529:"cooler". Kitamura created the character Zeros specifically for the film in order to have Tenshu battle an equally matched opponent for the film's climax. Kitamura described Zeros as a character that was cloned from the Isomer and human DNA. He also described Zeros as a character who spent his life among machines, being plugged into devices and injected with mysterious chemicals. Earlier drafts had Zeros explode due to Tenshu's psychological waves and was intended to be the film's visual effects showcase, however, Kitamura rewrote it after feeling the scene wasn't going to be "enough" and didn't do Zeros "justice." Kitamura wanted to give Zeros a "Frankenstein-like" quality, to be "pitied" after the Isomer is taken from him. For the film's ending, Kitamura wanted the film to end in a "climactic" way without it being an action scene. In the manga's opening, Tenshu broke down after the faux electrocution, however, Kitamura altered this idea by keeping Tenshu emotionless, stating, "I wanted to hold off showing Tenshu's weakness until later." Gondo's psycho nature was added specifically for the film.
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can't see." Shin considered using motion-tracking software to better process irregular camera movement, however, the program wasn't able to process some camera movements and it had to be done by hand. Backgrounds with green-screens had to be recreated shot-for-shot to correspond with camera movement. Kitamura wanted the Versus scene to defy the laws of physics, feeling it would have been "lame" for them to simply remain on the ground boxing. Cameras were set up overhead for mid-air shots. Via wire-action, Sakaki and
Sakaguchi jumped double the height than what was originally planned, at Kitamura's request. A custom bottle was produced so Sakaki would be able to hit Sugimoto, however, the bottle still managed to cut Sugimoto.
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geared toward that moment." Kitamura was moved by the manga's ending and intended to "transcend" the original and impress the author. Hitoshi Ozawa was invited for a single day shoot, however, Ozawa warned
Kitamura that he was sporting bandages on his head due to a stunt injury. Kitamura invited him over regardless and retained the bandages on-screen. Four hours were spent applying tattoos for Ozawa's character. Sakaki claimed to have lost 10 kilos during filming. Tetta Sugimoto filmed his scenes in 10 days. Sugimoto purposely dyed his hair red and trimmed it to a mohawk for his role. A steel camera device was produced that would be able to fall with Sugimoto after Sakaki would hit him with a custom bottle.
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enough equipment. As a result, Kitamura was dissatisfied with the way it looked and cut it from the film. The prison hallway scene was filmed on April 27, 2001, on the roof of
Yokohama arena. The tunnel at the film's climax was filmed at the Kasukabe Drainage Canal, which was under construction during principal photography. The arrival of the Special Forces was filmed in the parking lot of International Stadium Yokohama. Kitamura also chose to work with kinetic camerawork. Wanting to take a different approach than what he had done on
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to film the Versus scene as if it were a martial arts video game, as well as incorporate aerial combat. Shimomura did storyboards for the Versus scene. Shimomura produced a camera test simulation (with
Kitamura's approval) with Tak Sakaguchi and Hideo Sakaki's stunt double. Kitamura gave his feedback on how to improve the fight. Kitamura chose to green screen the Versus scene due to insufficient time to do the set ups that the scene required.
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tone of the film," but needed to have a "good beat." Composers Morino and
Daisuke Yano produced a rough composition prior to syncing it with the scene. The track began as a guitar piece, however, all of the guitars were removed from the first version. Morino admitted to only having a few vague ideas for the Versus scene, which later snowballed into a version that was different to his and Yano's original idea.
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associate producer
Keishiro Shin, director Ryuhei Kitamura, cast members Hideo Sakaki, and Tak Sakaguchi, and the author of the original manga, Tsutomu Takahashi. Kitamura noted that the director's cut lingers on the "psychological aspect" of the film, stating, "I wanted to hurt the audience too, but I held back in the theatrical release."
