760:, a painting that made history when, in 1973, the Australian government bought it for $ 2 million. A Pollock biographer wrote: "... dense web of white strokes, as elegant as Oriental calligraphy, impressed Jackson so much that in a letter to Louis Bunce he described Tobey, a West Coast artist, as an 'exception' to the rule that New York was 'the only real place in America where painting (in the real sense) can come thru." Pollock went to all of Tobey's Willard Gallery shows where Tobey presented small to medium-sized canvases, measuring approximately 33 by 45 inches (840 mm × 1,140 mm). After Pollock viewed them, he went back home and blew them up to 9 by 12 feet (2.7 m × 3.7 m), pouring paint onto the canvas instead of brushing it on. Pollock was never really concerned with diffused light, but he was very interested in Tobey's idea of covering the entire canvas with marks up to and including its edges, something not done previously in American art.
389:, who was also on the faculty. Introduced by Tobey to the Baháʼí Faith, Leach became a convert. During his stay in Devon, Tobey found time to travel to Mexico (1931), Europe, and Palestine (1932). In 1934, Tobey and Leach traveled together through France and Italy, then sailed from Naples to Hong Kong and Shanghai, where they parted company. Leach went on to Japan, while Tobey remained in Shanghai visiting his old friend, Teng Kuei, before departing for Japan. Japanese authorities confiscated and destroyed an edition of 31 drawings on wet paper that Tobey had brought with him from England to be published in Japan. No explanation for their destruction has been noted; possibly they considered his sketches of nude men pornographic. In early summer, he studied
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818:, Madrid, Spain, November 11, 1997 – January 12, 1998 where the exhibition brought together about 130 works from some 56 different collections, covering the years from 1924 to 1975. Two of Tobey's paintings are in Guggenheim collections. A number of his figurative and abstract works are held by the Dartington Hall Trust. Four of Tobey's signed lithographs hang in the reception hall in the
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Nine years ago in 1935, Mark Tobey evolved the technique of white writing, which has distinguished his work. This method, a fusion of the spirit of
Chinese writing with morphic characters rooted in twentieth-century painting, derives from Tobey's intensely personalized vision. ... It is presumably
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film festivals. Acknowledging "academic responsibility," Hallsten enrolled in graduate school at the
University of Washington's department of Scandinavian languages and literature in the early 1950s and, after receiving his master's degree, Tobey began referring to him by the honorific, Professor.
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Tobey is most noted for his late "white writing" style, where an overlay of white or light-colored calligraphic brush strokes is painted over an abstract field of muted color, which is itself composed of small, interwoven brush strokes. This method, in turn, gave rise to the type of "all-over"
592:, p. 134), concentrated on his art, while Hallsten felt restless and traveled through Europe, returning to Basel. In 1960, Tobey participated in the Association of Visual Artists Vienna Secession, and in the following year, he became the first American painter to exhibit at the
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498:. Wehr, an undergraduate at the time, happily accepted the opportunity to serve as a stand-in music composition tutor for Tobey and over time became friends with him and his circle of artists, becoming a painter himself, as well as a chronicler of the group.
172:. Senior in age and experience, he had a strong influence on the others; friend and mentor, Tobey shared their interest in philosophy and Eastern religions. Similar to others of the Northwest School, Tobey was mostly self-taught after early studies at the
350:, who was 20 years younger. Inspired by Inverarity's high-school project, Tobey developed interest in three-dimensional form and carved some 100 pieces of soap sculpture. The next year, Tobey co-founded the Free and Creative Art School in Seattle with
377:(MoMA), saw the show and selected several pictures from it for inclusion in MoMA's 1930 exhibition: Painting and Sculpture by Living Americans. In 1931, Tobey became a resident artist of the Elmhurst Progressive School while teaching at
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family. His parents were George Tobey, a carpenter and house builder, and Emma
Cleveland Tobey. The father carved animals from stone and sometimes drew animals for young Mark to cut out with scissors. In 1893, the family settled in
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with him) to write an essay for the Tobey work at
Willard to clarify Tobey's position. This essay both acknowledged Tobey's orientation toward Asia and emphasized an important distinction between his white writing and the
152:, although the motives for his compositions differ philosophically from most Abstract Expressionist painters. His work was widely recognized throughout the United States and Europe. Along with
415:. Sometime in November or December, while working at night at Dartington Hall and listening to the horses breathe in the field outside his window, he painted a series of three paintings,
666:, where a lot of the future Abstract Expressionists were then exhibiting, Tobey did not want to confuse people as he was based in Seattle with strong ties to Asian art. Willard hired
766:, another Northwest School artist and diagnosed manic-depressive, was obsessed with Tobey, and suffered the delusion that she and Tobey were to be married, even though Tobey was gay.
