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Rani who was appointed as the key producer of the Bombay
Talkies studios. Despite, or perhaps because of, her prior experience as an actress, Devika Rani was highly successful in sustaining the production values of the company, and the studio subsequently retained its dominance over the rapidly expanding Indian film industry. The most successful Bombay Talkies films produced during this period included
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under the guise of Bombay
Talkies. Despite Devika Rani, Sashadhar Mukherjee, and Ashok Kumar attempting to create a working relationship which involved alternating production of major films between the two rival production camps, the relationship proved untenable and was fraught with allegations of
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and was credited with introducing a level of professionalism to the medium of movie making and acting, reputedly higher than standards set by rival Indian film production companies. Bombay
Talkies acquired a reputation for changing the aesthetics and technology traditionally associated with Indian
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in 1939, the company faced a number of problems. The most significant change for the studio involved
Himanshu Rai, the studio's founder, suffering a nervous breakdown which ultimately resulted in his demise. Following the shock caused by his demise, control of the film company passed on to Devika
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Negotiations between Devika Rani on the one hand and
Sashadhar Mukherjee and Ashok Kumar on the other failed to unite the company. Shashdhar Mukherjee, Ashok Kumar and a few others left the company in 1943 to found Filmistan. In 1945, Devika Rani married the Russian painter
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For the period in cinematic history it represented, Bombay
Talkies was considered to be an innovative and highly resourced movie studio. In line with international standards, the studios' facilities included
405:(1936), as well as a number of other highly successful productions by the company. The studio was similarly recognized as having launched the careers of several prominent Indian film actors including
507:, sold her Bombay Talkies shares and left the industry. After several attempts to reunite the studio, it was sold to Tolaram Jalan, a businessman, who decided to cease its operations in 1953.
494:. Although reasons for the rift have never been made public and largely remain unclear to film industry observers, Sashadhar Mukheerjee and Ashok Kumar allegedly attempted to begin their own
335:. After Rani's retirement, Kumar and Mukherjee took over Bombay Talkies. The company went out of business in 1953. A last film produced by the studio was released in June 1954.
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created a local record for the longest continual showing of the same film. The movie continued to run for more than three and half years at the Roxy movie theater in
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429:. Madhubala and Dilip Kumar, who co-starred in four Bombay Talkies films, engaged in a long term, highly covert love affair.
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films. It was also renowned for producing films on (then) controversial topics such as those dealing with love between an
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Despite Devika Rani's success as the Bombay
Talkies' head producer, in 1943 a rift arose between her and her managers
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This will have introduced speculative and possibly inaccurate details not present in the source material. Such images
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was a movie studio founded in 1934. During its period of operation, Bombay
Talkies produced 40 movies in
649:,a highly respected actor referred to as 'Tragedy king' passes away on 7 July 2021, at the age of 98.
631:, a highly respected actress and former head of production for the Bombay Talkies studios dies in
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sabotage, dramatic ego clashes, in-fighting, and the relentless circulation of malicious rumors.
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is released, transforming the previously unknown actor into a well known celebrity.
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was the leading actor of the studio until 1943, when he founded another studio,
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1934: The Bombay
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makes her debut as a child artist named Baby Mumtaz in the movie
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Franz Osten and the Bombay
Talkies: Journey from Munich to Malad
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Bharat Bhushan, Leela Chitnis, Kusum Deshpande, Arun Kumar
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technicians, the most prominent of whom was Franz Osten.
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of Bombay Talkies, before becoming a famous director.
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Dilip Kumar, Meera Mishra, Ranjana, Moni Chatterjee
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by Amrita Ganger (Max Mueller Bhavan, Bombay, 2001)
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1568:"The legend of Madhubala | Magazines | DAWN.COM"
617:1954: The Bombay Talkies company is closed down.
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50:should be replaced with their original versions
1516:Bollywood: A Guidebook to Popular Hindi Cinema
777:Devika Rani, Najmul Hussain, J. S. Casshyap
1683:Mass media companies disestablished in 1953
549:, a key founder of the Bombay Talkies dies.
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41:includes historical images which have been
1588:Kapoors: The First Family of Indian Cinema
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161:Learn how and when to remove this message
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999:Saraswati Devi + Ramchandra Paal
959:Saraswati Devi + Ramchandra Paal
308:, a suburb of the Indian city of
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1519:. Routledge. p. 17.
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1128:Mumtaz Shanti, Ullhas,
840:Ashok Kumar, Maya Devi
614:an overnight sensation.
19:For the 2013 film, see
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1195:Jairaj, Leela Chitnis
882:Renuka Devi, P Jairaj
523:, a thriller starring
185:Logo of Bombay Talkies
1641:19.17903°N 72.84292°E
1240:Arun Kumar Mukherjee
21:Bombay Talkies (film)
1153:Devika Rani, Jairaj
365:film making in India
333:Shashadhar Mukherjee
95:improve this article
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1585:Madhu Jain (2009).
