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Bugs Bunny: Superstar

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485:. In an audio commentary recorded for the 2012 DVD release, Larry Jackson claimed that in order to secure Clampett's participation and access to Clampett's collection of Warners Bros. history (memorabilia, drawings, films, photographs etc.), he had to sign a contract that stipulated Clampett would host the documentary, select the cartoons featured, and have approval over the final cut. Jackson further claimed that Clampett was very reluctant to speak about the other directors and their contributions, and that Clampett was "insecure" about his place in the legacy of Warner Bros. cartoons. Furthermore, several of the cartoons featured in 552:... Jackson may have acted in innocence though Barrier insists on the Clampett version even in the face of protests from Tex, Friz and me. Well, innocence and stubbornness are equal thieves in the night when they steal the good names of good men, particularly Tex Avery and Friz Freleng who together forged the style and character of Warner Bros. animated films until some of the rest of us grew up and realized how fortunate we were to find ourselves in such an environment. 2315: 29: 376:
were intended to be interviewed for the film, but all three were ultimately not involved for various reasons. Freleng and Avery appear only fleetingly in the film; according to Jackson, Freleng was laconic and did not reveal much, and while Avery talked at length and was entertaining, relatively
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was, unquestionably, a method of Clampett's to spin the gospel of Looney Tunes his own way... The final film is entertaining, and certainly not malicious in its short shrifts to the other directors. It was more or less a celluloid version of Bob Clampett himself: largely accurate, positively
548:, drew the ire of Chuck Jones, who responded by writing a letter (dated 11 December 1975) and enlisting Tex Avery to make annotations (dated 22 December 1975). Jones's letter, which was publicly circulated, refers to "the grossly unfair misrepresentations of BUGS BUNNY SUPER STAR," adding, 429:(1941). Welles' reluctance towards that idea ensured that Jackson's film would be a straightforward documentary; however, Welles did agree to provide narration for the film. The audio quality of Welles' narration was muffled, which did not escape the notice of critics. Writing for 556:
For his part, Barrier stated in a 1992 essay that both Jones and Clampett were enthusiastic self-promoters, adding that "more hazardous to the interviewer was their fundamentally innocent tendency to take for granted that they stood at the center of the Warner cartoon universe."
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was marketed with the tagline, "You won't believe how much you missed as a kid!" According to Larry Jackson, this was a reference to how audiences accustomed to watching Warner Bros. cartoons on television were unaware of the history behind those cartoons. Jackson commented that
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endearing, and takes for granted that the sun shone out of Bob Clampett's every orifice at Termite Terrace when it often didn't. It was a low-budget thing, its sole purpose to make people view the Warner cartoons beyond Saturday morning treacle.
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The documentary infuriated many of the Warner Bros. artists, as Clampett liberally took credit for several iconic Warner Bros. characters. Clampett implied that he was the creator of Bugs Bunny, claiming that he used
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As Jackson reminds us, hardly anything on the Warner cartoons had been written in the dark world of the mid-1970s, and the directors had every right to toot their own horns. Jackson is too gracious to say so, but
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are the "Blue Ribbon" versions which lack opening titles (including director credits). However, the three Clampett-directed cartoons are the original versions, preserving Clampett's director credit.
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was legendary, provided nearly all of the behind-the-scenes drawings and home-movie footage for the film; furthermore, his wife, Sody Clampett, is credited as the film's production co-ordinator.
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used an original a.a.p. print (evidenced by the a.a.p. opening soundtrack) to preserve the ending gag involving the "That's all, Folks" title card, which was lost in the Turner updated version.
447:. Only one track of Welles' recording – from the microphone that was furthest away – was used in the film's final mix, accounting for the relatively poor audio quality of the narration. 404:
and why Warner's compilation films of the 1970s and 1980s did not feature any pre-1948 cartoons. (Warner eventually re-acquired the rights to its pre-August 1948 cartoons after the 1996