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in 1921 was in part an effort for a new start following a marriage and quick divorce. When his ex-wife found Tobey's address, she sent him a box of his clothes topped with a copy of
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623:, organized by the Addison Gallery of American Art Philips Academy of Andover, Massachusetts, and curated by Debra Bricker Balken. The exhibition was able to draw crowds from the
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454:, under the supervision of Inverarity. In June 1939, when Tobey attended a Baháʼí summer program and overstayed his allotted vacation time, Inverarity dropped him from the
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where he converted to the Baháʼí Faith. His conversion led him to explore the representation of the spiritual in art. In the following years, Tobey delved into works of
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in New York had seen some of Tobey's WPA paintings and gave him a show in 1944, which was considered to be a major success. In 1945, he gave a solo exhibition at the
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Tobey expected to return to teaching in
England in 1938, but the mounting tensions of war building in Europe kept him in the US. Instead, he began to work on the
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191:, it became an important part of his life. Whether Tobey's all-over paintings, marked by oriental brushwork and calligraphic strokes, were an influencer on
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228:. He studied at the Art Institute of Chicago from 1906 to 1908, but, like others of the Northwest School, was mostly self-taught. In 1911, he moved to
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1043:, Appelhof, Ruth Stevens, The Expressionist Landscape: North American Modernist Painting, 1920–1947, Birmingham Museum of Art, 1988, p. 60.
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In 2017 (from 6 May to 17 September), an important retrospective exhibition of Tobey's mature work was mounted in Venice, Italy, sponsored by the
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810:. There have been at least four posthumous individual exhibitions of Tobey's work: National Gallery of Art, Washington, D.C., USA, 1984;
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Tobey was an incessant traveler, visiting Mexico, Europe, Palestine, Israel, Turkey, Lebanon, China and Japan. After converting to the
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entitled, "Mystic
Painters of the Northwest," which placed them in the national limelight. The four were considered founders of the
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Tobey and
Hallsten emigrated to Basel, Switzerland in the early 1960s. Tobey, who had been an incessant traveler in earlier years (
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Cornish, Nellie C. "Miss Aunt Nellie: The
Autobiography of Nellie C. Cornish". Seattle, University of Washington, 1964, p. 134-35
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1350:"Iridescent Light: The Emergence of Northwest - Art Delores Tarzan Ament, Mary Randlett (University of Washington/MONA)"
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Tobey, the senior of the 'mystical painters', was an influence on Graves. Tobey studied piano and music theory with
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1323:"Mark Tobey paints the first of his influential white-writing style paintings in November or December 1935"
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occurred in 1935; he also traveled to New York, Washington, D.C., Alberta, Canada, as well as Haifa for a
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The Eighth Lively Art: Conversations with
Painters, Poets, Musicians & the Wicked Witch of the West
1219:"Review: "Mine are the Orient, the Occident, science, religion, cities, space, and writing a picture.""
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Heiner
Hachmeister (Ed.): Mark Tobey: Werke. Oeuvres. 1945-1975. Muenster: Hachmeister Verlag 1991
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held solo shows of his work in 1940 and 1946. He studied the piano and the theory of music with
427:, in the style that would become known as "white writing" (an interlacing of fine white lines).
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303:. The beginning of his lifelong travels occurred in 1925 when he left for Europe, settling in
240:, in 1917. The following year, Tobey came in contact with New York portrait artist and Baháʼí
211:, Switzerland in the early 1960s with his companion, Pehr Hallsten; Tobey died there in 1976.
