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391:, questions the meaning and make-up of power—electrical and political. Epstein made a monograph of the American Power pictures (2009), in which he wrote that he was often stopped by corporate security guards and once interrogated by the FBI for standing on public streets and pointing his camera at energy infrastructure. The large-scale prints from this series have been exhibited worldwide.
410:"Epstein has made clear that his intention is neither to illustrate political events nor to create persuasive propaganda. Rather, he raises the more challenging question of how inherently abstract political concepts about the nation and the culture as a whole can be represented photographically…But equally significant is the unique form of documentary storytelling that he has invented in
426:"What is interesting, beyond the haunting, complicated beauty and precision of these images, is Mr. Epstein's ability to merge what have long been considered opposing terms: photo-conceptualism and so-called documentary photography. He utilizes the supersize scale and saturated color of conceptualism, and his odd, implied narratives strongly recall the work of artists like Jeff Wall."
281:"He stands between artistic tradition and originality and makes pictures about abandoned rocking-horses and danger, about middle-age dazzled by spring blossoms, about children confused by sex and beasts. He has learned the terms of black-and-white photography, and although he adds color, he hasn't abandoned them, loving photography's past while trying to step into its future."
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and black and white film to depict the interplay between society and nature. "Epstein's trees extend the photographer's longstanding interest in mankind's disruption of our environment," writes Rob
Slifkin, "...his new work typically addresses this theme of human engagement with nature without
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By the mid-1970s, Epstein had abandoned his academic studies and begun to travel, embarking on a photographic exploration of the United States. Ten of the photographs he made during this period were in a 1977 group exhibition at Light
Gallery in New York. Ben Lifson wrote in his
365:, to record the demise of his father's two businesses—a retail furniture store and a low-rent real estate empire. The resulting project assembled large-format photographs, video, archival materials, interviews and writing by Epstein. The book,
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Epstein identified his travels in India for his photography work and as part of Nair's various film productions as perspective-shifting. He describes the trips to India as among the most important experiences in his life.
478:. Awarded a 6-month residency, he moved to Berlin with his wife and daughter from January–June 2008. The photographs he made there of significant historical sites were published in the monograph
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recourse to the inclusion of actual people. Instead it is the way the human environment clumsily perches itself upon and amidst the natural world that defines
Epstein's approach to landscape."
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review, Dave
Coggins wrote that Epstein "grounds his images…in the human condition, combining empathy with sharp social observation, politics with sheer beauty." In an essay for the catalogue
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From 2004 to 2009, Epstein investigated energy production and consumption in the United States, photographing in and around various energy production sites. This series, titled
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and Paul Lazar, this theatrical rendition of
Epstein's photographic series combines projected photographs, archival material, video, music, and storytelling.
369:, which combined all of these elements, won the 2004 Kraszna-Kraus Best Photography Book of the Year award. In reviewing the book, Nancy Princenthal wrote in
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From 1992 to 1995, Epstein photographed in
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Having lived and traveled beyond the United States for over a decade, Epstein began to spend more time in New York City. His 1999 series
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ended in divorce. Epstein experienced "uncomfortable" racial discrimination due to his interracial relationship with Nair.
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In 2009, Epstein collaborated with his second wife, author Susan Bell, on a public art project and website based on
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writes, "In a show full of small pleasures, little prepares one for the stunning epiphany contained in
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He has also worked as a director, cinematographer, and production designer on several films, including
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New Yorker: "Whirlwind: How the filmmaker Mira Nair makes people see the world her way" By John Lahr
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He currently lives in New York with his wife and collaborator Susan Bell, and his daughter.
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that "his patiently plotted bell curve" of the history of the family business "is worthy of
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investigated the relationship between public and private life in New York. Reviewing
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He was previously a visiting artist and professor in the photography program at
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150:(2003), which won the 2004 Kraszna-Krausz Photography Book Award;
1264:"Snapshot: 'New York Trees, Rocks & Clouds' by Mitch Epstein"
1362:"A Gut-Wrenching but Graceful Photo Project on Trump's America"
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Epstein's work is held in the following permanent collections:
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In 1978, he journeyed to India with his future wife, director
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wrote that the pictures " as assured as they are ambitious."
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is a compilation of his Indian photographs from this period.
