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Baccio credit for having shown supreme mastery, and having made a solid and beautiful casting. These labors endured in that profession, brought him the name of a good and even excellent master; and that figure is esteemed more than ever at the present day by all craftsmen, who hold it to be most beautiful.
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It is said that when he had made the figure in clay, all who saw the arrangement of the armatures, and the moulds laid upon them, held it to be a beautiful piece of work, recognizing the rare ingenuity of Baccio in such an enterprise; and when they had seen it cast with the utmost facility, they gave
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The crowning moment of his career perhaps came with the commission in 1514 from a competition sponsored by the
Florence silk merchants guild to create a statue in bronze for one of the remaining empty niches on the facade of
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In 1506, Baccio received a commission for several sculptures for the
Benedictine abbey of
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309:"Link to on-line biography of Baccio and Raffaello da Montelupo from Vasari's
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Link to on-line biography of Baccio and
Raffaello da Montelupo from Vasari's
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surrounding a fresco of the Virgin Mary in the church of Sant'Agostino at
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Baccio received his first important commission from the friars of the
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230:. Toward the end of the decade, he worked primarily in the area of
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152:, both in Florence, the Badia di SS. Flora e Lucilla in nearby
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Lives of the Most
Excellent Painters, Sculptors, and Architects
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Le Vite delle più eccellenti pittori, scultori, ed architettori
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and pursued the study of sculpture, attending the "scuola" of
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beside works by
Italian notables of the preceding century:
105:Born into a family of modest social conditions in
79:. He is the father of another Italian sculptor,
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121:and attended by other young sculptors including
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163:In Bologna, Baccio created 12 busts of the
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167:in terracotta (now in the Cathedral of
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269:Baccio died around 1523, in Lucca.
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250:in Lucca, with his son Raffaello;
203:took its place on the exterior of
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244:Tomba del vescovo Silvestro Gigli
354:People from Montelupo Fiorentino
374:16th-century Italian sculptors
364:15th-century Italian sculptors
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359:Italian Renaissance sculptors
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222:In 1515 he created a marble
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71:(1469–1523(?)), born
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127:Giovanni Francesco Rustici
109:, he moved at eighteen to
260:Monumento a Giano Grillo
138:Basilica of San Domenico
75:, was a sculptor of the
47:Basilica of San Domenico
201:St. John the Evangelist
146:Basilica di San Lorenzo
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58:St. John the Evangelist
369:Italian male sculptors
256:Museo di Villa Guinigi
252:Monumento di San Silao
234:, completing a marble
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81:Raffaello da Montelupo
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264:Santa Maria dei Servi
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115:Bertoldo di Giovanni
107:Montelupo Fiorentino
18:Bartolomeo Sinibaldi
248:San Michele in Foro
228:Colle di Val d'Elsa
77:Italian Renaissance
69:Baccio da Montelupo
34:Baccio da Montelupo
379:Catholic sculptors
294:2007-06-09 at the
238:for the church of
190:. Vasari writes:
119:Lorenzo de' Medici
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93:(or, in English,
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315:. Archived from
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213:Lorenzo Ghiberti
199:Baccio's bronze
131:Jacopo Sansovino
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180:San Sebastiano
158:Lastra a Signa
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27:Italian artist
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62:Orsanmichele
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349:1523 deaths
344:1469 births
176:San Godenzo
338:Categories
323:2007-05-17
273:References
240:Segromigno
182:survives.
64:, Florence
209:Donatello
150:San Marco
49:, Bologna
43:Compianto
292:Archived
254:(now at
165:Apostles
111:Florence
224:edicola
169:Ferrara
142:Bologna
215:, and
154:Arezzo
129:, and
85:Vasari
236:Pietà
232:Lucca
311:Vite
288:Vite
148:and
101:Life
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140:in
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