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Nothing and Everything - The Influence of Buddhism on the American Avant Garde: 1942 - 1962
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631:, Phillips Academy, Andover, Massachusetts and exhibited 4 November 2017 to 11 March 2018.
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in 1939 and they became companions, living together from 1940. By 1942, Tobey's process of
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670:(who would in 1948 open his own gallery in New York, pulling the Abstract Expressionists
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In 1929, he participated in a show that marked a change in his life: a solo exhibition at
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the following year. Another major retrospective of the artist's work took place at the
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Years of friendship, 1944-1956: the correspondence of Lyonel Feininger and Mark Tobey
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Heiner Hachmeister (Ed.): Mark Tobey: Light. Space. Muenster: Hachmeister Verlag 2004
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different from the psychic automation in is essentially under conscious direction.
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458:(WPA) project. Tobey met the Swedish scholar, Pehr Hallsten (died 1965, Basel), in
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1101:"Life magazine sheds limelight on Northwest School painters on September 28, 1953"
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in 1951. He also spent three months as guest critic of graduate students' work at
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2017:
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716:(1942), which was in the Willard show of 1944, has been compared to Pollocks's
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299:, who introduced Tobey to Eastern penmanship, beginning Tobey's exploration of
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148:. His densely structured compositions, inspired by Asian calligraphy, resemble
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Re-imagining the Modern American West: A Century of Fiction, History, and Art
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Upon returning to Seattle in 1927, Tobey shared a studio in a house near the
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Janis claimed that Tobey's style was "at odds with the latest iterations of
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616:'s National Collection of Fine Arts in 1974. Tobey died in Basel in 1976.
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paintings two years later. In 1958, he became the second American, after
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997:"Tobey, Mark (1890-1976): The Old Master of the Young American Painting"
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1947:
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814:, Essen, Germany, 1989; Galerie Beyeler, Basel, Switzerland, 1990; and
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of 1924, which is an example of work directly influenced by Surrealist
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346:(with which he was intermittently associated) with the teenage artist,
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Balken, Debra Bricker (2017) "Mark Tobey: Like Tracks in the Snow" in
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236:. His first one-man show was held at Knoedler & Company in lower
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Mark Tobey at the Seattle Public Library's Northwest Art Collection
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At least five of his works are in the permanent collections of the
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and painting frescoes for the school. He became a close friend of
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1968, "Commander, Arts and the Letters of the French Government"
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in 1944. Pollock studied the painting closely and then painted
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Mark Tobey representation in Seattle: Woodside Braseth Gallery
778:. Tobey's work can also be found in most major museums in the
494:, who was introduced to Tobey in 1949 by their pianist friend
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The Review of Arts, Literature, Philosophy and the Humanities
1189:. New York: Skira Rizzoli Publications. pp. 17–24, 207.
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740:, and thereafter, it was Tobey who had an influence on Cage.
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in Paris. Solo exhibits occurred at MoMa in 1962, and at the
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The Free Online Encyclopedia of Washington State University
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144:(December 11, 1890 – April 24, 1976) was an American
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Malone, Michael P.; Etulain, Richard W. (1 January 1989).
1329:. The Free Online Encyclopedia of Washington State History
1014:
521:. In 1952, the film "Tobey, Mark: Artist" debuted in the
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Miss Aunt Nellie: The Autobiography of Nellie C. Cornish
248:—and posed for her. During the session, Tobey read some
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354:, and in autumn, he taught an advanced art course at
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People from Centerville, Manitowoc County, Wisconsin
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195:'s drip paintings has been left unanswered. Born in
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176:. In 1921, Tobey founded the art department at The
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466:was accompanied by a new calligraphic experiment.
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1594:The American West: A Twentieth-century History
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568:, to win the International Grand Prize at the
513:, and had his first retrospective show at the
2627:School of the Art Institute of Chicago alumni
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662:When unveiling his white writing work at the
232:where he worked as a fashion illustrator for
219:Tobey was the youngest of four children in a
1502:Cage, John; Retallack, Joan (1 March 2011).
