169:
396:
307:
226:
38:
195:
The dots are arranged in a unique pattern as identification of the particular print of a movie, and are added during manufacture. The marks are not present on the original film negative; they are produced either by physical imprint on the final film print or by digitally postprocessing a digitally
382:
name of "crap code" by filmgoers. The term "crap code" was coined on a movie projectionists' discussion forum, due to its quite intrusive nature when viewing. These dots are usually placed on bright areas of a film frame, so they can be more easily identified, and are a reddish-brown color.
191:
CAP coding is a multi-dot pattern that is printed in several frames of a film print of a theatrically exhibited motion picture. It is sometimes accompanied by text code printed on the edge of a motion picture print, outside the visible picture area.
160:, which are black or white circles usually in the upper right-hand corner of the frame. A cue mark is used to signal the projectionist that a particular reel of a film is ending, as most films come to theaters on several reels of celluloid.
196:
distributed film. This enables codes to be customized on a per-copy basis so that they can be used to trace the print to the theaters that played that particular print and to trace any
537:
516:
363:. It makes use of more visible dots, and was developed to thwart film copying from theatergoers with camcorders, or prints that have been illicitly
434:
102:
74:
283:
532:
81:
561:
444:
CineFence claims to be imperceptible to the viewer, but robust to copying and encoding, and encodes 35 bits/5 minutes.
324:
243:
55:
346:
265:
181:
121:
17:
441:
mandates forensic marking of digital film; CineFence is the first marking system that complies with this standard.
88:
571:
506:
Philips
Announces Commercial Availability of CineFence Digital Cinema Forensic Marking for Both Image and Sound
328:
247:
59:
70:
483:
407:
438:
317:
236:
150:
48:
168:
142:
95:
566:
478:
473:
8:
360:
505:
201:
463:
542:
146:
286:, is a series of very small dots printed in the picture area of a film print.
555:
458:
279:
205:
453:
197:
395:
379:
331: in this section. Unsourced material may be challenged and removed.
250: in this section. Unsourced material may be challenged and removed.
368:
290:
306:
289:
The original instance of CAP developed by Kodak is a technology for
225:
37:
468:
364:
209:
185:
157:
427:
293:
film prints to trace copies of a print, whether legal or not.
372:
359:
A newer and more common variation has been developed by
200:
copies however they were made – be they
426:
A different marking system is CineFence, introduced by
278:
The original style of CAP code, developed in 1982 by
62:. Unsourced material may be challenged and removed.
149:with a distinguishing pattern of dots, used as a
553:
430:in 2006 and commercially available in 2008.
145:technology which marks each film print of a
153:to identify the source of illegal copies.
543:Technicolor Inc./Warner Brothers Patent:
347:Learn how and when to remove this message
266:Learn how and when to remove this message
122:Learn how and when to remove this message
167:
14:
554:
27:Anti-copyright infringement technology
510:
501:
499:
484:Digital Cinema Package § Watermarking
284:Motion Picture Association of America
390:
378:Deluxe's version has been given the
329:adding citations to reliable sources
300:
248:adding citations to reliable sources
219:
60:adding citations to reliable sources
31:
435:Digital Cinema System Specification
24:
496:
25:
583:
545:Motion picture anti-piracy coding
182:Committee of Advertising Practice
156:They are not to be confused with
394:
305:
224:
36:
316:needs additional citations for
296:
235:needs additional citations for
47:needs additional citations for
538:CineFence brief specifications
517:CineFence brief specifications
215:
13:
1:
525:
386:
172:CAP code on a 35mm print of
7:
447:
163:
10:
588:
439:Digital Cinema Initiatives
179:
562:Film and video technology
489:
572:Copyright infringement
177:
143:copyright infringement
479:Printer steganography
180:For the rules of the
171:
474:EURion constellation
325:improve this article
244:improve this article
176:(Gus Van Sant, 1991)
174:My Own Private Idaho
56:improve this article
361:Deluxe Laboratories
151:forensic identifier
71:"Coded anti-piracy"
533:Philips: CineFence
406:. You can help by
178:
424:
423:
357:
356:
349:
276:
275:
268:
135:Coded anti-piracy
132:
131:
124:
106:
18:Coded Anti-Piracy
16:(Redirected from
579:
519:
514:
508:
503:
419:
416:
398:
391:
352:
345:
341:
338:
332:
309:
301:
271:
264:
260:
257:
251:
228:
220:
127:
120:
116:
113:
107:
105:
64:
40:
32:
21:
587:
586:
582:
581:
580:
578:
577:
576:
552:
551:
550:
528:
523:
522:
515:
511:
504:
497:
492:
464:Copy protection
450:
420:
414:
411:
404:needs expansion
389:
353:
342:
336:
333:
322:
310:
299:
282:along with the
272:
261:
255:
252:
241:
229:
218:
189:
166:
128:
117:
111:
108:
65:
63:
53:
41:
28:
23:
22:
15:
12:
11:
5:
585:
575:
574:
569:
564:
549:
548:
540:
535:
529:
527:
524:
521:
520:
509:
494:
493:
491:
488:
487:
486:
481:
476:
471:
466:
461:
456:
449:
446:
422:
421:
401:
399:
388:
385:
355:
354:
313:
311:
304:
298:
295:
274:
273:
232:
230:
223:
217:
214:
165:
162:
147:motion picture
130:
129:
44:
42:
35:
26:
9:
6:
4:
3:
2:
584:
573:
570:
568:
565:
563:
560:
559:
557:
547:
546:
541:
539:
536:
534:
531:
530:
518:
513:
507:
502:
500:
495:
485:
482:
480:
477:
475:
472:
470:
467:
465:
462:
460:
459:Cam (bootleg)
457:
455:
452:
451:
445:
442:
440:
436:
431:
429:
418:
415:November 2008
409:
405:
402:This section
400:
397:
393:
392:
384:
381:
376:
374:
370:
366:
362:
351:
348:
340:
330:
326:
320:
319:
314:This section
312:
308:
303:
302:
294:
292:
287:
285:
281:
280:Eastman Kodak
270:
267:
259:
249:
245:
239:
238:
233:This section
231:
227:
222:
221:
213:
211:
207:
203:
199:
193:
187:
183:
175:
170:
161:
159:
154:
152:
148:
144:
141:) is an anti-
140:
136:
126:
123:
115:
104:
101:
97:
94:
90:
87:
83:
80:
76:
73: –
72:
68:
67:Find sources:
61:
57:
51:
50:
45:This article
43:
39:
34:
33:
30:
19:
567:Watermarking
544:
512:
443:
432:
425:
412:
408:adding to it
403:
377:
358:
343:
337:January 2017
334:
323:Please help
318:verification
315:
297:Deluxe's CAP
291:watermarking
288:
277:
262:
256:January 2017
253:
242:Please help
237:verification
234:
194:
190:
173:
155:
138:
134:
133:
118:
109:
99:
92:
85:
78:
66:
54:Please help
49:verification
46:
29:
454:Canary trap
216:Kodak's CAP
556:Categories
526:References
380:pejorative
210:telesynced
82:newspapers
387:CineFence
369:videotape
365:telecined
202:telecined
158:cue marks
112:June 2011
469:Cue mark
448:See also
186:CAP Code
164:CAP code
428:Philips
198:bootleg
96:scholar
206:cammed
184:, see
98:
91:
84:
77:
69:
490:Notes
208:, or
103:JSTOR
89:books
433:The
75:news
437:by
410:.
373:DVD
371:or
367:to
327:by
246:by
139:CAP
58:by
558::
498:^
375:.
212:.
204:,
417:)
413:(
350:)
344:(
339:)
335:(
321:.
269:)
263:(
258:)
254:(
240:.
188:.
137:(
125:)
119:(
114:)
110:(
100:·
93:·
86:·
79:·
52:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_on_a_35mm_film_print.jpg)