142:(born 1952) is an American photographer. His books include
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1513:"Mitch Epstein (The J. Paul Getty Museum Collection)"
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Reviewing an exhibition of the
Vietnam pictures for
456:in London. Created in collaboration with directors
260:, New York, where he was a student of photographer
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773:(1992) – Cinematographer and production designer
765:(1988) – Cinematographer and production designer
444:in Minneapolis commissioned Epstein and cellist
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361:In 1999, Epstein returned to his hometown of
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1245:"New York City, in Between Rocks and Clouds"
831:Guna S. Mundheim Fellow in the Visual Arts,
828:Kraszna-Krausz Photography Book Award (2004)
565:. Tenri-shi, Japan: Tenrikyō Dōyūsha, 1996.
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109:Guna S. Mundheim Fellow in the Visual Arts
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627:Recreation: American photographs 1973–1988
152:Recreation: American Photographs 1973–1988
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563:Fire, Water, Wind: Photographs from Tenri
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1031:"Vietnam: Mitch Epstein at Julie Saul"
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400:Contemporary African Photography from
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698:. Göttingen, Germany: Steidl, 2018.
685:. Göttingen, Germany: Steidl, 2013.
657:. Göttingen, Germany: Steidl, 2009.
643:. Göttingen, Germany: Steidl, 2006.
629:. Göttingen, Germany: Steidl, 2005.
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737:. Göttingen, Germany: Steidl 2021.
724:. Göttingen, Germany: Steidl 2021.
248:. In the early 1970s he studied at
240:, Massachusetts. He graduated from
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1638:People from Holyoke, Massachusetts
1262:Franklin, Alice (March 17, 2017).
1186:Schwendener, Martha (2007-03-30).
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1439:John Simon Guggenheim Foundation
1390:Henri Cartier-Bresson Foundation
1156:"Mitch Epstein's Katrina Moment"
1132:. Art in America. Archived from
1085:. Art in America. Archived from
1033:. Art in America. Archived from
794:Henri Cartier-Bresson Foundation
757:(1985) – Director of photography
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1059:. Village Voice. Archived from
1007:. Village Voice. Archived from
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517:His first marriage to director
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214:Whitney Museum of American Art
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254:Rhode Island School of Design
63:Rhode Island School of Design
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1477:"Mitch Epstein | MoMA"
1005:"Dark Days at Summer Light"
903:"Dark Days at Summer Light"
901:Lifson, Ben (August 1977).
435:The What Is American Power?
422:, Martha Schwendener wrote:
406:(2011), Brian Wallis wrote,
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315:Vietnam: A Book of Changes.
308:Vietnam: A Book of Changes.
44:1952 (age 71–72)
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922:"Past Photography winners"
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577:Vietnam: A Book of Changes
496:For his New York trilogy,
476:American Academy in Berlin
454:Victoria and Albert Museum
144:Vietnam: A Book of Changes
1628:American cinematographers
1623:American photojournalists
1549:"Mitch Epstein born 1952"
993:Accessed 1 February 2010.
984:Mitch Epstein. Biography.
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470:In 2008, Epstein won the
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404:: Appropriated Landscapes
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363:Holyoke, Massachusetts
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1316:The Criterion Channel
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819:Guggenheim Fellowship
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870:J. Paul Getty Museum
859:Museum of Modern Art
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210:Museum of Modern Art
1643:Cooper Union alumni
1283:"Here is the World"
545:In Pursuit of India
301:In Pursuit of India
156:Mitch Epstein: Work
1192:The New York Times
1083:"Going Home Again"
989:2010-05-20 at the
966:2011-08-14 at the
804:, Lausanne, 2011;
770:Mississippi Masala
420:The New York Times
323:Peter von Ziegesar
202:Mississippi Masala
1416:. 4 November 2011
1287:Jeu De Paume Blog
1110:. Steidlville.com
802:Musée de l'Élysée
730:978-3-95829-901-6
717:978-3-95829-609-1
704:978-3-95829-160-7
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1458:Prix Pictet
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850:Collections
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825:(2002–2003)
506:view camera
246:Barry Moser
226:Tate Modern
101:Prix Pictet
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1597:Categories
1444:2021-10-11
1420:2023-07-25
1395:2023-07-25
1371:2022-01-12
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1057:"The City"
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519:Mira Nair
440:In 2013,
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591:The City
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186:(2021).
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375:Dreiser
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1166:(PDF)
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1583:IMDb
1553:Tate
1295:2012
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