1505:MUSICAGE: CAGE MUSES on Words * Art * Music
995:Ament, Deloris Tarzan (February 16, 2003).
600:in 1966, the same year that he visited the
207:area for most of his life before moving to
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1124:. Museum of Northwest Art. Archived from
816:Museo Nacional Centro de Arte Reina Sofía
695:which would inspire many of the American
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1663:Seitz, William Chapin (1 January 1980).
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515:California Palace of the Legion of Honor
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1569:Feininger, Lyonel; Tobey, Mark (2006).
1550:. University of Arizona Press. p.
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935:. Galerie Jeanne Bucher. Archived from
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404:before returning to Seattle in autumn.
295:, a Chinese painter and student at the
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873:National Institute of Arts and Letters
860:1959, became the first American since
820:Seat of the Universal House of Justice
90:School of the Art Institute of Chicago
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1035:, Emily Carr: A Biographical Sketch,
1033:Modernism and Late Totems (1927-1932)
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407:Tobey's first solo exhibition at the
2682:LGBTQ people from Washington (state)
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1620:The Cambridge Companion to John Cage
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1299:. Seattle Art Museum. Archived from
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2632:Cornish College of the Arts faculty
2264:Athenian Seafood Restaurant and Bar
1766:World Order Vol 11 No 3 Spring 1977
1752:Tobey, M., Dahl, Arthur L. (1984),
1529:Cornish, Nellie Centennial (1964).
1347:
782:and internationally, including the
655:painting style made most famous by
490:, and, when Johnson was away, with
291:. In the following year, Tobey met
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2692:20th-century American male artists
2687:20th-century American LGBTQ people
2422:Shug's Soda Fountain and Ice Cream
1798:Mark Tobey at the Northwest Museum
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1690:. University of Washington Press.
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14:
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2672:20th-century American printmakers
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1642:Pearlman, Ellen (24 April 2012).
1617:Nicholls, David (1 August 2002).
1537:. University of Washington Press.
1321:Long, Priscilla (July 17, 2002).
864:to win the Painting Prize at the
629:Addison Gallery of American Arts
272:
1598:. U of Nebraska Press. p.
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540:published an article on Tobey,
2582:20th-century American painters
2572:Abstract expressionist artists
1739:Seitz, William Chapin (1980),
1711:Balken, Debra Bricker (2017),
1627:. Cambridge University Press.
1185:Balken, Debra Bricker (2017).
1026:
963:
902:
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838:, is named in honor of Tobey.
808:Whitney Museum of American Art
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369:'s Cafe Gallery in New York.
252:and accepted an invitation to
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1:
1625:Cambridge Companions to Music
1508:. Wesleyan University Press.
885:
566:James Abbott McNeill Whistler
456:Works Progress Administration
430:
168:, Tobey was a founder of the
2647:Converts to the Bahá'í Faith
2311:Daily Dozen Doughnut Company
1779:Works by or about Mark Tobey
1542:Etulain, Richard W. (1996).
731:
393:poetry and calligraphy at a
7:
2677:LGBTQ people from Wisconsin
2642:Federal Art Project artists
1793:Guggenheim Museum Biography
1713:Mark Tobey: Threading Light
1491:. New York: Skira Rizzoli.
1489:Mark Tobey: Threading Light
1187:Mark Tobey: Threading Light
1039:. Accessed 8 January 2013.
720:of 1945 and André Masson's
621:Peggy Guggenheim Collection
501:Tobey showed at New York's
10:
2708:
2577:American abstract painters
2397:Pike Place Chinese Cuisine
2321:Emmett Watson's Oyster Bar
2185:DeLaurenti Food & Wine
1978:Ambrose McCarthy Patterson
1754:Mark Tobey, art and belief
1088:Feininger & Tobey 2006
1061:Feininger & Tobey 2006
898:Metropolitan Museum of Art
804:Metropolitan Museum of Art
610:Dallas Museum of Fine Arts
2602:Pacific Northwest artists
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2275:Beecher's Handmade Cheese
2195:Ellenos Real Greek Yogurt
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1733:Roberts, Colette (1960),
1457:"Mark Tobey - Dartington"
1272:Cage & Retallack 2011
1248:Malone & Etulain 1989
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786:American Art Museum, the
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2377:Mr. D's Greek Delicacies
1648:. North Atlantic Books.
