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159:; tickets to the première were sold out. Dell'Era reportedly received five curtain calls, but critical reception of the ballet was poor. Russian ballet dancer Nicolai Solyannikov was unimpressed by Dell'Era's performance: "this coarse, ungraceful dancer is much to the German taste". The influence of politics and current affairs on the evolution of ballet is well-documented, and during Dell'Era‘s time as a leading ballerina in Russia, dancers were influenced by the rise of
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Before her death in 1945, Dell'Era had expressed a wish that her estate should help dancers in need. The Dell'Era-Gedächtnis-Stiftung foundation was established after her death to provide dancers and their families with financial assistance towards living costs and expenses, such as medical costs,
121:. Between 1886 and 1894, she danced in Russia, mainly in St. Petersburg, as an export of the "Italian Invasion" - an influx of talented Italian dancers to Russia that included
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Pritchard, Jane (January 2001). "Antoinette Dell'Era : the first Sugar Plum Fairy".
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In 1894, Dell'Era created the role of the Sugar Plum Fairy in
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Antonietta Dell'Era as part of the Berlin Ballet, 1880
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History of dance : an interactive arts approach
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