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in the United States and Canada on
October 26, 2004. This release included the theatrical cut and director's cut, running 118 minutes. The special features included an English dub for the director's cut, a Making of featurette, Cast interviews, original trailers and promos, and an audio commentary by
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The execution scene in the film's opening was filmed near the end of principal photography. A scene was filmed that had Tenshu being led down a giant corridor after the execution scene. The corridor was 150 meters below ground, under construction, and 5 cm, which prevented the crew from bringing
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The film's ending was shot on the rooftop of the
Shinjuku Hijia Building on May 20, 2001. Kitamura admitted that his interest in adapting the manga into a live-action film was due to the ending, stating, "I made this film because I wanted to shoot that final scene on the rooftop. Everything else was
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The music for the Versus scene had to be rewritten repeatedly due to
Kitamura's dissatisfaction with previous versions. Composer Nobuhiko Morino felt the Versus scene's music couldn't be downbeat, yet not upbeat like Rock music. Morino also didn't want the Versus scene's music to "destroy the whole
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in order to display Tenshu's supernatural powers. The film contained 300 visual effect shots, 180 of which were not part of the original manga. These 180 effect shots were used in the Versus scene, which took four months, 20 hours a day to track each shot. Action choreographer Yuji
Shimomura wanted
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and chose to spend the budget on set designs. Kitamura instructed production designer Yuji Hayashida to incorporate post-modern elements. Hayashida turned the cell into a solid metal box due to his fascination with metal structures. Hayashida used an open set for the control room to give a sense of
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was cast as Zeros by Kitamura, feeling that Sakaguchi would be able to make the character look "cool." Kitamura wanted to "utilize" Sakaguchi's facial features and went through several designs until the crew achieved the final look. Various versions were rejected for the film's title logo, feeling
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Kitamura didn't want Tenshu to wear prison garb throughout the whole film, feeling it looked "tacky and improbable". Black lab-coats were chosen for the scientists to balance the surreal tone of the isolation cell. Kitamura also wanted the black lab-coats to be more "lustrous". Since the worldview
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Visual effects supervisor Takeshi Shin felt that filming the scene on-set would have restricted the crew due to the amount of wire-action involved and a virtual set allowed them to overcome those limitations. Shin added distortion effects to "show that the Isomer is something that you see and yet
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Kitamura intentionally did not specify the time frame or setting of the film, wishing for the film to be universal. The film originally began with Tenshu being executed by hanging but Kitamura found the idea "too tacky" and decided on an electric chair instead, feeling that an electric chair was
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stated "Kitamura more concerned with lavish production design, super f/x and (gasp!) talk. Item will still live it up at specialty and adventurous mainstream fests, with cult ancillary a given." He also noted that the film lacks the "imaginative, grisly mayhem" that made Kitamura's debut film
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was outlandish, Kitamura wished to only keep the characters grounded in reality. Kitamura had the film's gun effects artist Masazumi Takei train the Special Forces actors in order to look "believable". Kitamura would visit the Special Forces actors during breaks to watch them train.
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as his next project in order to prove he could direct non-Zombie films, stating, "Another thing was that I wanted to prove that I wasn't just some guy who could only direct films where Zombies blasted the hell out of each other."
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freedom, using only pillars, a steel frame, and wires. Due to the outlandish nature of the control room, the filmmakers hired people experienced in building concert stages.
623:" and concluded by saying "Kitamura has proven to be an intelligent director, combining both action and ideas, and his work shows great improvement over
542:, Kitamura wanted to shoot each scene with one shot. Director of Photography Takumi Furuya was able to utilize "run-and-gun" filming due to storyboards.
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on September 7, 2002, as part of the festival's Midnight Madness programme. The film was theatrically released in Japan on June 21, 2003.
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a "roller-coaster ride" and that the martial arts sequences don't emerge until the 76-minute mark. Andy Patrizio of
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instead but Kitamura declined, stating: "I didn't want to do something I'd already done". Kitamura chose
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was theatrically released in Japan on June 21, 2003.
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1965:Films directed by Ryuhei Kitamura
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1815:The Midnight Meat Train
1696:Japanese Movie Database
1642:Shin, Keishiro (2004).
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255:June 21, 2003
1644:Alive Audio Commentary
468:– second unit director
225:The Klock Worx Company
438:– director, co-writer
1985:2000s Japanese films
1801:Godzilla: Final Wars
1653:Interviews with Cast
588:was screened at the
320:science fiction film
1970:Films shot in Tokyo
1655:(DVD). Tokyo Shock.
1646:(DVD). Tokyo Shock.
1637:(DVD). Tokyo Shock.
1514:on October 19, 2013
318:is a 2002 Japanese
1744:Films directed by
600:Eddie Cockrell of
409:Bengal as Tokutake
16:2002 Japanese film
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1893:Down to Hell
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1829:No One Lives
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1704:. Retrieved
1678:
1667:
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1643:
1635:Making Alive
1634:
1612:
1600:. Retrieved
1596:
1586:
1574:. Retrieved
1563:
1553:
1541:. Retrieved
1537:
1528:
1516:. Retrieved
1512:the original
1502:
1495:Takatsu 2004
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1483:Takatsu 2004
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1459:Takatsu 2004
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712:December 10,
710:. Retrieved
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398:Jun Kunimura
365:Hideo Sakaki
351:
344:Jun Kunimura
332:Hideo Sakaki
299:
298:
297:
272:Running time
263: (Japan)
213:Napalm Films
194:Daisuke Yano
162:Hideo Sakaki
126:
48:
1919:Video games
1861:The Doorman
1576:December 2,
640:Tokyo Shock
474:Development
383:Shun Sugata
276:110 minutes
210:Suplex Inc.
