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Climb Ev'ry Mountain

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252: 182:, described the parallels between a nun's choice for a religious life and the choices that humans must make to find their purpose and direction in life. When she read the manuscript of the lyrics, she confessed that it "drove to the Chapel" because the lyrics conveyed a "yearning that ... ordinary souls feel but cannot communicate." 314: 237:
against the wall of the set for the Mother Abbess' office with her back to camera. As director Robert Wise reports, once the vocal had begun, she had no problem matching the performance. Reviewing the dailies later, everybody thought it looked as if the Mother Abbess was receiving divine guidance
225:, as Wood was not able to sing the high notes of the song. Rodgers wrote the piece in the key of C, with a modulation towards the end of the piece into the key of D flat, making the last note that the Mother Abbess sings an A flat (Ab5), though in the film it was sung a tone lower. 216:
had some reservations about the words, which she felt were too "pretentious." In addition to that, while Peggy herself was an accomplished singer earlier in her career, the song was simply too difficult for her to perform at that age. As a result, her singing voice is dubbed by
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With the popularity of the stage play it would seem Peggy Wood was not alone. Given the range of the piece and the average age of the actor playing Mother Abbess, the oldest character in the story, the song has proven daunting for many actresses over the years.
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In addition, due to the long instrumental introduction of the song, Wood was repeatedly unable to catch the first word lip synching to McKay's playback. So they filmed the beginning part of her performance in
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characters in the shows, and are used to give strength to the protagonists in the story, and both are given powerful reprises at the end of their respective shows. As
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was writing the lyrics, it developed its own inspirational overtones along the lines of an earlier Hammerstein song, "There's a Hill Beyond a Hill". He felt that the
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The song has often been sung by operatically trained voices in professional stage productions. In the original Broadway production it was sung by
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better fitted Maria's quest for her spiritual compass. The muse behind the song was Sister Gregory, the head of
124:. It is themed as an inspirational piece, to encourage people to take every step toward attaining their dreams. 1961: 1749: 1206: 273: 1956: 1941: 476: 1946: 1931: 1905: 1448: 1357: 1048: 395: 120:
It is sung at the close of the first act and is sung again in the epilogue of the second act by the Mother
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In the original stage play, the Mother Abbess sings the song at the end of the first act. When
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recorded and released a version as the first single from her album,
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Official Charts Company - "Climb Ev'ry Mountain", UK chart run
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The Sound of Music: The Making of America's Favourite Movie
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For the 1971 album of the same name by Judith Durham, see
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sang a Norwegian version, "Se Over Fjellet" on the album
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Getting to Know Him: A Biography of Oscar Hammerstein II
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This song shares inspirational overtones with the song "
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The Sound of Music: Music from the NBC Television Event
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The Sound of Music: Music from the NBC Television Event
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The letters that she sent to Hammerstein and to 34:Show tune from the 1959 musical The Sound of Music 653:recorded a version of the song on his 2019 album 1918: 1593: 898: 722: 612:I Dreamed a Dream: The Hit Songs of Broadway 912: 772:The Sound of Music: From Fact to Phenomenon 548:(6–8 years of age) at a school pageant show 500:, as part of a double A-sided single with " 467:had a minor hit single (No. 74) of the song 238:and so the performance was kept as it was. 212:and his film crew were filming this scene, 1600: 1586: 1372:I'm Gonna Wash That Man Right Outa My Hair 905: 891: 746:"'The Sound of Music': We rank every song" 538:1992: Alex Burrall's version in the movie 523:performed the song at the Summer Olympics. 312: 1977:Songs with lyrics by Oscar Hammerstein II 768: 292:Learn how and when to remove this message 602:2013: Australian operatic mezzo-soprano 865:"I Dreamed A Dream – Songs of Broadway" 14: 1919: 707: 692: 674: 1707:The von Trapp Family: A Life of Music 1665:The Story of the Trapp Family Singers 1581: 886: 826: 726:Sound of Music - Climb every mountain 708:Hirsch, Julia Antopol Hirsch (1993). 701: 686: 668: 1937:Columbia Graphophone Company singles 643:Encore: Movie Partners Sing Broadway 274:adding citations to reliable sources 245: 1992:UK singles chart number-one singles 1982:Songs with music by Richard Rodgers 827:Rosen, Craig (September 29, 2000). 142:. They are both sung by the female 24: 154:of climbing mountains and fording 25: 2003: 1400:You've Got to Be Carefully Taught 1232:The Surrey with the Fringe on Top 636:recorded the song as a duet with 241: 1607: 1379:I'm in Love with a Wonderful Guy 610:as part of a compilation album, 250: 1260:It's a Scandal! It's a Outrage! 857: 541:The Jacksons: An American Dream 261:needs additional citations for 820: 790: 779: 775:. Hollywood: 20th Century Fox. 738: 716: 712:. 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Index

Climb Every Mountain
Climb Ev'ry Mountain (album)
Song
Genre
Show tune
Composer(s)
Richard Rodgers
Lyricist(s)
Oscar Hammerstein II
show tune
Rodgers and Hammerstein
The Sound of Music
Abbess
You'll Never Walk Alone
Carousel
mentor
Oscar Hammerstein II
metaphors
streams
Drama
Rosary College
Illinois
Mary Martin
Maria von Trapp
Broadway
Patricia Neway
Constance Shacklock
Rosina Raisbeck
Ernest Lehman
the film adaptation

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