644:"We started off doing a picture that Warner Bros. indicated they wanted to do, a macabre love story with a twist. About five weeks into the shoot, they realized who I was and told me not to be inhibited by what they had told me in the past. In a way, I had held back. So, in the last week of shooting, I made up one little nightmare scene and put it into the film. It was the big hit of the screening. So then they came to me and said, 'Listen, what we need is more of that stuff. What we're doing is adding to the deaths of a few people, a jump for the beginning, a new closing scene, and two nightmares—that sort of Wes Craven touch.'"
495:, we had a scene where a nasty old lady gets her head knocked off with a basketball. The actual scene as it was originally cut was fabulous. She was running around the room like a chicken with its head cut off for ten, fifteen seconds. It was bizarre and wonderful and they cut the shit out of it. So I compiled what we called our "Decapitation Compilation," all the films that I knew of that had decapitations in them that had an R, and sent it to them. They immediately sent it back saying they just base it on what they feel in the room at the time. And we had like eight or ten films in there, like
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his shirt. But during one take, I missed the device and glass actually shattered on his chest. I freaked out because I thought I had really stuck this glass into his chest. Everybody else just laughed." In another incident, the great amount of fake blood turned out to be a problem. "We had been working on that scene a long time. Finally, it was time for blood to spray out, but something leaked and we had blood spraying all over the set and myself. I was so tired that I started yelling, "More blood!" and the effects people really pumped it out."
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strangling him. Samantha, quickly coming to her senses, lets him go and runs away. As Paul goes after her, he again encounters Carl, who gets into a fight with him. Samantha goes back for Paul, grabs Carl and kills him by throwing him at an incoming police car. She runs back to Paul's shed, where Paul comforts her and realizes she's regaining some of her humanity. However, the police arrive with their guns aimed at
Samantha, who yells out Paul's name in her human voice. She runs towards him, trying to protect him, but Sergeant Volchek (
585:, but the point was made that Craven could direct something other than double-barreled horror." After principal photography was completed, Craven's original version of the film was screened to a test audience mostly consisting of his fanbase. The response from them was negative, criticizing the lack of violence and gore seen in Craven's other films. Finding that Craven had a large fanbase within the horror genre, Warner Bros.' marketing team insisted that additional scenes of gore and horror be incorporated into the finished film.
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also said how at the time, people were still blaming him for the ending where
Samantha turns into a robot, even though Canton was the one who conceived it. He also mentioned that despite the fact that the studio destroyed the love story of the movie that he and Craven enjoyed, he still enjoyed working with Craven, confirming that he was not the one who wanted to change the film and that he should not be blamed for what happened to it. Rubin even said that production was one of the happiest experiences he ever had.
802:. The Blu-ray features the same cut of the film as issued on the previous Warner Bros. DVD. In a press announcement regarding the Blu-ray release, Scream Factory wrote: "We anticipate being asked if we found any alternate footage from the film (as seen in the original theatrical trailer) or Craven's more milder original feature-length cut. Unfortunately, we could not locate any lost footage after investigating. Sorry, we tried. As fans of the film ourselves we wanted to see that too!"
592:, had Rubin write six additional gore scenes into his script, each bloodier than the last. Following the negative reactions from test audiences that saw Craven's first cut of the film and wanted a much more grisly product, it was re-edited in post-production and the more graphic deaths and other re-shot scenes were included, making the final film appear tonally jumbled. Furthermore, with the additional gore introduced, the film struggled being granted an R rating with the
615:. While new scenes were added, others such as more scenes between Paul and Samantha that would have made the film more of a love story as originally intended were deleted for length and pacing reasons. Since re-writes, re-shoots, and post production re-editing heavily changed the original story, Craven and Rubin expressed strong anger and heartbreak at the studio and then virtually disowned the film.
295:. Due to studio imposed re-shoots and re-editing, the film was drastically altered in post-production, losing much of the original plot and more scenes between characters, while other scenes, including more grisly deaths and a new ending, were added. According to the screenwriter, this version was criticized by the studio for containing too much graphic, bloody violence and was cut back for release.