1122:"Mark Tobey 1890 - 1976"
933:"Expositions Mark Tobey"
746:showed Tobey's painting
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373:, then a curator at the
337:Arab and Persian writing
297:University of Washington
174:Art Institute of Chicago
2612:Painters from Wisconsin
2541:Victor Steinbrueck Park
2211:Golden Age Collectables
2201:Frank's Quality Produce
2080:WikiProject Visual arts
2043:Museum of Northwest Art
1229:(4). January–March 1998
850:1961, won first prize,
776:Museum of Northwest Art
744:Elizabeth Bayley Willis
697:Abstract Expressionists
533:On September 28, 1953,
348:Robert Bruce Inverarity
315:, and also traveled to
311:. He spent a winter at
2662:American LGBTQ artists
2657:Northwest School (art)
2587:American male painters
2523:Pike Street Hill Climb
2246:Unexpected Productions
2231:Pike Place Fish Market
2226:Old Seattle Paperworks
862:James McNeill Whistler
852:Carnegie International
706:
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585:
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197:Centerville, Wisconsin
150:Abstract expressionism
110:Abstract Expressionism
2607:Painters from Seattle
2013:James Washington, Jr.
1973:Hilda Grossman Morris
1928:Barbara Straker James
1684:Wehr, Wesley (2000).
1037:Vancouver Art Gallery
871:1956, elected at the
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509:on the invitation of
496:Berthe Poncy Jacobson
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288:The Light That Failed
262:East Asian philosophy
199:, Tobey lived in the
2652:20th-century Bahá'ís
2447:Uli's Famous Sausage
2417:Rachel's Ginger Beer
2362:Matt's in the Market
2351:Manning's Cafeterias
2326:Ghost Alley Espresso
2038:Foster/White Gallery
1953:John Franklin Koenig
1788:Committee Mark Tobey
1432:"Advance of History"
1381:South Seattle Beacon
1377:"Art for art's sake"
796:Museum of Modern Art
659:and later painters.
484:Arts Club of Chicago
375:Museum of Modern Art
1722:(English edition),
881:International Award
602:Baháʼí World Center
476:Portland Art Museum
452:Federal Art Project
371:Alfred H. Barr, Jr.
301:Chinese calligraphy
277:Tobey's arrival in
2482:Victor Steinbrueck
2437:Three Girls Bakery
2402:Pike Place Chowder
2387:Original Starbucks
2048:Seattle Art Museum
1903:Doris Totten Chase
1107:. HistoryLink.org.
1023:, p. 134-135.
831:Anatoma tobeyoides
652:
594:Pavillon de Marsan
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584:Mark Tobey in 1964
448:
409:Seattle Art Museum
258:Arabian literature
2637:Pike Place Market
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2427:Storyville Coffee
2412:Piroshky Piroshky
2392:Pike Place Bakery
2221:Market Magic Shop
2206:Giant Shoe Museum
2190:El Mercado Latino
2120:Pike Place Market
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2057:Related movements
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1730:(Italian edition)
1728:978-0-8478-5978-8
1720:978-0-8478-5904-7
1697:978-0-295-97956-4
1676:978-0-405-12893-6
1655:978-1-58394-379-3
1634:978-0-521-78968-4
1561:978-0-8165-1683-4
1515:978-0-8195-7186-1
1497:978-0-8478-5904-7
1407:"Trembling Space"
1196:978-0-8478-5904-7
973:. Namen der Kunst
726:automatic writing
722:Automatic Drawing
699:. To quote Janis:
689:automatic writing
680:Robert Motherwell
676:Willem de Kooning
644:Thanksgiving Leaf
413:Baháʼí pilgrimage
260:and teachings of
250:Baháʼí literature
244:—an associate of
221:Congregationalist
142:Mark George Tobey
139:
138:
51:December 11, 1890
2699:
2622:American Bahá'ís
2331:Jack's Fish Spot
2306:The Crumpet Shop
2290:The Confectional
2252:
2251:
2113:
2106:
2099:
2090:
2089:
2003:George Tsutakawa
1958:Philip McCracken
1872:Kenneth Callahan
1857:
1856:
1846:Northwest School
1838:
1831:
1824:
1815:
1814:
1783:Internet Archive
1701:
1680:
1659:
1638:
1613:
1597:
1586:
1565:
1549:
1538:
1536:
1519:
1476:
1475:
1473:
1472:
1463:. Archived from
1453:
1447:
1446:
1444:
1443:
1428:
1422:
1421:
1419:
1418:
1403:
1397:
1396:
1394:
1392:
1387:on March 3, 2014
1383:. Archived from
1372:
1366:
1365:
1363:
1361:
1348:Pickles, Wendy.
