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While
Alstrup was by no means an artist, he was a competent tradesman and, unlike some of the more artistic photographers of his day, he could run a profitable business. Constantly investing in new equipment, the quality of his work improved year by year. Indeed, it is estimated he produced some
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From 1843 to 1848, he travelled around
Denmark, spending a few days or weeks in different towns where he set up temporary studios. In 1849, he finally settled in Copenhagen, opening a studio at a central location on Ăstergade near
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After leaving
Denmark in 1857, Alstrup moved to Sweden where he travelled from place to place, much as he had done in his early Danish career. In 1859 he was in
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in 1858 and continued to take portraits there for the remainder of his life. He is considered to be one of
Denmark's pioneers in the practice of photography.
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and the provinces, before his business suffered from the financial crisis of 1857. He moved to
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and set up a daguerreotype studio behind the
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with his own studio. For 16 years, he produced an enormous number of
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and trained as a goldsmith, Alstrup initially had a business in
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33,000 daguerreotypes in the 16 years he worked in
Denmark.
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where he stayed for a few years. In 1863, he practiced in
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Svenska
Fotografers Förteckning av anno 1899 resp. 1911.
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ed. Mette
Sandbye. Gyldendal, Copenhagen. 2004, p. 29.
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Mads
Alstrups virsomhed som daguerreotypist 1842â1858
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Mads
Alstrup: Granny Clausen. Daguerreotype from 1845
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63:. In the summer of 1842, he moved to
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163:Marie-Louise Berner, "
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51:Born in
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