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got the job. He also said how working on the film was one of the most extraordinary experiences of his life: "It was a horror film with a lot of elements that are not things I wanted on my resume. And it didn't do very good business, but it was total fun. My kids were on the set every night. My five-year-old Ari was totally in love with Kristy
Swanson, who was the lead. She later became
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and Harry's corpse, in the cellar. Horrified, he hides the body, takes
Samantha back to his home and locks her in his bedroom. At night, Samantha breaks into Elvira's house and corners her by throwing her to the wall of her living room. As Elvira screams in horror, Samantha kills her by smashing her head with the basketball stolen from Tom.
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deactivates the power from the basement, Paul takes
Samantha to his lab. He inserts the microchip into Samantha's brain and takes her back to his house, hiding her in the shed. After he activates the microchip, Samantha "wakes up", but her mannerisms are completely mechanical, suggesting BB is in control of her body.
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In a 1990 interview with
Fangoria journalist Daniel Schweiger, screenwriter Bruce Joel Rubin said this about the ending and why it stayed in the film: "That robot coming out of the girl's head belongs solely to Mark Canton, and you don't tell the president of Warner Bros. that his idea stinks!" Rubin
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Craven was no longer attracted to the story because of
Samantha going on a killing spree when she is revived. He was much more interested in exploring the adults around her, all of whom seem to be monsters in human skin. In his own words: "The scares don't come from her, but from the ordinary people,
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Later at the morgue, Paul tries to steal
Samantha's body once more. Suddenly, Samantha grabs Paul's neck and her face rips apart, revealing a terrifying variant of BB's head. Her skin strips away, revealing half-robotic bones underneath. With a robotic voice, Samantha tells him to come with her. When
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saved him from going nearly broke due to the four months long Writer's Guild strike and also helped him with a bar mitzvah for his son and to buy a house. In the same interview, Rubin said how at first, he did not want to write the script, but after changing his mind, he called Robert M. Sherman and
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Swanson commented that she found herself and the other actors caught up in the studio's attempts to strong-arm Craven into making the film more visceral than what was originally intended. During both production and re-shoots, changes to the script were being made, title changes were being discussed,
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During filming of one of the studio-demanded scenes where Sam has a nightmare where her father attacks her in her room and she stabs him with a glass vase, there were difficulties on set with the special effects. Swanson mentioned, "The scene was set up so that I would hit a protective device inside
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In the middle of the night, Paul finds
Samantha staring at the window, looking at her father, and he deactivates her. The next morning, Paul finds Samantha gone. When Harry finds the cellar door open and goes downstairs, Samantha attacks him, breaks his wrist and snaps his neck. Paul finds Samantha,
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Kristy
Swanson, 16 years old at the time of filming, was cast as Samantha. She admitted that Craven was unsure of her capability to play the role, but ultimately cast her, and was "always encouraging... always prodding me in subtle ways." She elaborated in a 1996 interview: "I committed myself
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Professional mime artist Richmond Shepard taught Swanson all of the robotic movements that her character has in the film. In an interview, Swanson said this about learning to walk in that specific way: "Getting those moves down was difficult at first. You don't think walking that way is hard until
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One day, Tom, Paul and BB stop at the house of reclusive harridan Elvira Parker, who threatens them with a shotgun. The trio then encounters a motorcycle gang led by bully Carl. When Carl intimidates Paul, BB assaults him. Another day, while playing basketball, BB accidentally tosses the ball onto
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without any graphic scenes, with a bigger focus on plot and character development and a dark love story centering on the two main characters, which were not typical aspects of Craven's previous films. After Craven's original cut was shown to a test audience by Warner Bros., the audience criticized
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The robot, BB, cost over $ 20,000 to build. Craven used a company called Robotics 21. His eyes were constructed from two 1950's camera lenses, a garage remote control unit, and a radio antenna taken from a Corvette. BB could actually lift 7,500 pounds in weight. The voice of BB was provided by
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When Tom learns of Samantha's rampage, he gets into a fight with Paul and threatens to call the police. Still being protective of Paul, Samantha jumps out the attic window and attacks Tom, with Paul and Jeannie intervening. Trying to get her under control, Paul slaps Samantha, resulting in her
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Teenage prodigy Paul Conway and his mother Jeannie move into their new house in the town of Welling. He soon becomes friends with paperboy Tom Toomey. Living next door to Paul is Samantha Pringle and her abusive, alcoholic father Harry. Paul built a robot named BB, which occasionally displays
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and will be on life support for 24 hours before the plug is pulled. As BB's microchip can interface with the human brain, Paul decides to use it to revive Samantha with Tom's help. The boys enter the hospital using a key taken from Tom's father, who works there as a security guard. After Tom
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night, Tom decides to pull a prank on Elvira with the help of Paul, Samantha and BB. BB unlocks her gate and Samantha rings her doorbell. When alarms go off, they hide in a shrubbery nearby. When Elvira sees BB standing near her porch, she destroys him with her shotgun, devastating Paul.