1345:
1339:
1338:
1336:
1334:
1318:
1312:
1311:
1309:
1308:
1297:"The Collection"
1293:
1287:
1281:
1275:
1269:
1263:
1257:
1251:
1245:
1239:
1238:
1236:
1234:
1215:
1209:
1208:
1182:
1165:
1164:, p. 45-55.
1159:
1153:
1147:
1138:
1137:
1135:
1133:
1128:on June 23, 2007
1118:
1109:
1108:
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1085:
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1064:
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1030:
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1007:
992:
983:
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980:
978:
967:
961:
955:
949:
948:
946:
944:
939:on March 2, 2014
929:
923:
920:
911:
906:
900:
895:
598:Stedelijk Museum
554:Northwest School
546:Kenneth Callahan
307:where Tobey met
170:Northwest School
158:Kenneth Callahan
126:
114:Northwest School
73:
50:
48:
33:
19:
18:
16:American painter
2707:
2706:
2702:
2701:
2700:
2698:
2697:
2696:
2562:
2561:
2560:
2555:
2545:
2496:
2461:
2442:Turkish Delight
2250:
2216:Left Bank Books
2180:Chukar Cherries
2168:
2154:Sanitary Market
2122:
2117:
2087:
2082:
2073:
2069:Pilchuck School
2052:
2022:
1908:William Cumming
1886:
1848:
1842:
1775:
1708:
1706:Further reading
1698:
1677:
1656:
1635:
1610:
1583:
1575:. Hatje Cantz.
1562:
1516:
1479:
1470:
1468:
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930:
926:
921:
914:
907:
903:
896:
892:
888:
844:
834:, a species of
812:Museum Folkwang
772:
752:Jackson Pollock
748:Bars and Flails
734:
714:Threading Light
672:Jackson Pollock
664:Willard Gallery
657:Jackson Pollock
637:
625:Venice Biennale
578:
570:Venice Biennale
560:. He began his
507:Yale University
488:Lockrem Johnson
472:Willard Gallery
433:
379:Dartington Hall
283:Rudyard Kipling
275:
270:
242:Juliet Thompson
217:
193:Jackson Pollock
166:William Cumming
124:
112:
81:
75:
71:
62:
52:
46:
44:
36:
24:
17:
12:
11:
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2367:Mee Sum Pastry
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2269:Bavarian Meats
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2144:Economy Market
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2015:
2010:
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1998:Charles Stokes
1995:
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1945:
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1774:
1773:External links
1771:
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1707:
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1696:
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1669:. Arno Press.
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1398:
1375:Dillon, Mike.
1367:
1356:. ralphmag.org
1340:
1313:
1288:
1286:, p. 125.
1276:
1274:, p. 195.
1264:
1252:
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1240:
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1090:, p. 164.
1080:
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1065:
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503:Whitney Museum
468:Marian Willard
464:abstractionism
446:on paper, 1954
432:
429:
344:Cornish School
325:Constantinople
309:Gertrude Stein
274:
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184:, Washington.