767:Mamta and Miya Biwi
488:Sashadhar Mukherjee
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1362:Khemchand Prakash
1341:Khemchand Prakash
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1301:Anil Biswas
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1277:Najam Naqvi
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1213:Anil Biswas
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1192:Anil Biswas
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1173:Anil Biswas
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1038:Najam Naqvi
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996:N R Acharya
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975:Franz Osten
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792:Franz Osten
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771:Franz Osten
766:
752:Franz Osten
747:Jeevan Naiya
745:
731:Franz Osten
724:
710:Franz Osten
705:Achhut Kanya
703:
605:
597:, featuring
592:
588:is released.
583:
566:
557:
547:Himanshu Rai
539:Achhut Kanya
537:
533:Jeevan Naiya
531:
527:is released.
520:
501:
485:
469:
451:
447:World War II
444:
402:Jeevan Naiya
400:
396:
387:
382:Achhut Kanya
380:
362:
342:
317:Himanshu Rai
314:
301:
300:
252:Headquarters
223:Himanshu Rai
208:22 June 1934
204:22 June 1934
157:
151:January 2016
148:
138:
131:
124:
117:
105:
93:Please help
88:verification
85:
68:
55:
40:
1644: /
1424:Nitin Bose
1382:Nitin Bose
1298:Nitin Bose
1258:Nitin Bose
1217:Dilip Kumar
1185:Char Ankhen
1167:or Qismat)
1161:Kismat (or
1142:Hamari Baat
1096:Naya Sansar
1033:Punar Milan
829:Prem Kahani
726:Janmabhoomi
654:Filmography
647:Dilip Kumar
640:Ashok Kumar
629:Devika Rani
580:Dilip Kumar
525:Devika Rani
492:Ashok Kumar
468:. In 1943,
466:Ashok Kumar
427:Dilip Kumar
419:Mehmood Ali
411:Ashok Kumar
407:Devika Rani
399:(1935) and
389:Devika Rani
370:untouchable
339:Early years
325:Ashok Kumar
321:Devika Rani
268:Area served
260:Maharashtra
228:Devika Rani
1667:Categories
1650: (
1631:72°50′35″E
1628:19°10′45″N
1500:References
1448:S. K. Pal
1445:Bimal Roy
1205:Jwar Bhata
971:Navjeevan'
585:Jwar Bhata
431:Raj Kapoor
379:boy e.g. (
121:newspapers
1367:Madhubala
1293:Noukadubi
1130:Madhubala
667:Director
633:Bangalore
622:Madhubala
612:Madhubala
599:Dev Anand
554:Madhubala
478:, India.
423:Madhubala
329:Filmistan
58:July 2024
1482:Baadbaan
1369:, Kumar
1132:(debut)
573:thriller
511:Timeline
476:Calcutta
358:European
279:Products
216:Founders
191:Industry
1461:Tamasha
1420:Mashaal
1398:Sangram
1313:Majboor
1273:Nateeja
1237:Jairaj
1232:Pratima
1012:Bandhan
892:Nirmala
850:Savitri
482:Decline
457:Bandhan
441:Success
377:Brahmin
331:, with
262:, India
242: (
237:Defunct
206: (
201:Founded
135:scholar
1595:
1550:
1523:
1221:Shamim
1164:Kismet
1117:Basant
1075:Jhoola
1054:Anjaan
952:Kangan
913:Vachan
871:Bhabhi
687:Osten
645:2021:
638:2001:
627:1994:
620:1969:
604:1949:
591:1948:
578:1944:
568:Kismet
565:1943:
559:Basant
552:1942:
545:1940:
530:1936:
519:1935:
471:Kismet
452:Kangan
352:and a
310:Bombay
137:
130:
123:
116:
108:
1477:1954
1456:1952
1435:1952
1416:1950
1393:1950
1378:Samar
1374:1950
1354:Mahal
1349:1949
1333:Ziddi
1328:1948
1309:1948
1288:1947
1269:1947
1253:Milan
1248:1946
1227:1945
1200:1944
1181:1944
1158:1943
1137:1943
1112:1942
1091:1941
1070:1941
1049:1941
1028:1940
1007:1940
986:1940
967:1939
948:1939
933:Durga
929:1939
908:1938
887:1938
866:1938
845:1937
824:1937
803:1937
787:Izzat
782:1937
763:1936
742:1936
721:1936
700:1936
685:Franz
678:1935
673:Cast
664:Film
661:Year
607:Mahal
594:Ziddi
374:Hindu
306:Malad
256:Malad
142:JSTOR
128:books
1593:ISBN
1548:ISBN
1521:ISBN
991:Azad
536:and
490:and
464:and
454:and
425:and
393:diva
319:and
114:news
1440:Maa
385:).
97:by
1669::
421:,
417:,
413:,
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312:.
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