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For the scene chronicling the transplant of BB's microchip into Samantha's brain, Craven called on the advice of retired neurosurgeon William H. Faeth, who has a cameo in the film as a coroner in Sam's hospital room. Craven said that he was very helpful on all the anatomical details.
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The theatrical trailer for the film released by Warner Bros. represented it as a straightforward horror film, omitting any reference to its science fiction elements, with BB not appearing in a single frame. The mixture of teenagers and terror as seen in the trailer implied that
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gave the film a generally negative review, writing, "It's an intriguing combination of elements, but the end result is a schizoid mess", calling Craven's direction "awkward" and opining that it "lacks the intense, sustained atmosphere of his previous horror hits." On
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who are actually much more frightening. A father who beats a child is a terrifying figure. That's the one person you're afraid of in the movie. The idea is along the lines that adults can be horrible, without being outside what society says is acceptable."
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is a 1985 science fiction horror novel by Diana Henstell. It tells of a 13-year-old boy, Paul "Piggy" Conway who moves to a small town after his parents get divorced. There he befriends a girl named Samantha, but their friendship is cut short when her
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completely to it. I just went full out with it. I wanted to do the best job I could possibly do. I was having the time of my life. As for the movie itself, some people love it, some people hate it. It is what it is. I really enjoyed making
339:, Samantha has dinner with Paul and his mother, and Samantha and Paul share their first kiss. Samantha returns home late at night, outraging her father, who pushes her down the stairs. At the hospital, Paul learns that Samantha is
573:, Craven's original cut of the film was "a teenage film filled with charm, wit, and solid performances by likeable teens Swanson and Laborteaux. It was definitely a mainstream, PG film all the way, similar in tone to
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magazine in May 2000, Swanson said that the fake head of Elvira that was decimated by the basketball was stuffed with actual cow brains that the production crew picked up from a butcher shop. In a 2006 interview for
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and there were many discussions about how violent and bloody the final film would be. All of these issues caused problems for the actors. Regarding the title changes, when Craven started the project, it was titled
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the film has a 20% approval rating based on 35 reviews, with an average rating of 3.7/10, with the consensus reading, "An uninspired departure for Wes Craven, mired by an uneven premise; beware, this is one
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and the film's producers then demanded script re-writes and re-shoots, which included filming gorier death scenes and nightmare sequences, similar to the ones from Craven's previous film,
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Wes Craven and Bruce Joel Rubin's original intent for the film was for it to be a science fiction thriller with the primary focus being on the dark love story between Paul and Samantha.
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father throws her down the stairs, mortally injuring her. Piggy tries to save her by implanting a microchip in her, but the reanimated Samantha is much more dangerous than she appears.
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autonomous behavior, such as being protective of Paul. Paul, Jeannie, and BB meet Paul's professor, Dr. Johanson, at Polytech, a prestigious university where Paul has a scholarship.
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Earlier in production when the film was originally going to be a PG-rated sci-fi thriller, Craven wanted to make something that was similar to John Carpenter's 1984 sci-fi film
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508:. Rubin agreed with Craven that the film should have a gentler tone than his other features. Craven couldn't write the script himself because he was directing episodes of
688:. The film was trimmed and resubmitted to the MPAA thirteen times before it was granted an R-rating. Most of the cuts were made to the death scenes of Harry and Elvira.
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the lack of graphic, bloody violence and gore that Craven's other films included. Warner Bros. executive vice president
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because he wanted to get away from his reputation as a director of violent films, just like Wes Craven wanted to make
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at the time. Craven and producer Robert M. Sherman hired Rubin as the screenwriter because they read his script for
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with a PG rating in mind so he could prove that he could make a film that was not simply "blood and guts" horror.
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you actually try doing it. But Richmond was a good teacher and I picked up on most of the moves pretty quickly."
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In another interview, Rubin told the story about how the $ 36,000 that he got paid for writing the script for
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Due to all of the gore scenes that were added into the film—as well as Craven's contentious history with the
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it has a score of 44% based on reviews from 11 critics, indicating "mixed or average reviews".