178:Cornish School
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96:Known for
93:
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76:
74:(aged 85)
70:April 24, 1976
68:
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2667:LGBTQ Bahá'ís
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2300:Country Dough
2298:
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2285:Cafe Campagne
2283:
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2280:Biscuit Bitch
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2139:Corner Market
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2019:
2016:
2014:
2011:
2009:
2008:Windsor Utley
2006:
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1996:
1994:
1991:
1989:
1988:Mary Randlett
1986:
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1976:
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1964:
1963:Neil Meitzler
1961:
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1944:
1943:Helmi Juvonen
1941:
1939:
1936:
1934:
1933:Clayton James
1931:
1929:
1926:
1924:
1923:Walter Isaacs
1921:
1919:
1918:Paul Horiuchi
1916:
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1911:
1909:
1906:
1904:
1901:
1899:
1896:
1895:
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1877:Morris Graves
1875:
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1761:9780853981794
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1609:0-8032-8167-6
1605:
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1582:9783775716963
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1480:
1467:on 2017-01-13
1466:
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1344:
1328:
1324:
1317:
1303:on 2014-03-01
1302:
1298:
1292:
1285:
1284:Nicholls 2002
1280:
1273:
1268:
1262:, p. 38.
1261:
1260:Pearlman 2012
1256:
1249:
1244:
1228:
1224:
1220:
1214:
1206:
1202:
1198:
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1152:, p. 51.
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989:
972:
966:
960:, p. 44.
959:
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805:
801:
800:New York City
797:
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765:
764:Helmi Juvonen
761:
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749:
745:
741:
739:
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727:
723:
719:
715:
711:
705:
700:
698:
694:
690:
685:
684:Philip Guston
681:
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582:
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559:
555:
551:
550:Morris Graves
547:
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539:
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531:
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519:San Francisco
516:
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485:
481:
477:
473:
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457:
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428:
426:
425:Broadway Norm
422:
418:
414:
410:
405:
403:
399:
396:
392:
388:
387:Bernard Leach
384:
380:
376:
372:
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361:
357:
353:
349:
345:
340:
338:
335:, he studied
334:
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306:
302:
298:
294:
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280:
265:
263:
259:
255:
251:
247:
246:Khalil Gibran
243:
239:
235:
231:
230:New York City
227:
222:
212:
210:
206:
202:
198:
194:
190:
185:
183:
179:
175:
171:
167:
163:
162:Morris Graves
159:
155:
151:
147:
143:
134:
131:
128:
122:
118:
115:
111:
108:
104:
101:
98:
94:
91:
88:
84:
80:, Switzerland
79:
69:
65:
60:
56:
43:
39:
35:Tobey in 1964
32:
27:
20:
2551:
2533:
2486:
2457:Zig Zag Café
2452:Virginia Inn
2357:Market Grill
2241:Tenzing Momo
2236:Sur La Table
2031:Institutions
1993:Jay Steensma