138:Produced by
91:Directed by
1950:2002 films
1944:Categories
1706:2007-07-21
652:References
631:Home media
581:Theatrical
424:Production
385:as Matsuda
330:and stars
259:2003-06-21
244:2002-09-07
200:Production
1845:Downrange
1808:LoveDeath
1617:Shin 2004
1447:Shin 2004
1255:Shin 2004
1243:Shin 2004
1231:Shin 2004
1219:Shin 2004
1207:Shin 2004
1075:Shin 2004
1063:Shin 2004
1051:Shin 2004
1039:Shin 2004
931:Shin 2004
415:as Gondoh
400:as Kojima
202:companies
179:Edited by
1908:Longinus
1793:Sky High
1700:Archived
1684:AllMovie
1619:, 29:09.
1602:July 28,
1597:DVD Talk
1570:Archived
1543:July 28,
1518:July 28,
1497:, 23:10.
1485:, 22:26.
1473:, 21:18.
1461:, 20:53.
1449:, 25:34.
1437:, 17:21.
1425:, 16:57.
1413:, 16:33.
1401:, 19:17.
1389:, 18:51.
1377:, 16:10.
1365:, 15:30.
1353:, 15:04.
1341:, 14:07.
1329:, 13:55.
1317:, 13:41.
1305:, 19:31.
1293:, 11:44.
1281:, 11:33.
1269:, 10:02.
1257:, 25:21.
1245:, 19:08.
1233:, 14:01.
1221:, 08:02.
1209:, 01:43.
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1185:, 25:03.
1173:, 24:34.
1161:, 18:06.
1149:, 05:58.
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1101:, 03:49.
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1065:, 04:56.
1053:, 22:48.
1041:, 08:10.
1029:, 23:56.
1017:, 19:50.
1005:, 12:52.
993:, 12:21.
981:, 11:50.
969:, 02:42.
957:, 02:29.
945:, 00:26.
933:, 03:34.
921:, 12:38.
909:, 12:26.
897:, 09:04.
885:, 08:47.
873:, 04:48.
861:, 03:19.
849:, 03:06.
837:, 02:55.
825:, 02:18.
813:, 02:00.
801:, 01:35.
789:, 01:13.
777:, 00:48.
765:, 25:31.
753:, 05:29.
741:, 05:03.
729:, 11:04.
706:Archived
394:as Zeros
292:Japanese
289:Language
227:Skyworks
187:Music by
155:Starring
123:Based on
1777:Aragami
1627:Sources
1560:"Alive"
701:Variety
696:"Alive"
603:Variety
576:Release
533:Filming
524:Writing
281:Country
257: (
242: (
1930:(2004)
1911:(2004)
1903:(2002)
1895:(1997)
1889:(1996)
1880:Shorts
1872:(2022)
1864:(2020)
1856:(2018)
1848:(2017)
1840:(2014)
1832:(2012)
1824:(2009)
1818:(2008)
1810:(2006)
1804:(2004)
1796:(2003)
1788:(2003)
1780:(2003)
1772:(2002)
1764:(2000)
1761:Versus
1534:"アライヴ"
625:Versus
621:Versus
610:Versus
556:Versus
540:Versus
502:Versus
490:Versus
481:Versus
377:Koyuki
346:, and
340:Koyuki
313:Araivu
248: (
78:Araivu
1822:Baton
1785:Azumi
1769:Alive
1753:Films
1691:ＡＬＩＶＥ
1679:Alive
1668:Alive
647:Notes
636:Alive
586:Alive
567:Music
517:Alien
494:Alive
486:Alive
352:Alive
300:Alive
284:Japan
127:Alive
50:Kanji
22:Alive
1673:IMDb
1604:2020
1578:2022
1545:2020
1538:Eiga
1520:2020
714:2022
429:Crew
358:Cast
307:アライヴ
250:TIFF
57:アライヴ
1682:at
1671:at
1565:IGN
627:."
616:IGN
371:Ryō
336:Ryo
130:by
1946::
1698:.
1595:.
1568:.
1562:.
1536:.
704:.
698:.
660:^
520:.
342:,
338:,
334:,
310:,
1737:e
1730:t
1723:v
1709:.
1606:.
1580:.
1547:.
1522:.
716:.
316:)
304:(
261:)
252:)
246:)
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