provincetown Art Association
1186:Provincetown Art Association
257:Provincetown Art Association
7:
2014:American women illustrators
1076:"Miss Gregory Wins Prize".
179:Provincetown, Massachusetts
147:Packer Collegiate Institute
76:Provincetown, Massachusetts
10:
2065:
1793:. Behavioral Publications.
1770:"The Color Fairy Books ".
1047:Who's Who in Massachusetts
1010:"Aunt Jean's Daily Talk".
1401:The Philadelphia Inquirer
1061:"Pratt Institute Notes".
995:"At Eagle Paris Bureau".
935:"Public School No. 112".
567:Longmans, Green & Co.
324:The Philadelphia Inquirer
310:The Philadelphia Inquirer
288:Through the Looking Glass
265:Charles Webster Hawthorne
183:Charles Webster Hawthorne
83:
64:
42:
30:
23:
1859:OCLC Worldcat Identities
1759:. Longmans Green and Co.
1742:. Longmans Green and Co.
1440:Art Institute of Chicago
754:global cooperative; the
724:
690:Personal life and family
585:, for Lang's version of
560:Gertrude Chandler Warner
116:Early life and education
2024:American modern artists
1648:"Art Association Notes"
1469:Bakker Art and Antiques
965:"Aunt Jean's Mailbox".
909:. Worcester Art Museum.
2049:Pratt Institute alumni
2039:Académie Julian alumni
2029:Painters from Brooklyn
1344:"Display Ad: Macy's".
1106:Debra Lawless (2011).
900:J. C. Del Deo (1975).
883:Grant Gregory (1938).
550:Robert Louis Stevenson
333:of the Depression-era
267:, E. Ambrose Webster,
129:
106:Cape Cod School of Art
1916:Provincetown Advocate
1884:Provincetown Advocate
1787:Joan Fassler (1961).
1725:. New York, New York.
1634:Provincetown Advocate
1619:Provincetown Advocate
1601:Provincetown Advocate
1571:Provincetown Advocate
1550:Provincetown Advocate
1275:Provincetown Advocate
1211:Provincetown Advocate
920:"For Young Readers".
626:The Violet Fairy Book
466:Career as illustrator
356:, and Hope Pfeiffer.
348:, Sheila Burlingame,
133:who had studied with
123:
1945:Brooklyn Daily Eagle
1790:All Alone with Daddy
1753:Andrew Lang (1948).
1736:Andrew Lang (1948).
1700:The Box-Car Children
1632:"At the Galleries".
1135:Brooklyn Daily Eagle
1093:Brooklyn Daily Eagle
1078:Brooklyn Daily Eagle
1063:Brooklyn Daily Eagle
1032:Brooklyn Daily Eagle
1012:Brooklyn Daily Eagle
997:Brooklyn Daily Eagle
982:Brooklyn Daily Eagle
967:Brooklyn Daily Eagle
952:Brooklyn Daily Eagle
937:Brooklyn Daily Eagle
922:Brooklyn Daily Eagle
822:Brooklyn Daily Eagle
696:The Kansas City Star
624:(118 holdings), and
622:The Box-Car Children
618:All Alone with Daddy
614:The Green Fairy Book
595:All Alone with Daddy
555:The Box-Car Children
531:All Alone with Daddy
499:The Box-Car Children
174:Brooklyn Daily Eagle
139:Brooklyn Daily Eagle
126:Brooklyn Daily Eagle
94:Dorothy Lake Gregory
25:Dorothy Lake Gregory
1363:Cincinnati Enquirer
756:Library of Congress
331:Federal Art Project
315:Edward Alden Jewell
304:Cincinnati Enquirer
273:George Elmer Browne
170:Woodstock, New York
162:Art Students League
1806:Family Coordinator
1773:The New York Times
1683:Happy Hour Stories
1418:The New York Times
1347:The New York Times
804:Worcester Telegram
571:Lang's Fairy Books
546:Happy Hour Stories
483:Happy Hour Stories
319:The New York Times
130:
53:September 20, 1893
1959:"Dorothy Moffatt"
1756:Violet Fairy Book
1463:James R. Bakker.
1091:"Music and Art".
579:Violet Fairy Book
110:book illustration
91:
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1739:Green Fairy Book
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1717:(June 2, 2016).
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1667:Key West Citizen
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826:
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738:
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704:New York Tribune
620:(361 holdings),
616:(372 holdings),
587:The Glass Coffin
583:Green Fairy Book
575:Green Fairy Book
526:
515:Green Fairy Book
510:
494:
478:
452:representational
416:
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352:, Mary Hackett,
346:Mary Cecil Allen
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21:
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16:American painter
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1880:"Grant Gregory"
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1841:Cincinnati Post
1837:
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700:New York Herald
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628:(96 holdings).
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151:Académie Julian
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68:October 4, 1975
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591:Brothers Grimm
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368:Artistic style
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269:Oliver Chaffee
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84:Known for
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602:Rand McNally
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253:Ross Moffett
250:
187:
173:
166:Robert Henri
159:
144:
138:
131:
125:
93:
92:
70:(1975-10-04)
18:
1994:1970 deaths
1989:1893 births
1943:"Society".
1229:Times Union
542:illustrator
456:abstraction
350:Ada Gilmore
1983:Categories
1723:New Yorker
1652:New Beacon
1586:New Beacon
774:References
714:building.
277:Ethel Mars
104:, and the
49:1893-09-20
857:March 15,
565:In 1948,
1864:June 19,
1530:June 10,
1502:June 10,
1445:June 23,
1329:June 10,
1301:June 10,
1255:June 10,
1191:June 10,
1163:June 10,
748:WorldCat
680:Hallmark
606:WorldCat
577:and the
261:Max Bohm
135:Whistler
57:Brooklyn
1968:May 29,
1474:June 9,
589:by the
440:Matisse
436:Picasso
1826:582181
1824:
1116:
448:Derain
444:Braque
296:Macy's
128:, 1908
100:, the
1822:JSTOR
1521:(PDF)
1493:(PDF)
1436:(PDF)
1320:(PDF)
1292:(PDF)
1246:(PDF)
1182:(PDF)
907:(PDF)
725:Notes
581:. In
1970:2022
1866:2022
1532:2022
1504:2022
1476:2022
1447:2022
1331:2022
1303:2022
1257:2022
1193:2022
1165:2022
1114:ISBN
859:2021
752:OCLC
698:and
610:OCLC
446:and
285:and
78:, US
65:Died
43:Born
1814:doi
558:by
317:of
1985::
1961:.
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1857:.
1820:.
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1569:.
1558:^
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781:^
442:,
438:,
275:,
271:,
263:,
1972:.
1868:.
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1816::
1534:.
1506:.
1478:.
1449:.
1333:.
1305:.
1259:.
1195:.
1167:.
1122:.
861:.
51:)
47:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