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with all of the studio-demanded sequences included, and delivering his original script for
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where the guy gets his head cut off by the sheet of glass, and it didn't matter to them."
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834:"Deadly Friend - Box Office Data, DVD Sales, Movie News, Cast Information - The Numbers"
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users called for Craven's original cut of the film to be released, sharing the hashtag
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edition featuring all of the death scenes in their fully uncut form. In 2021, numerous
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820:"Deadly Friend: How a Forgotten 80s Film Foretold the Future in 2019 [Rewind]"
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Hoping to score a financial success with the Halloween trade, Warner Bros. released
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Editor Michael Eliot was brought in by Warner Bros. to re-edit the original cut of
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Elvira's porch. She takes the ball away from them and refuses to give it back. On
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Fangoria #98, "Climbing the Ladder of Success", Page 54 (continued from page 27)
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In April 2014, an online petition for the release of the original cut was made.
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Craven had a hand in selecting Bruce Joel Rubin to write the screenplay for
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in the movie. She was really sweet to him and even took him on a date."
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Charles Fleischer, who appeared in Wes Craven's previous film
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was similar in tone to that film." John Carpenter directed
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a horrified Paul screams, she snaps his neck, killing him.
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The executive vice president of Warner Bros. at the time,
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Fangoria #57, "Wes Craven's Deadly Doubleheader," page 50
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Written in Blood - Interview with Writer Bruce Joel Rubin
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Fangoria #57, "Wes Craven's Deadly Doubleheader, Page 53
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934:"EXCLUSIVE INTERVIEW: WES CRAVEN (THE HILLS HAVE EYES)"
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by Diana Henstell, which was adapted for the screen by
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993:#60, "The Prettiest Deadly Friend," pages 50-51 and 59
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Fangoria #60, "The Prettiest Deadly Friend," Page 51
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in theaters on October 10, 1986, but the film was a
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1378:Screams and Nightmares: The Films of Wes Craven
1092:#98, "Climbing the Ladder of Success," page 54
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716:A Nightmare on Elm Street 3: Dream Warriors
1843:Films with screenplays by Bruce Joel Rubin
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1195:"Deadly Friend (1986) - Review - AllMovie"
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1361:. Jefferson, North Carolina: McFarland.
798:released the film for the first time on
1380:. Woodstock, New York: Overlook Press.
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1397:Wes Craven: The Man and His Nightmares
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1029:from the original on February 8, 2020.
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254:. Its plot follows a teenage computer
1823:Films based on American horror novels
1798:American science fiction horror films
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594:Motion Picture Association of America
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1159:"Wes Craven - Interview (1989)"
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1615:The People Under the Stairs
1599:The Serpent and the Rainbow
1583:The Hills Have Eyes Part II
1333:"Deadly Friend: An Autopsy"
913:. July 1, 1996. p. 99.
412:as Sergeant Charlie Volchek
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705:. In an interview with
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1273:"#releasethecravencut"
1222:"Deadly Friend (1986)"
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1808:Films about androids
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907:"The Phantom's Lady"
782:#ReleaseTheCravenCut
1853:Techno-horror films
1848:Mad scientist films
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1551:The Hills Have Eyes
1165:. September 3, 2009
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1005:, pp. 120–131.
794:. In October 2021,
488:The Hills Have Eyes
379:as Samantha Pringle
219:is a 1986 American
1858:Warner Bros. films
1734:Invitation to Hell
1655:Music of the Heart
1508:Films directed by
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1355:Muir, John Kenneth
1193:Guarisco, Donald.
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1133:Cortlandreview.com
371:Matthew Laborteaux
232:Matthew Laborteaux
86:Matthew Laborteaux
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606:Out for Justice
563:
561:Post-production
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302:Source material
258:who implants a
230:, and starring
221:science fiction
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377:Kristy Swanson
374:
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236:Kristy Swanson
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582:Short Circuit
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555:Deadly Friend
552:
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547:Deadly Friend
544:
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532:as a doctor.