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and produced and directed by Larry Jackson. It was the first documentary to examine the history of Warner Bros. Looney Tunes with its animated cartoon characters, as well as the only
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was not restored, with some age wear apparent from the original film stock. All but two cartoons were replaced by versions created by Turner Entertainment Co. in 1995.
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magazine (fall 1970). In the course of the interview, Clampett implied or outright claimed to be the creator of characters such as Bugs Bunny,
1788: 2233: 1692: 1574: 524:, in fact, brought to a head resentments that had grown between Chuck Jones and Bob Clampett for years. In June 1969, animation historian 2424: 2093: 790: 2414: 2257: 939: 848: 1685: 1540: 990: 400:
acquired a.a.p. in 1958 and thereby gained the rights to the aforementioned Warners cartoons; this is why United Artists distributed
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when Bugs discusses his "fathers" (i.e. Jones and other Warner's directors). Although Chuck Jones opted to not contribute to
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gag. Aside from leaving in the edited scene, however, the print on the set is basically the same as the Turner version.
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remarked that "Orson Welles bridges the gaps with facetious narration that sounds as if it had been left on someone's
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of the primary developers of the early Warner cartoons was noticeably slanted due to his prominent presence in
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Approximately 30 minutes of the film's 90-minute duration is made up of Warner Bros documentary footage.
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merger). Larry Jackson sought, unsuccessfully, to feature post-1948 Warners cartoons in his film.
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was also restored to the a.a.p. print, as the Turner version contained an edit to remove a
8: 2339: 2107: 2053: 2018: 1983: 1902: 360:. Clampett, whose collection of drawings, films, and memorabilia from the golden days of 396:("a.a.p.") acquired the distribution rights to Warners' pre-August 1948 color cartoons. 2181: 1909: 1309: 635:
On November 15, 2012, Warner Home Video released the documentary on DVD as part of the
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during its original run. Jackson also recounts being personally complimented by
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Contemporary critics pointed out that Bob Clampett's important role as
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were originally released between July 1940 and April 1948. In 1956,
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on November 14, 2006, as a two-part special feature in the box set
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interviewed Clampett for an article that appeared in issue #12 of
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pointedly left out Clampett's name in the 1979 compilation film
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DVD in 2012, animation writer Thad Komorowski wrote,
961: 572:on December 19, 1975 to fairly positive reception. 377:little of what he said could be used for the film. 237:) which were previously released during the 1940s: 1931:Merrie Melodies Starring Bugs Bunny & Friends 419:and originally intended the bridging material of 2331: 503:as inspiration for the character. Subsequently, 1732:The Day the Earth Blew Up: A Looney Tunes Movie 817:"Essays: From 1992: On the Jones-Avery Letter" 595:format during the late 1980s by media company 2360:American films with live action and animation 1803:Baby Looney Tunes' Eggs-traordinary Adventure 1789:Tiny Toon Adventures: How I Spent My Vacation 947: 2189:The Gold Diggers' Song (We're in the Money) 2258:Yosemite Sam and the Gold River Adventure! 954: 940: 388:The nine full-length cartoons featured in 27: 1693:Bugs Bunny's 3rd Movie: 1001 Rabbit Tales 1686:The Looney Looney Looney Bugs Bunny Movie 1541:Spike the Bulldog and Chester the Terrier 415:Jackson had cultivated a friendship with 609:Looney Tunes Golden Collection: Volume 4 341:includes interviews with some legendary 692: 2332: 1863:Bugs & Daffy: The Wartime Cartoons 1810:Bah, Humduck! 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Index


Bob Clampett
Tex Avery
Friz Freleng
Orson Welles
Ian Whitcomb
United Artists
Looney Tunes
documentary film
Orson Welles
United Artists
Looney Tunes
Merrie Melodies
cartoons
Bugs Bunny
What's Cookin' Doc?
Bob Clampett
The Wild Hare
Tex Avery
A Corny Concerto
I Taw a Putty Tat
Friz Freleng
Rhapsody Rabbit
Walky Talky Hawky
Robert McKimson
My Favorite Duck
Chuck Jones
Hair-Raising Hare
The Old Grey Hare
Warner Bros.

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