1983:Lubin Petric
1938:William Ivey
1881:
1867:Guy Anderson
1753:
1740:
1734:
1712:
1686:
1665:
1644:
1619:
1593:
1571:
1545:
1532:
1504:
1488:
1482:Bibliography
1469:. Retrieved
1465:the original
1460:
1451:
1440:. Retrieved
1438:. 1964-01-01
1435:
1426:
1415:. Retrieved
1413:. 1961-01-01
1410:
1401:
1389:. Retrieved
1385:the original
1380:
1370:
1358:. Retrieved
1353:
1343:
1331:. Retrieved
1326:
1316:
1305:. Retrieved
1301:the original
1291:
1279:
1267:
1255:
1243:
1231:. Retrieved
1226:
1222:
1213:
1186:
1157:
1130:. Retrieved
1126:the original
1104:
1095:
1083:
1056:
1040:
1028:
1021:Cornish 1964
1016:
1004:. Retrieved
1000:
975:. Retrieved
971:"Mark Tobey"
965:
953:
941:. Retrieved
937:the original
927:
904:
893:
829:
828:
824:Baháʼí Faith
788:Tate Gallery
773:
762:
755:
747:
742:
735:
721:
717:
713:
707:
702:
668:Sidney Janis
661:
653:
643:
618:
590:Etulain 1996
587:
542:Guy Anderson
535:
532:
511:Josef Albers
500:
449:
439:
424:
421:Welcome Hero
420:
416:
406:
367:Romany Marie
364:
341:
286:
276:
218:
189:Baháʼí Faith
186:
154:Guy Anderson
141:
140:
72:(1976-04-24)
2597:1976 deaths
2592:1890 births
2554:: † Defunct
2477:Betty Bowen
2372:Michou Deli
2316:El Borracho
2256:Restaurants
2159:Silver Okum
2149:MarketFront
2134:Butterworth
2018:Wesley Wehr
1968:Carl Morris
1223:One Country
784:Smithsonian
693:Surrealists
614:Smithsonian
576:Later years
492:Wesley Wehr
273:Early years
215:Early years
130:Zoe Dusanne
55:Centerville
2566:Categories
2528:Post Alley
2487:Mark Tobey
2295:Copacabana
1948:Leo Kenney
1882:Mark Tobey
1748:0405128932
1741:Mark Tobey
1735:Mark Tobey
1666:Mark Tobey
1471:2017-02-15
1461:Dartington
1442:2017-02-15
1436:Guggenheim
1417:2017-02-15
1411:Guggenheim
1333:August 30,
1327:Essay 3894
1307:2013-05-11
1205:2016961412
1105:Essay 5342
958:Seitz 1980
886:References
879:Guggenheim
856:Pittsburgh
806:, and the
757:Blue Poles
718:Night Mist
482:, and the
431:Mid-career
356:Emily Carr
352:Edgar Ames
313:Châteaudun
254:Green Acre
205:Washington
47:1890-12-11
23:Mark Tobey
2341:Le Pichet
2336:Le Panier
2127:Buildings
1805:dead link
1162:Wehr 2000
1150:Wehr 2000
1076:Wehr 2000
836:sea snail
738:John Cage
732:Influence
710:modernism
527:Edinburgh
398:monastery
317:Barcelona
293:Teng Kuei
238:Manhattan
125:Patron(s)
86:Education
59:Wisconsin
2536:(Gerber)
2508:Gum Wall
2173:Business
2164:Triangle
2064:Fishtown
1860:Big Four
1391:March 2,
1041:See also
868:Biennale
648:aquatint
562:ink wash
538:magazine
440:Canticle
417:Broadway
400:outside
362:studio.
360:Victoria
234:McCall's
106:Movement
100:Painting
2513:History
2501:Related
1853:Artists
1781:at the
1360:July 8,
1233:July 8,
1132:July 8,
1006:July 8,
977:July 8,
943:July 8,
691:of the
470:of the
460:Ballard
279:Seattle
226:Chicago
201:Seattle
182:Seattle
146:painter
2534:Rachel
2470:People
1891:Others
1759:
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1694:
1673:
1652:
1631:
1606:
1579:
1558:
1512:
1495:
1203:
1193:
1047:
877:1956,
866:Venice
842:Awards
802:, the
794:, the
792:London
770:Legacy
682:, and
650:, 1971
548:, and
523:Venice
480:Oregon
444:casein
423:, and
391:Hai-Ku
329:Beirut
321:Greece
268:Career
164:, and
61:, U.S.
635:Style
606:Haifa
402:Kyoto
383:Devon
333:Haifa
323:. In
305:Paris
209:Basel
78:Basel
2346:Maíz
1844:The
1757:ISBN
1744:ISBN
1724:ISBN
1716:ISBN
1692:ISBN
1671:ISBN
1650:ISBN
1629:ISBN
1604:ISBN
1577:ISBN
1556:ISBN
1510:ISBN
1493:ISBN
1393:2014
1362:2007
1335:2007
1235:2007
1201:LCCN
1191:ISBN
1134:2007
1045:ISBN
1008:2007
979:2007
945:2007
780:U.S.
558:Bern
536:Life
525:and
331:and
319:and
67:Died
41:Born
2552:Key
1600:190
1552:134
909:bio
798:in
790:in
750:to
604:in
517:in
478:in
395:Zen
381:in
358:'s
285:'s
180:in
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