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proportionally small, however the faces are rendered especially well. The attention to individual details suggests portraiture. Backgrounds are sparse or a flat gradient of usually a single color with the lighter shade above and the darker below. Overall, the Master of the
Registrum Gregorii's style is iconic and monumental and represents the pinnacle of Ottonian manuscript illumination.
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His work is generally figural and characterized by large, statuesque figures enveloped in highly stylized drapery that suggest a volumetric body beneath. Shading is accomplished with lightening with white and darkening with deeper tones of the same color. The heads of the figures tend to be
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Brodsky, Pavel and Jan Parez. Katalog
Iluminovanéch rukopisu Strahovské Knihovny. Prague: Biblioteca Strahoviensis, 2008.
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Two Trier sacramentaries (Chantilly, Musée Condé, Ms. 40, ex. 1447, and Paris, Bibliothèque
Nationale, Lat. 10501)
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The
Strahov Evangelary (Prague, Library of the Royal Canonry of Premontstratensians at Strahov, DF III 3)
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46:, was an anonymous 10th-century scribe and illuminator, active in
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Kunsthistorische
Forschungen: Otto Pächt zu seinem 70. Geburtstag
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Carl
Nordenfalk, "The Chronology of the Registrum Master", in
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The small Egbert
Psalter (Trier, Stadtbibliothek, Ms. 7/9)
27:by the Master of the Registrum Gregorii, from the
61:Codices containing work ascribed to him include:
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129:Ottonian Book Illumination: An Historical Study
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88:(Paris, Bibliothèque Nationale, Lat. 8851)
131:, part II (London, 1991), pp. 61–63.
165:This article about a German artist is a
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71:(Trier, Stadtbibliothek, Hs. 171/1626)
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16:10th-century scribe and illuminator
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50:during the episcopate of
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216:Manuscript illuminators
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38:, also known as the
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