531:
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506:Deadly Friend
502:
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493:Deadly Friend
490:
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462:Deadly Friend
452:
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420:
418:as BB (voice)
417:
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216:Deadly Friend
208:$ 8.9 million
207:
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184:United States
183:
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123:Michael Eliot
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49:Screenplay by
47:
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30:
25:
22:Deadly Friend
20:
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1307:
1280:. Retrieved
1267:
1256:
1247:
1235:. Retrieved
1225:
1216:
1204:. Retrieved
1198:
1188:
1179:
1167:. Retrieved
1153:
1141:. Retrieved
1137:the original
1132:
1123:
1111:. Retrieved
1106:
1097:
1089:
1085:
1073:
1064:
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1020:
1010:
998:
990:
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941:. Retrieved
937:
928:
919:
910:
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877:Maddrey 2015
872:
859:
853:
841:. Retrieved
837:
828:
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781:
771:
757:
746:
732:
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721:Bruce Wagner
714:
710:
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631:and then to
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422:Tom Spratley
358:
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337:Thanksgiving
334:
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321:
306:
305:
297:
290:
276:
267:
226:directed by
215:
214:
213:
200:$ 11 million
172:Running time
149:Release date
142:Warner Bros.
62:
1567:Swamp Thing
1521:Filmography
1237:December 9,
1169:October 28,
1078:Wooley 2011
590:Mark Canton
576:Real Genius
447:Development
424:as Neighbor
401:Anne Ramsey
389:Anne Twomey
287:Mark Canton
252:Anne Ramsey
244:Anne Twomey
224:horror film
101:Anne Twomey
71:Produced by
39:Directed by
1773:1986 films
1767:Categories
1510:Wes Craven
1340:Daily Dead
1258:Metacritic
1143:31 October
1113:28 October
943:31 October
806:References
768:Home media
762:Metacritic
727:Box office
676:Censorship
442:Production
434:Russ Marin
430:as Coroner
428:Jim Ishida
341:brain dead
264:brain dead
228:Wes Craven
205:Box office
176:91 minutes
160:1986-10-10
43:Wes Craven
1690:(segment
1282:March 30,
1057:Robb 2000
1045:Robb 2000
1003:Muir 2004
979:Robb 2000
967:Robb 2000
894:Robb 2000
864:(Blu-ray)
784:for both
692:Marketing
329:Halloween
120:Edited by
1707:Scream 4
1663:Scream 3
1647:Scream 2
1438:AllMovie
1357:(2004).
1344:Archived
1314:Archived
1206:8 August
1200:AllMovie
1090:Fangoria
1027:Archived
991:Fangoria
938:Chud.com
843:8 August
748:AllMovie
707:Fangoria
686:X rating
498:The Omen
410:Lee Paul
354:Lee Paul
282:thriller
189:Language
128:Music by
79:Starring
59:Based on
1742:Chiller
1694:, 2006)
1679:Red Eye
1607:Shocker
1458:at the
1447:at the
1325:Sources
1277:Twitter
1163:YouTube
800:Blu-ray
778:Twitter
671:Release
551:Starman
543:Starman
538:Starman
468:Filming
455:Casting
312:abusive
256:prodigy
192:English
181:Country
158: (
1753:(1990)
1745:(1985)
1737:(1984)
1729:(1978)
1710:(2011)
1702:(2010)
1682:(2005)
1674:(2005)
1671:Cursed
1666:(2000)
1658:(1999)
1650:(1997)
1642:(1996)
1639:Scream
1634:(1995)
1626:(1994)
1618:(1991)
1610:(1989)
1602:(1988)
1594:(1986)
1586:(1985)
1578:(1984)
1570:(1982)
1562:(1981)
1554:(1977)
1546:(1972)
1403:
1384:
1365:
791:Cursed
625:Friend
307:Friend
279:sci-fi
268:Friend
250:, and
197:Budget
63:Friend
1347:(PDF)
1336:(PDF)
760:. On
482:Maxim
260:robot
1427:IMDb
1401:ISBN
1382:ISBN
1363:ISBN
1284:2021
1239:2022
1208:2012
1171:2022
1145:2018
1115:2022
945:2018
845:2012
788:and
633:A.I.
609:and
364:Cast
318:Plot
1471:at
1436:at
1425:at
774:DVD
579:or
569:by
335:On
1769::
1342:.
1338:.
1312:.
1306:.
1292:^
1275:.
1255:.
1230:.
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1161:.
1131:.
1105:.
1035:^
1025:.
1019:.
936:.
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884:^
836:.
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246:,
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234:,
1501:e
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1371:.
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1261:.
1241:.
1210:.
1173:.
1147:.
1117:.
947:.
847:.
162:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
