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It belongs to a time in
Annibale's career when the influence of Venetian painting began to combine with the central Italian tradition of painting as he returned to the example of his old master
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126:, Francesco Brizio or even by a minority of critics to Annibale himself. Its first run dates to 1595, very soon after the painting was finished.
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105:". It is based on a preparatory drawing traditionally attributed to Ludovico Carracci, but later reattributed to Agostino Carracci, now in the
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were the only two early paintings by the artist to be reproduced in print during the painter's lifetime. The print of
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Les
Carrache et les décors profanes. Actes du colloque de Rome (2-4 octobre 1986) Rome: École Française de Rome
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It was part a set or cycle of works showing Gospel scenes of Christ meeting women - the other two were
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51:. Several years later he also produced a much smaller autograph copy with variations, now in the
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Annibale
Carracci: A Study in the reform of Italian Painting around 1590
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74:, with all three painted as over-door works All three now hang in the
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Saint
Didacus of Alcalá Presenting Juan de Herrera's Son to Christ
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The
Madonna and Sleeping Child with the Infant St John the Baptist
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but a closer attention to classical values, so much so that
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This article about a sixteenth-century painting is a
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The Virgin
Appears to Saint Luke and Saint Catherine
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Madonna and Child in Glory over the City of
Bologna
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PietĂ with Saints Clare, Francis and Mary
Magdalene
704:PietĂ with Saint Francis and Saint Mary Magdalene
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652:Portrait of Monsignor Giovanni Battista Agucchi
507:Christ in Glory with Saints and Odoardo Farnese
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109:, though Annibale alters it in several ways.
47:, painted as part of the same scheme as the
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612:Portable Altarpiece with PietĂ and Saints
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43:is a 1593-1594 oil on canvas painting by
145:, London, 1971, Vol. II, N. 77, pp. 33.
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531:Christ Appearing to Saint Anthony Abbot
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68:Christ and the Woman Taken in Adultery
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93:. It contains not only references to
849:Paintings in the Pinacoteca di Brera
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664:Landscape with the Flight into Egypt
324:The Mystic Marriage of St Catherine
186:Annibale Carracci e i suoi incisori
13:
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356:Venus with a Satyr and Two Cupids
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202:Catalogue entry - British Museum
171:Catalogue entry - British Museum
844:Paintings by Annibale Carracci
468:Christ and the Canaanite Woman
428:Christ and the Samaritan Woman
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120:Christ and the Samaritan Woman
60:Christ and the Canaanite Woman
34:Christ and the Samaritan Woman
26:Christ and the Samaritan Woman
1:
680:Rest on the Flight into Egypt
404:Madonna and Child with Saints
348:Madonna and Child with Saints
300:An Allegory of Truth and Time
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53:Museum of Fine Arts, Budapest
18:Painting by Annibale Carracci
792:. You can help Knowledge by
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864:16th-century painting stubs
755:Accademia degli Incamminati
644:The Martyrdom of St Stephen
572:The Three Marys at the Tomb
332:The Vision of Saint Eustace
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880:
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547:Christ Crowned with Thorns
539:Christ Crowned with Thorns
515:The Death of Saint Francis
340:Two Children Teasing a Cat
192:, Roma, 1988, pp. 521-522.
760:Palazzo Sampieri frescoes
730:
636:Self-Portrait on an Easel
523:Saint Margaret of Antioch
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49:Palazzo Sampieri frescoes
588:Assumption of the Virgin
380:Assumption of the Virgin
372:Self-Portrait in Profile
122:is attributed either to
720:The Birth of the Virgin
672:The Dead Christ Mourned
596:Saint Gregory at Prayer
484:Venus, Adonis and Cupid
284:Crucifixion with Saints
497:The Choice of Hercules
436:Saint Roch Giving Alms
115:Saint Roch Giving Alms
86:
29:
712:The Loves of the Gods
620:PietĂ with Two Angels
84:
40:The Woman at the Well
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476:Entombment of Christ
76:Pinacoteca di Brera
859:Paintings of women
854:Paintings of Jesus
580:Rinaldo and Armida
260:The Laughing Youth
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744:Ludovico Carracci
738:Agostino Carracci
604:Domine quo vadis?
591:(Rome; 1600–1601)
308:Baptism of Christ
254:List of paintings
240:Annibale Carracci
161:, Vol. I, p. 51.
85:The Budapest copy
72:Agostino Carracci
64:Ludovico Carracci
45:Annibale Carracci
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491:Camerino Farnese
292:Corpse of Christ
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460:River Landscape
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107:British Museum
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268:The Beaneater
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794:expanding it
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412:Resurrection
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103:Poussinesque
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723:(1605–1609)
707:(1602–1607)
691:(1600–1605)
639:(1603–1604)
542:(1598–1600)
534:(1598–1600)
518:(1597–1598)
471:(1594–1595)
439:(1587–1595)
431:(1593–1594)
367:(1587–1590)
364:Lamentation
359:(1588–1590)
343:(1587–1588)
335:(1585–1586)
303:(1584–1585)
295:(1583–1585)
271:(1580–1590)
99:Denis Mahon
28:(1593-1594)
833:Categories
130:References
124:Guido Reni
740:(brother)
699:(c. 1606)
683:(c. 1604)
675:(c. 1604)
667:(c. 1604)
631:(c. 1603)
623:(c. 1603)
607:(c. 1602)
583:(c. 1601)
575:(c. 1600)
567:(c. 1600)
549:(Bologna)
487:(c. 1595)
479:(c. 1595)
463:(c. 1590)
423:(c. 1593)
327:(c. 1585)
247:Paintings
91:Correggio
746:(cousin)
657:disputed
655:(1604) (
159:op. cit.
95:Veronese
731:Related
452:Hunting
444:Fishing
375:(1590s)
263:(1580s)
715:(1608)
615:(1603)
526:(1599)
500:(1596)
415:(1593)
407:(1593)
399:(1593)
391:(1592)
351:(1588)
319:(1585)
311:(1585)
287:(1583)
279:(1583)
688:Danaë
564:PietĂ
188:, in
790:stub
66:and
70:by
62:by
37:or
835::
150:^
55:.
821:e
814:t
807:v
796:.
659:)
232:e
225:t
218:v
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